Here’s a peek at the Halloween pins I’ve made for the 2024 trick-or-treat season.

The pins are in the mail, to the usual receipients.

It’s been fun, creating these pins.

A night with Augie T, Andy Bumatai and Frank DeLima is still a laff riot.

The legendary trio filled the Hawaii Theatre last night (Sept. 14), with non-stop local lunacy. They’ve shared their individual brand of jokes through the decades, but this joint effort assembled different strokes of home-grown silliness.

However, this blend of comedic camaraderie is an endangered species.

At 75, DeLima is the oldest of the trio, and is retiring at year’s end. He has one more gig in December at Blue Note Hawaii, and plans to relocate from the isles to Las Vegas next year.

At 70, Bumatai does only infrequent  public gigs. His popular website podcast is his primary link with his fans.

At 56, Augie has a career outside of comedy; he’s an elected official, and serves on the city council, which subliminally might provide comedic material.

Augie credits his comedy career to Bumatai, who was his idol and influence. And Bumatai applauds DeLima for his entrée into the field.

Clearly, this gang of three have been the key lords of lunacy, with the passing of Mel Cabang and the pioneering Rap Reiplinger and James Grant Benton of Booga Booga fame.

So, the Hawaii Theatre reunion was somewhat like a party of reflection.

Augie’s shtick is linked to his Kamehameha Housing roots in Kalihi. Bumatai’s a Waianae product and DeLima is from Pauoa Valley, so the reminiscences were logically regional. And together, the three have logged 110 years of comedic bliss.

Take-aways: Augie shared true-life family and Farrington High experiences, and remains fast and quick in his joke delivery; Bumatai reiterated his Waianae reflections and now has totally white hair, like the snows of Mauna Kea,  and DeLima admitted gratitude for his multi-cultural neighborhood where he learned his Japanese, Chinese and Korean dialects in his routines.

DeLima also is the only comic with a great singing voice, and the lone one to include costuming (as Chinese game-show host, Fu Ling Yu, and his fabled “Filipino Christmas” in a lighted tree garb). And late in his career, he’s become a sit-down comic vs. a stand-up, because of mobility issues linked to seniorhood.

And that’s Show Biz…

It surprises me how silent former islander Kevin McCollum is about his prowess and proficiency on Broadway.

Like, he currently is producer of three musicals simultaneously running on the Great White Way. That’s quite an achievement.

But you won’t find his name on the bright theater marquees. You need to peruse  the Playbills, to discover McCollum’s name – above the show title, in tiny print – as well as in his bio along with the cast and artistic team.

His three current shows:

• “The Notebook,” at the Gerald Schoenfeld Theater, is his largest show based on the rom-com Nicholas Sparks’ book and consequent film, about Allie and Noah, a couple from different worlds, whose portrait of a lifetime of love is depicted in flashbacks tapping three sets of couples.  The show earned Tonys for acting but failed to win a trophy.
•  “Six” has been in production for several years at the Lena Horne Theatre; it’s a sprightly revue with a cast of six, in a modern retelling of the lives of King Henry VIII’s six wives, delivered as a sarcastic, pop-concert competition of who suffered the most. It finally closes at the end of September.
•  “Oh Mary,” at the Lyceum Theatre, is a dark comedy about Mary Todd Lincoln’s life and dreams in the days preceding Abraham Lincoln’s assassination. The play explores her personal conflicts, including alcoholism, and moved uptown to the Lyceum Theatre from the off-Broadway Lucille Lortel Theatre. It closes in November.

McCollum earns a Tony Award only if one of his shows becomes a Best Musical winner, which makes him somewhat invisible most of the time. As a producer, he’s instrumental in seeking funding for his shows. McCollum has won big, garnering three Tonys for “Rent”  (1966), “Avenue Q” (2004)  and “In the Heights” (2008).

Only the likes of the late prolific director Hal Prince (“The Phantom of the Opera,” “Merrily We Roll Along’) and the non-stop genius Andrew Lloyd Webber (“Phantom,” “Cats”) have had credits for simultaneous shows during a typical season…  

‘Broadway in Hawaii’ to unveil season

“Broadway in Hawaii” will announce its season of island-bound shows next Wednesday (Sept. 18) at Blaisdell Concert Hall.

The season will include three touring productions, titles to be unveiled at a media event,  with shows to be staged in April, June and December.

Details will be announced, and the roster surely will be all musicals…

Broadway grosses, for week ending Sept. 8

While there’s no change among the top three shows, a newbie has joined the million-dollar club: “Oh, Baby,” at the No. 9 slot.

Otherwise, the Top 10 is comprised of repeaters:

The Top 10:

1—”Wicked, “ $1,755 million

2—“The Lion King,” $1,690 million

3—” Hamilton” $1,645 million

4—“Cabaret at the Kit Kat Club,” $1,509 million

5—”Hell’s Kitchen,” $1,393 million

6—”MJ the Musical,” $1,375 million

7—”The Outsiders,” $`,307 million

8—”Moulin Rouge! The Musical,” $1,270 million

9—”Oh, Mary!” $1,105 million

10—”Aladdin,” $1,059 million

 

The full list, courtesy The Broadway League:

And that’s Show Biz…

Politics are not my usual calling, but last night’s 2024 presidential debate  between Vice President Kamala Harris and former President Donald Trump is worthy of comment.

The ABC News telecast, originating from the National Constitution Center in Philadelphia, drew 67.135 million Nielsen viewers, up 30.8 per cent. By comparison, the Trump debate with President Joe Biden in June attracted 51.3 million according to all broadcast and cable simulcast numbers, staged live via CNN.

This morning, Trump was spouting sound bites galore on news shows, that he won the debate “by a lot,” despite laments from GOP dissidents who felt he was “catastrophic” and “a train wreck.”

Might be party bias, but most folks think Harris won. Soundly, not by a whisker.

Harris looked very presidential, in control of her delivery, and swiftly went into combat mode, getting under the skin of her usually bullying opponent, the ex-president, who took the bait over and over like hungry fish, with a sour demeanor of a beaten victim.

She had strategy and a vision; he brought attitude, and a constant scowl.

She had opportunity and a playbook; he had experience, but no trajectory.

Trump lied a lot (fact-checkers counted 33 for him, 1 for Harris), but provided vulgar laughs – especially his unsubstantiated comment that immigrants in Ohio ate cats and dogs.

She had him at hello – when she grasped his hand, then announced expressly for his benefit, “I’m Kamala.”  It was a brave and daring move, that surely caught him off-guard, since Trump never uttered or mispronounced her name throughout the debate.

Let’s face it: she won, he lost, but debates don’t win elections; the battle will be decided in the Nov. 5 election.

She looked content and confident, and her prosecutorial experience glowed. She was brutal, but factual, about his legal issues, his palsy ties and adoration of questionable dictators, and his negative reputation among global leaders and former generals previously in his cabinet.

He looked miserable and uncomfortable, unable to name-call or take control. As the oldest candidate (78) now in the race, Trump’s engine is losing gas, looking and acting elderly, tense and disoriented.

Harris repeatedly said, “it’s time to turn the page,” meaning Trump and his MAGA empire should be replaced. No sequel.

However, she still needs to provide more specific details on her plans, which she vows will herald the return of democracy. Clearly, abortion, immigration and the economy are key issues in the election.

The much-delayed film, “Ke Nui Road,” has been retitled as “Rescue HI-Surf”
and will debut as a Fox action series, finally premiering Sept. 22  as an episodic TV  show.

The filmed-in-Hawaii drama, from John Wells Productions, will focus on the life and times of lifeguards amid the often-treacherous waves at the fabled North Shore’s daunting, but dangerous seven-mile coastline beloved by surfers and spectators alike.

The site is where first responders – the heroic lifeguards – bravely rescue distressed surfers, who weather the churning white waves.

The initial episode was written by Matt Kester, and the first two episodes are directed by John Wells.

Following the premiere on Sept. 22 preview, the show will debut Sept. 23 in its regular Saturday slot. Hulu will also stream the show.

The cast features Arielle Kebbel, Adam Demos, Kekoa Kekumano, Zoe Cipres, Ian Anthony Dale, Robbie Magasiva, Alex  Aiono and Shawn Hatosy…

‘Merrilly,’ the formal film version still is due

The New York Public Library’s Theatre on Film and Tape Archive has a filmed version of the recent box office hit on Broadway, “Merrily We Roll Along.” The Stephen Sondheim-George Furth film is viewable only at the library’s Lincoln Center branch.

Huh? Turns out that this version, taped in March, is a typical archival print customarily filmed for a specific audience, like qualified researchers.

The one we’re all eagerly awaiting is the version taped during the final month’s run of the Tony-winning Best Musical Revival at the Hudson Theatre. Which merrily means a formal film version still is in the works, for all to see,  but still uncertain when and where – for traditional movie theater release or streaming on an online service.

Thus, patience is a virtue here.

The difference in the NYPL version is that it films only one show, with three cameras, and no frills. The anticipated rendering was a multi-day, many cameras version, with close-up ops, and a polished final product, likely with special scenics, like aerial and backstage views.

“Merrily” starred Jonathan Groff and Daniel Radcliffe, who earned Tonys, and co-star Lindsay Mendez, a nominee.

Customary, the honor of having a show taped is reserved for acclaimed productions and these films are done in the last few weeks before closing. Thus, “The Lion King” or “Aladdin,” still in production, won’t be considered as a candidate for the archival honor till they’re nearing closure…

Broadway grosses, for the week ending Sept. 1

It’s same-old, same-old, for last week’s leaders on the Great White Way: “Wicked” is No. 1, “The Lion King” is No. 2, and “Hamilton” is No. 3.

The complete list, courtesy The Broadway Guild:

And that’s Show Biz…