KEVIN’S: CHINATOWN IN MAKIKI

If you’re specifically drooling for roast pork, char siu, and other Hong Kong entrée classics, Kevin’s Kitchen is the new place to go.

On a recent Sunday at high noon, the place was jammed and crammed and busy as heck. With no reservations, we (my wife Vi and our grandnephew John), opted to do takeout.

The noisy and casual crowd filled the Makiki restaurant, with folks in beach shorts looking like they might head to the beach after lunch; one table was dressier (women with jade bracelets and necklaces), perhaps eating out after Sunday church services.

The non-descript entryway of Kevin’s Kitchen, a Chinatown alternative in Makiki.

For me, this was a genuine alternative to Chinatown, ZIP code 96817. Kevin’s is the solution and destination if you’re ono for  roast pork, char siu, roast duck and chicken, chow fun, and other stables of Hong Kong/Chinatown fare. The restaurant’s non-descript entry, in ZIP code 96814, is a stone’s throw opposite the main entryway of Times Super Market

So, there’s no longer the need to venture to Maunakea Street and the markets in the environs of Hotel and Beretania Streets. No need to scope for street parking to feed the meters, seek parking in the municipal lots, or deal with the few charge-card boxes stationed within the Chinatown zone.

A sector of the restaurant, at right, offers roast pork, char siu, roast duck and chicken.

Best of all, there’s plenty of the coveted roast pork and char siu, hanging on hooks along with roast duck and chicken, in the glass-sectional like a Chinatown vendor. I would prefer the roast park chopped in larger pieces, but Kevin’s needs to work on a crispier pork skin and perhaps  larger chunks of the pork that would elevate the pork to a two-pound serving, instead of a pound. But attention must be to beef up the pork with a crispier skin first.

Kevin’s is open from 9:30 a.m. to 8:30 p.m., serving full lunches and dinners till 8:30 p.m.,  and the buzz is that the restaurant is eager to launch an earlier Chinese breakfast, too.

At lunchtime, you can order a mixed plate take-out with two or three items, or order a pound of roast park, char siu, and an order of beef broccoli.  A week after our first visit, John called in a take-out order of roast pork, roast duck and chow fun, and picked up the goodies at 4 p.m. Flexible and casual, though it might take 30 minutes to drive off with the order.

Roast pork’s on the menu, but work is needed to make the skin crispier.

The restaurant boasts a glassed-in sector where the customary roast pork, char siu, and roast duck and chicken await to be plucked and packed for take-out orders. This elevates Kevin’s a lot, with the luxury of ordering extras to go.

This is not a dim sum haven, so you need to go elsewhere if that’s your option.

This is a tale of two Kevins, playing outside the mainstay Chinatown ZIP code of 96817.  Two Kevins can be confusing and waitstaff can’t even shout “Mr. Lee” or “Mr. Li,” to add to the confusion.

Kevin Li, is  the owner. His friend, Kevin Lee, is his partner, formerly a chef at Harbor Village at the Koko Marian Center in Hawaii Kai. Ping Li, Kevin’s father, is roast maste

The restaurant is located at 1296 S. Beretania, ZIP code 96814,  opposite the front doors of the Times Super Market, which anchors this small mall. You’ll smell it before you see it, because of the lilting aroma of chow fun, roast duck, and char siu in the air.

Word of mouth has been positive about Kevin’s, and they do the customary fare of Chinese cuisine, with soups, seafood, fowl, pork and beef. The upgrades include sizzling platters of seafood, hot pots with pork, beef, seafood and lamb, vegetarian options, and party favorites like Peking duck and  Dungeness crab. The Pecking duck is listed, in Kevin’s take-out menu, as $63.90 for a whole duck and $39.95 for half a duck; no listing of the bao that commonly accompanies the duck.

When the joint is jumping, it’s a tad chaotic. On the busy Sunday, there were isolated seats at tables of four or 10, and waitresses directed the seat-seekers to the available chairs. You probably need yelling skills to order in this environment.

Consequently, this not the climate for business meetings or office gatherings,  because you pretty much have to shout above the din to be heard.

Information: (808) 888-3680…

KEVIN’S OTHER HALF-FACE ON HOLD

This is pure Facebook fare, triggered by Kevin I.’s new EP, “My Continuum,” released last week.

A FaceFollower had a legit query: “How come Kevin shows only half his face on his album cover? Does he have acne?”

Well, I went to the source, and asked Kevin – with a straight face, natch –“Do you have acne?”

The response: “Admittedly, I did have bad acne as a teenager and young man, but decades of meticulous skin care regimens, great dermatologists spending lots of ‘kala’ have improved my skin over the years. And more recently, Korean skincare products have helped, too.”

So why show only half your face now?.

Kevin I.’s half-face depicted on his new EP. Below, his smling full-face.

“The other side (not seen on the EP cover) has a half-smile, too. But is there really the other half?” he said.

The current half-face matter was for art’s sake – a popular European motif.

“Let’s just say we were going for the modern-day male version of the Mona Lisa smile: half smile, half face,” said Kevin, adding: “Joerg Alfter, the graphic designer for the EP, is from Germany, and he’s got that modern, clean, simple design that Europeans are so good at. We wanted a cover that is simple, classy, stylish and different enough to generate conversation and get attention, so from that perspective, it worked.”

Of course, it’s all inventive PR. A gimmick. You asked, he answered.

So, I had another question for Kevin: Are you saving the  other half of your face, which could be shown on the left side for a “Continuum” sequel?

His valid response: “No, but that is a great idea if there’s ever a follow-up recording. We’ll use the other half of the face and call it, what else, ‘My Continuum Part 2.’  What a great idea. I love it.”

‘Twas a good thing  Kevin was showing half of his face, not the back of his head. Then again, he could still launch another series of EPs: Back Again, Back Up, or Head’s Up.

But Kevin has a thing going with his half-face element, so he might embrace a title like, “About Face.”

 My suggestion: skip “My Continuum, Part 2,” and display his entire face, then dub the album “Full Frontal.”  Could be a winnah.

Visit www.kevin-i.com

Shari shares an important note

Shari Lynn

Shari Lynn is not going to appear at Hula’s later this month, as mentioned in an earlier column — and swiftly corrected and removed. Someone sent a poster — looked real— and I’ve seen it on social media, so it’s a horrid joke.

She sent this note, while on a sea cruise, alarmed about this faux show.

“Hi Wayne

“Thank you as always for mentioning the shows I’m doing, you know how much I appreciate it. However, I am not appearing at Hulas!!! I’m wondering where you heard that, certainly not from me! Kindly let folks know that I will not be there, nor was I booked to be there. 

“In fact, we are in the middle of the Caribbean sea on the Norwegian Joy. And will return on the 27th of the month.”

“Love to you and Vi!”…

OK, correction noted. And hereon out, will only rely on Shari for data on her forthcoming performances.

And that’s Show Biz…

GUTZI AS DICKINSON AT TAG

Mary Gutzi will star as Emily Dickinson in a Readers Theatre Production of “The Belle of Amherst,” at 7:30 p.m. Nov. 3, 4 and 5 at The Actors’ Group’s Brad Powell Theatre at The Shops at Dole Cannery in Iwilei.

Veteran Reader Theatre founder Vanita Rae Smith will direct the play based on a book by William Luce, a literary classic. “Amherst” is based on the life of poet Emily Dickison, circa 1830 to 1886, in her home at Amherst, Massachusetts, locale of the 1976 play.

Mary Gutzi

The story that embraces her recollections and encounters with significant folks in her life, including family, close friends, and acquaintances, and balances the poet’s isolation  and seclusion with the rare joy she enjoyed with her friends.

Tickets are $20, available at TAG. For reservations, call (808)722-6941 or visit www.taghawaii.net  or email tagbradpowelltheatre@gmail.com

Gutzi, a sometimes Hawaii resident who’s a Broadway star (“Cats,”  “Sunset Boulevard”)  has starred in productions here and abroad.

Her visibility will grow as she continues to take the TAG stage, like holiday show featuring singer Shari Lynn, “It’s Delightful,” “It’s DeLovely” and “It’s December,” a one-nighter, two-performance special at 4 and 7 p.m. at the Brad Powell Theatre. Tickets are $50, at (808) 722-6941.

Gutzi hopes to do a TAG benefit in the future…

Shari shares an important note

Shari Lynn

And speaking of Shari:  She is not going to appear at Hula’s later this month, as mentioned in an earlier column. Someone sent a poster — looked legit — and I’ve seen it on social media, so it’s quite a horrid joke.

She sent this note, while on a sea cruise, alarmed about this faux show.

“Hi Wayne

“Thank you as always for mentioning the shows I’m doing, you know how much I appreciate it. However, I am not appearing at Hulas!!! I’m wondering where you heard that, certainly not from me! Kindly let folks know that I will not be there, nor was I booked to be there. 

“In fact, we are in the middle of the Caribbean sea on the Norwegian Joy. And will return on the a27th of the month.”

“Love to you and Vi!”…

And sent this joyous see-worthy sea pic with hubby Michael.

So the bogus announcement has been removed…

Around ‘n’ about…

Gail Mack, Lance Luke, Keith Hiraoka and Bobby Nishida will perform  from 6 to 8 p.m. Oct. 24 at The Edge at 31 N. Pauahi St., in downtown Honolulu.

A $5 cover prevails. For reservations, call (808) 888-3228…

Mack also is assembling Luke and Nishida for a gig featuring guest Tim Hurley of the group Summer, from5 to 8 p.m. Nov. 2 at Mango Street Grill, 130 Mango St., in Wahiawa. For reservations, call Daryl at (808) 627-5451…

‘Hamilton’ grosses a whopping $4 million

Lin-Manuel Miranda

The room where it happened – at the Richard Rodgers Theatre on Broadway – has been a grand showcase for “Hamilton,” Lin-Manuel Miranda hit show. It grossed a whopping $4.042 million, for the week ending Oct. 12.

Two other shows, always in the Top 3, upped their grosses, too, last week. “Wicked” and “The Lion King” have jumped back with grosses over $2 million.

The Top 10:

1—’Hamilton,” $4.042 million

2—“Wicked,” $2.542 million

3—“The Lion King,” $2.272 million

4—”Waiting for Godot,” $1.823 million

5—”ART,” $1.764 million

6—”Mamma Mia!,” $1.763 million

7—”Death Becomes Her,” $1.608 million

8—“MJ the Musical,” $1.462 million

9—”Aladdin,” $1.378 million

10—”Just In Time,” $1.361 million

The full list of shows, courtesy the Broadway League:

And that’s Show Biz…

KEVIN I.: LOVE VOICE FOR ALL SEASONS

The arrival this week of “My Continuum,”  a five-tune EP chockful of romantic ballads, reintroduces veteran singer Kevin I. to the world (and maybe Hawaii, too).

It probably should have been released  to coincide with Valentine’s, because it’s the traditional season for love songs. Feb. 14, after all, is when the world focuses on romance, and surely, Kevin’s new CD, will lure his international audience. FYI, Feb. 14 happens to be Kevin’s birthday.

The  availability prior to Halloween means listening treats, not tricks.

And with Christmas in December approaching, it’s not a bad idea to get the EP charted for holiday gift-buying.

Hmmm, so “My Continuum” should be a collection for all seasons, all-year round.

Let me tell you the whys:

Kevin had been one of Honolulu’s favored balladeers during the ‘70s through ‘90s;  he sang solo, in hotel club shows, as well as with a dance group as a featured singer. His recordings were heard on local radio, too.

Then he abandoned his entertainment career for the next forty years, becoming an esteemed pioneer of executive and business travel, as a speaker and  an author of business travel, marketing and events.

As fate would have it, Kevin retired from his biz endeavors and focused on sharing his vintage tunes with followers across the globe – the Spotify crowd – triggering a second career minus the live concerts but a new EP laden with what his global fans favored: love tunes.

Under guidance from new mentor-producer Lance Jyo, Kevin clearly curated a roster of new material: two that he co-wrote with Jyo, and three others that Jyo co-authored.  All songs should attract his legion of fans, and I confess, if these tunes were on a roulette spin, all will would have winning appeal.

I adore ballads, so “The Love You Give (To Me)” reflects the kind of powerful gift for a crooner – deliberate, enduring, satisfying delivery, plus soothing lyrics. The song is constructed with cadence and care, perfect for Kevin’s style.

“Shine” features multi-tracking of voices, sounding like a chorus without overdoing it. However, the 5:08 length – long, by radio standards – might limit air time.

“My Forever Love” – also with the spirit of commitment — is yet another resourceful introduction to those who’ve yet to know Kevin’s engaging style. Could become the biggie of the bunch.

 “Can’t Get Back the Time” lyrically explores the value off embracing time in life, since it is elusive and disappears, with gentle piano accompaniment.

“The Last Goodbye” is a sweet departure ballad, exploring another element of romance.

Finally, for all the years I’ve known Kevin and reviewed him in concerts and on LPs and CDs, he’s never sounded this contagious perfection and glowing with amour and assurance. “The Continuum” could jumpstart an appearance on one stage or two, notably in foreign markets waiting to discover Kevin I. in the flesh. P.S: He’d welcome earning more Polaris bookings for his United treks around the world.

Think about it…

And that’s Show Biz…

Also visit: http:kevin-i.com

IT’S TRUE: RUC OUTDOES HIMSELF

Hard to believe, but it’s true. The second day (Oct. 12) of “My Hawaiian Souvenirs” —  Robert Cazimero’s sentimental journey of mentoring and molding his fabled hula halau for 50 years — was even better than the first installment the night before.

The continuation, again at the Leeward Community College Theatre, was jammed with  folks – many returnees who saw the original segment.

Kumu hula Robert Uluwehi Cazimero, aka RUC, at second Leeward concert.

My theory? The conclusion had a few stronger structural elements, notably the  assembly of Na Pualei O Likolehua dancers, in reality the kinda-sister halau of Na Kamalei O Lililehua, whose seemingly impromptu appearance tapped new depths of historical exploration.

This precise moment brought tears to my eyes, packed with unexpected  heart- and soul-tugging. Overall, this was powerful and prolific story-sharing.

In retrospect, there were 10 take-aways:

Leinaala Kalama Heine’s Na Pualei O Likolehua made a powerful appearance,

1 – Cazimero, hereafter called RUC for Robert Uluwehi Cazimero, called for the lighting of the house, after which about 14 wahine from the late Leinaala Heine Kalama’s Na Pualei O Likolehua halau left their seats to take the stage. Then RUC started singing “Pua Hone,” and his Na Kamalei gents – known for vocalizing as well as hula-ing – chimed in, shaping Dennis Kamakane’s composition (meaning “Honey Flower,” and written for his girlfriend) with profound relevance. ‘Ala had been Robert  and Roland Cazimero’s regular hula soloist, and this was her signature number,  bar none.

2 – Roland’s popular  creation with Kelii Taua, “Ho‘onani la Hokule‘a,” provided ocean commotion in voice and dance; this has always been one of  Na Kamalei’s frequent numbers, and here  it’s a gentle tribute to Boze.

Kanoe–one of the boys,

3—Kanoe Kaumeheiwa Miller, the woman dancer who once was officially part of the brotherhood of Na Kamalei, appeared in a couple of hula numbers. Not only was she allied with RUC as a dear colleague, she was widely known as the principal hula dancer at the fabled beachfront Halekulani Hotel shows. As a sistah, she did a sexy and scintillating hula in a glittering turquoise cellophane skirt and undoubtedly was a stupendous surprise and a belated acknowledgement of her link with Na Kamalei.

4—An unexpected “roll call” of sorts, midway through the show, had all halau members come to the mike, and give their names and year they became a member of Na Kamalei. Even a few makule dancers were able to keep up with the youthful gents from recent years. But clearly, the bond and dedication to RUC’s leadership were imminent. The “thens” and the “nows,” side by side, provided a unique picture of the halau’s history.

5—Bob’s Boys, the house band introduced in Part 1, returned for another serenade with the kumu and his dancer. Sorry, don’t know the last names of Richard and Keola, and Kaipo Hale, RUC’s best friend, comprised the Boys. And forget the vintage, they’ll always be Boys.

6—A segment themed “And then I wrote,” found RUC to sharing a few of his compositions that succeeded in demonstrating an earnest reflection of his life, like “House on the Corner” and “Home Pumehana.” House and home, indeed, reflected the spirit of connection and comfort.

The gents from the “now:” Halau Na Kamalei O Lililehua,

7— Remembering and respecting folks who’ve passed on provided moments of solitude. Like the earlier mention of ‘Ala and “Pua Hone,” there were other salutes to Gramps, a beloved soul from the past, via the reprise of “Hawaiian Souvenirs;” Wayne Chang, RUC’s fellow Kamehameha Schools influence and collaborator; and Maiki Aiu Lake, the legendary kumu hula who took Cazimero under her wings and nurtured his skills leading up to his  ‘uniki (graduation); the memorable “Pua Lililehua”  (composed by Kahauanu Lake and Mary Kawena Pukui for Maiki) was the proper selection to honor her.

Bully, in yellow shirt, is one of the long-time Na Kamalei dancers,

8—The Merrie Monarch Festival in Hilo, plus Na Kamalei’s win this year, have been a stressful highlight of RUC’s 50th anniversary as a kumu. The relaunch of kahiko selections like “Uwa e Ka Leo o Kohemalamalama,” “Kohe Malamalama” and “Ho‘i: Nu‘umealani,” exemplified the sweat and invention to get every note and every move right that helped them win the accolades this year. Preparation was the magic word.

9—Kumu watching among the field of Hawaiiana fans was relatively easy here. For several seasons now, Vicky Holt Takamine, kumu of Pua Ali‘I ‘Ilima, is always in the audience; she now is executive director of the PA‘I Foundation, endorsing and supporting RUC’s efforts as a fellow student of kumu Maiki. Like RUC, Takamine is an advocate of the preservation of Hawaiian Culture and Native Hawaiian traditions; her support, plus kokua from other kumu peers, demonstrate strength in collaboration and mutual respect.

Na Kamalei dancers earned Merrie Monarch laurels this year.

10—RUC’s rigorous production skills define the precision of a stunning concert. And watching the performers on stage, and spectators in the theater, you feel sense of brotherhood and loyalty emerging. Aloha is the spirit, as folks arrived at the theater on Hawaiian time, just as the lights are turned off and the show begins.  And  intermission was the time for hugs,  hoomalimali time and what-you-doing now queries, warm and joyful responses to singers and dancers. Hula, under RCU’s watch, has taken on a new flavor, like  a class reunion, where meet-and-greet sessions are plentiful. Like a school reunion, the attendees get all dolled up in finery, often with Hawaiian motifs, and give and wear lei. Gentle kisses reflect the friendship and the connectivity; this is not just a holo holo outing, it’s a destination to embrace cultural roots and share your involvement with fellow Hawaiiana fans. Further, it’s an op to get a selfie with the kumu…till the next such gathering to break bread…

And that’s Show Biz…