DRAGONFLY AWARDS HONOR JADE STICE

The late Jade Stice, an extraordinary singer-actress on the Broadway and Hawaii theatrical scene, is the inspiration of The Dragonfly Awards, a new scholarship program providing tuition assistance to students in a core summer program conducted by the I’m a Bright Kid Foundation.

Jade’s ‘ohana is sponsoring The Dragonfly Awards to honor her memory and legacy and to provide financial assistance to youths and families with an interest and commitment to participate in the program she loved so much … and  perhaps inspire future Jade Stices.

Jade Stice: Former Bright Kid

Jade was one of the co-founders of IABK and served as the artistic director of the summer musical theater arts education program, staged every summer until her untimely death last June.

The dragonfly element is apropos, since Jade directed the very first full-length musical production for IABK, “On Dragonfly Wings,” in 2017.

The inspirational musical, written by the late Lisa Matsumoto, with music composed by Roslyn Catracchia, is a story of transformation and self-realization, goals that Jade and the summer program staff shared, to motivate every student, to instill skills in acting and dancing, and to discover the joy of participation in the theatrical experience.

The summer activity – education, culminating in a musical performance – had been Jade’s passion and trademark — and has fueled the IABK engine to promote and preserve the legacy of the late teacher-director, Ron Bright. The acclaimed mentor nurtured and inspired hundreds of students in his remarkable career,at Castle High School’s theater, now bearing his name, and he also was a luminary at Paliku Theatre at Windward Community College, where he directed some of his best-ever work.

Jade was Bright’s first student to land a role in a Broadway production, “Miss Saigon,” in 1991. Since then, numerous former Bright students – Bright Kids – have landed roles on the Broadway stage, in such mega-hits as “Wicked,” “Aladdin,” and “The Lion King.”

The Dragonfly Awards will cover tuition for the core afternoon program only.

Application deadline is April 25.

For specifics on the scholarships, visit https://imabrightkid.org/the-dragonfly-awards/

People can navigate there from the main page of the IABK website.

For the direct link to the application, go to https://docs.google.com/forms/d/e/1FAIpQLSd5qHYrALyl8BakNwIaugjuzvdWeBw3EYTofbPUhVGZ28eMyA/viewform?usp=sharing

Sajak, Moore in summer thriller

Former Army buddies Pat Sajak and Joe Moore again will team up for a summertime show, “Prescription: Murder,” July 31 to Aug. 10, at the Hawaii Theatre.

Sajak, the incomparable host of the long-running TV game show, “Wheel of Fortune,” will play Dr. Roy Flemming, and Moore, the veteran news anchor at KHON, will portray Lieutenant Columbo, in the Original  Columbo Mystery Thriller.

It’s a longtime summer ritual for the TV twosome, to hone a stage show for their Hawaii fans, with proceeds benefitting the Hawaii Theatre..

The play, by William Link and Richard Levinson,inspired the TV series “Columbo,” which starred Peter Falk.

Rob Duval wiil direct, with local actors Therese Olival, Amy K.S Sullivan, Bryce Moore and Aiko Chinen also participating.

Performances will be at 7 p.m. Wednesdays, Thursdays, Fridays and Saturdays, with matinees at 2 p.m. Saturdays and Sundays.

Tickets: $29.50 to $84.50,  at www.hawaiitheatre.com or (808) 528=0506….

And that’s Show Biz…

HOKU AWARDS: THE NOMINEES, THE BUZZ

When you’ve been away from the Hoku Awards – formally, the Na Hoku Hanohano Awards – as I have, for several decades, the current final ballot is a stunner.

The Hawaii Academy of Recording Arts members now vote online – the final ballot was released yesterday (April 10) – via email.  The old-fashioned paper ballot is so yesterday.

I served on the HARA board of directors for the first 10 years, in the era of KCCN-AM deejays Krash Kealoha, Kimo Kahoano,  and Jacqueline “Skylark” Rosetti and station manager Ronnie Hope. I attended every awards night for 10 years, when arrivals of nominees were just as much fun as the show. Everyone looked forward to what Melveen Leed would be wearing, and what kind of zany commute Frank DeLima had planned.

The event now is in its 48th year, heading for the Big 5-0, and some reflections and observations are logical:

Jake Shimabukuro: He’s now a group.
  • Jake Shimabukuro, the ‘ukulele wizard is likely to pick up two disc-shaped prizes for Instrumental Composition and Group of the Year, with collaborator Mick Fleetwood (of Fleetwood Mac) Yes, he’s a group now.
  • There’s a scarcity of female singers; only three are nominated this year. Death has silenced the like of Auntie Genoa Keawe, Lady of Love luminary Loyal Garner, and Hawaiian/jazz stylist Teresa Bright.
  •  Mahi Beamer, a legendary Hawaiian trouper, died in 2017, and the release of his haku mele put him on the ballot belatedly.  He could win.
  • Marquee acts like Keali‘i Reichel, Robert Cazimero, Jerry Santos’ Olomana, and the Tita Melveen have pulled back their recording efforts, so chartbuster songs and allied concerts are virtually on pause.
  • Recording acts still release  CDs and DVDs, mostly sold by the acts, who are challenged to get noticed without the customary radio airplays in the past; music stores are gone, and even Costco also stopped selling recordings years ago.
  • Yet there are 32 categories in the HARA competition, indicative that the beat goes on. Academy voters have till May 2 to cast ballots. The Hoku event will be from 3 to 10 p.m. June 21, at the Hawaii Ballroom of the Sheraton Waikiki Hotel; for tickets, visit https://www.zeffy.com/en-US/ticketing/48th-na-hoku-hanohano-awards

The full list of categories and nominees:

Album of the Year:

  • “The Islands Are Calling” by Eric Lee (Lee Enterprises) – Eric Lee & Louis “Moon” Kauakahi, Producers
  • “Two Of Us” by Kailua Bay Buddies (Tin Idol Productions) – Gerard K. Gonsalves, Producer
  • “Where I’m Going” by Kala`e (Kala’e Parish Music) – Imua Garza & Kala`e Parish, Producer
  • “Kuini” by Kalani Pe`a (Peʻa Records & Entertainment) – Kalani Pe`a, Wailau Ryder, Michael Casil & Allan B. Cool-Peʻa, Producers
  • ʻMusic Manʻ by Kenny Tagavilla (Tin Idol Productions & Kenny T. Music) – Gerard K. Gonsalves & Kapena DeLima, Producers
  • “Many Feathers” by Seven Suns (Ineffable Records) – Seven Suns, Producers
  • “`Ano`ai” by Weldon Kekauoha (Ohelo Records & WAY House Entertainment) – Weldon Kekauoha, Producer

EP of the Year:

  • “A Cozy Christmas” by Brittni Paiva (Brittni Paiva Music)
  • “Blue Hilo Moon” by Darrell Aquino (Mana Recordings)
  • “Written On My Heart” by Jeff Rasmussen (Mango Tree Music Records LLC)
  • “Play Loud”, Vol. 1 by Kapena School Of Music (KSMCE Music Hub)
  • “Stewards Of The Earth” by Kenneth Makuakāne (Makuakāne Music)

Hawaiian EP of the Year:

  • “Ho`i Ke Aloha” by Christy Leinaʻala Lassiter (Christy Leinaʻala Lassiter)
  • “Kauluwehi” by Gregory Juan (Kahikina Productions)
  • “Hawaii Island Mele” by Keoki Kahumoku (featuring Sonny Lim) (Hawaiian Harmonics)
  • “Hanohano Wailea” by Sandy Essman (Tin Idol Productions)
  • “Pahumoa” by Wayne Kamake`e`aina (Wayne K Productions)

Single of the Year:

  • “Don’t Let Me Fade” by Brittni Paiva (Brittni Paiva Music)
  • “Blue Hilo Moon” by Darrell Aquino (Mana Recordings)
  • “Gravity” by Gerard K. Gonsalves (Tin Idol Productions)
  • “Le Tu`una” Oe by Josh Tatofi (Josh Tatofi)
  • “Kickin’ Back” by Kala`e (Kala’e Parish Music)
  • “Killin’ Island Time” by Kala`e + Kalena (Kala`e Parish Music)
  • “Many Feathers” by Seven Suns (Ineffable Records)

Hawaiian Single of the Year:

  • “He Mele No Ka Pāo`o” by Gregory Juan (Kahikina Productions)
  • “Ka Leo Kupuna” by Hi`ikua (Kanemakua Records)
  • “Ho`omālamalama” by Kahiau Lam Ho (Kahiau Lam Ho)
  • “Keali`i: A Mele For King Kamahele” by Hoku Zuttemeister (Kaleiola Records)
  • “Pua Hone” by Sandy Essman feat. Kenneth Makuakane (Tin Idol Productions)

Christmas Single of the Year:

  • “This Christmas” by Brittni Paiva (Brittni Paiva Music)
  • “Let It Snow!” by Christy Leina`ala Lassiter (Christy Leina`ala Lassiter)
  • “It Came Upon The Midnight Clear” by Eric Lee (Lee Enterprises)
  • “Noel” by Kenny Tagavilla & Sandy Essman (Kenny T. Music & Tin Idol Productions)
  • “My Christmas Wish” by Rasmussen & Makuakāne (Makuakāne Music)

Music Video of the Year::

Hawaiian Music Video of the Year:

Instrumental Composition of the Year:

  • “The Secret Of Moloka`i” by Andrew Molina (Andrew Molina) – Andrew Molina, Composer
  • “Don’t Let Me Fade” by Brittni Paiva (Brittni Paiva Music) – Brittni Paiva, Composer
  • “Puddle Jumping” by Darrell Aquino – (Mana Recordings) – Darrell Aquino, Composer
  • “Kula Blues” by Jake Shimabukuro & Mick Fleetwood (JS Records/FortyBelow Records) – Jake Shimabukuro, Composer
  • “Mālie” by Kenneth Makuakāne (Makuakāne Music) – Kenneth Makuakāne, Composer

Song of the Year:

  • “Blue Hilo Moon” by Darrell Aquino (Mana Recordings) – Darrell Aquino, Composer
  • “Hanohano Kilauea Ku I Ka La`i” by Eric Lee (Lee Enterprises) – Eric Lee & Louis “Moon” Kauakahi, Composers
  • “Le Tu`una Oe” by Josh Tatofi (Josh Tatofi) – Josh Tatofi, Composer
  • “Kickin’ Back by Kala`e” (Kala’e Parish Music) – Kala`e Parish & Craft Brewz Music, Composers
  • “Kuleana” by Storm (Tin Idol Productions) – Sandy Essman & Gerard K. Gonsalves, Composers

Female Vocalist of the Year:

  • Charly for “Charly” (Tin Idol Productions)
  • Christy Leinaʻala Lassiter for “Ho`i Ke Aloha” (Christy Leinaʻala Lassiter)
  • Sandy Essman for “Hanohano Wailea” (Tin Idol Productions)

Male Vocalist of the Year:

  • Darrell Aquino for “Blue Hilo Moon” (Mana Recordings)
  • Kala`e for “Where I’m Going” (Kala`e Parish Music)
  • Kalani Pe`a for “Kuini” (Pe`a Records & Entertainment)
  • Kenny Tagavilla for “Music Man” (Kenny T. Music & Tin Idol Productions)
  • Weldon Kekauoha for “`Ano`ai” Ohelo Records & WAY House Entertainment)

Group of the Year:

  • Jake Shimabukuro & Mick Fleetwood for “Blues Experience” (JS Records/FortyBelow Records)
  • Kala`e + Kalena for “Kala`e + Kalena + Kalikimaka” (Kamakoa Productions)
  • Kapena for “Tribute” (Revive The Live)
  • Nuff Sedd for “Cup Of Aloha” (JPK Productions)
  • Seven Suns for “Many Feathers” (Ineffable Records)

Most Promising Artist of the Year:

  • Charly for “Charly” (Tin Idol Productions)
  • Isaiah Tavares for “Blessed Man” (Waianae Records)
  • Kahiau Lam Ho for “Ho`omālamalama” (Kahiau Lam Ho)
  • Kapena School Of Music for “Play Loud, Vol. 1” (KSMCE Music Hub)
  • Kawika Boro for “Ua Kō `Ia Iho Nō” (Zeo Music LLC)

Alternative Album of the Year:

  • “North Shore” by 808Imposters (Tin Idol Productions)
  • “The Ride” by Bad Papa (Bad Papa)
  • “Malama Aina” by Big Chief Thunder (Bamboo Room Recording)
  • “El Misfits: Elvilive” by El Sancho (El Sancho)
  • “Alter Natives” by Eric & Cathy Lagrimas (On The Up Records)
  • “Disasterville” by Eyes Of Red (Tin Idol Productions)

Anthology Album of the Year:

  • “An Anthology Of Love “30 Year Anniversary”” by Darrell Aquino (Daddy Leopard Records) – Darrell Aquino, M. Kalani Souza, Mark Caldeira & Michelle Aquino, Producers
  • “He `Umi Makahiki” by Institute of Hawaiian Music (Institute of Hawaiian Music) – Keola Donaghy, Producer
  • “”Ku`u Mana`o” by Kawika Kahiapo (Pono Records) – Kawaika Kahiapo, Producer
  • “Christmas Memories” by Kenneth Makuakāne (Makuakāne Music) – Kenneth Makuakāne, Producer
  • Timeless” by Maggie Herron (Herron Music) – Maggie Herron, Producer

Christmas Album of the Year:

  • “Slack Key For The Holidays” by Jeff Peterson (Jeff Peterson Productions)
  • “Kala`e + Kalena + Kalikimaka” by Kala’e + Kalena (Kamakoa Productions)
  • “Twas The Night Before Christmas” by Michael Chock (Seawind Productions)
  • “Sean & Mali’s Na’auao Christmas” by Sean & Mali’s Na’auao (Maliona Records)

Compilation Album of the Year:

  • “Ha`ina Ko Wehi: Celebrating West Maui in Mele” by Institute of Hawaiian Music UH Maui College (Institute of Hawaiian Music) Keola Donaghy, Joel Katz, Stephen Fox & Lance D. Collins, Producers
  • “Journey Through Hawai`i by Mana Music Quartet” (Mana Music LLC) – Kellen Paik, Producer
  • “Notes In A Bottle by Music Tech” (Music Tech) – Bailey Matsuda, Producer
  • “”Aloha Pauahi: Voices Of Legacy” by Various Artists (Kāhuli Leo Le`a) – Zachary Alaka`i Lum, Producer

Contemporary Album of the Year:

  • “Where I’m Going” by Kala`e (Kala’e Parish Music)
  • “Wild as the Wind” by Kenny Tagavilla & Sandy Essman (Tin Idol Productions)
  • “Timeless” by Michael Chock (Seawind Productions)
  • “Ryan Hooley” by Ryan Hooley (Ebb And Flow Records)

Contemporary Acoustic Album of the Year:

  • “Eclectic Much?” by Danny Johnson (Danny Johnson)
  • “Two Of Us” by Kailua Bay Buddies (Tin Idol Productions)
  • “Music Man” by Kenny Tagavilla (Tin Idol Productions & Kenny T. Music)
  • “Island Time” by Rand Anderson and Blue Grass Hawaii (Pumphouse Records)
  • “A Matter Of The Heart” by Rasmussen & Makuakāne (Makuakāne Music)
  • “Prison Walls” by Ray Buddy Golden (Mana Music & Media)

Hawaiian Music Album of the Year:

  • “The Islands Are Calling” by Eric Lee (Lee Enterprises)
  • “Hoʻomālamalama” by Kahiau Lam Ho (Kahiau Lam Ho)
  • “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • “Lei Hiwahiwa“ by Madison Makanaokahaku Scott (Madison Makanaokahaku Scott)

Hawaiian Slack Key Album of the Year:

  • “Goin Home” by Apokolani (Ouli Wai/TryLookInside)
  • “By Special Request” by George Kahumoku (KFRC)
  • “Kiho`alu: Stories In Song, Vol. 1″ by George Kuo (Dancing Cat Records)
  • “Kī Hō`alu He Welo Aloha” by Kenneth Makuakāne (Makuakāne Music)

Hip-Hop Album of the Year

  • “What Got You Here Won’t Get You There” by Cedric Clinton & EDP-Beats (Chi Funk & Our Altered State Publishing)
  • “Priced Out Of Paradise” by Punahele & SoundGaruda (SoundGaruda/808)
  • “Love Letters II” by PK DREAMZ (PK DREAMZ)
  • “Nitty Gritty” by Thomson Enos & Ya’laam aka Wiz Hotep (THP)

Instrumental Album of the Year

  • “S-K2″ by Alexander Wong (Alexander Wong)
  • “Piano In Paradise” by Kaori Kawabuchi (THP)
  • “Relections” by Noah Plays Piano (Noah Hull)
  • “Press Start” by Console: The VGM Band (Tyranny Studios)

Island Music Album of the Year

  • “He Hawai`i Au” by Desmond Yap (Desmond Yap)
  • “Ua Ola I Loko I Ke Aloha” by Kamehameha Schools Children’s Chorus – (KSCC)
  • “Hawaiian Cowboy” by Slack Key `Ohana (Pacific Records)
  • “ʻAno`ai” by Weldon Kekauoha (Ohelo Records & WAY House Entertainment)

Jazz Album of the Year

  • “Mindful, Latin And Funky” by Dan Del Negro (Dan Del Negro Music)
  • “Pecking Order” by Jeff Gaeth (Puna)
  • “Hō`ihi” by Noel Okimoto (Noel Okimoto Music)
  • “Omniportal” by Peter Shaindlin & Jay Jaskot (Forward Records)
  • “Nago Blue” by Red Nova (Red Nova)
  • “Ho`okanikapila, Maui” by Tarvin Makia & Faith Ako (Faith Ako)

Metal Album of the Year

  • “Web of Fear” by Anxiety Suite (Tin Idol Productions)
  • “Shield of Honor” by Sacred Idol (Tin Idol Productions)
  • “Queen of the Vampires” by Storm (Tin Idol Productions)

R&B Album of the Year

  • “Hey Yo” by Johnny Valentine & Kailua Bay Buddies (StudioValentineOneMusic)
  • “Ua Kō `Ia Iho Nō” by Kawika Boro (Zeo Music LLC)
  • “deLUXE” by soLUXE (soLUXE Music)
  • “Hey Child” by Stephen Henderson (Ohana Records)

Reggae Album of the Year

  • “Bridges Not Walls” by Azato (Tree N One Records)
  • “Blessed Man” by Isaiah Tavares (Waianae Records)
  • “Tribute” by Kapena (Revive The Live)
  • ” Of Aloha” by Nuff Sedd (JPK Productions)
  • “Many Feathers” by Seven Suns (Ineffable Records)

Religious Album of the Year

  • “Free Inside” by Ben Borthwick (Koʻolau Productions)
  • “Acoustic Hymns O My Father” by Darrell Aquino (Mana Recordings)
  • “In The Moment” by Jonah Davis (Aʻo ʻUkulele Productions)
  • “E Ho`omana Kākou” by Kenneth Makuakāne (Makuakāne Music)

Rock Album of the Year

  • “Coming Home” by Average Joes (Play That Disco Productions)
  • “Midnight Flames” by Masque (Masqued Melodies)
  • “A Tribute To Pat Benetar” by Sandemonium (Tin Idol Productions)
  • “Even The Good Die Young” by Stuart Hollinger (Independent)
  • “All Things I’ve Considered” by Zach Manzano (Audio Ramen)

‘Ukulele Album of the Year

  • “Generations” by Andrew Molina (Andrew Molina)
  • “Blues Experience” by Jake Shimabukuro & Mick Fleetwood (JS Records/FortyBelow Records)
  • “Resurgence” by Kris Fuchigami (Kris Fuchigami)

All of the categories above are voted on by members of the Hawaii Academy of Recording Arts.

Adjudicated Categories

These are the catagories that are voted on by specialized members of HARA in instances of Engineering, Graphics, Haku Mele, Hawaiian Language Performance and Liner Notes.

Engineering– General

  • “Resurgence” by Kris Fuchigami (Kris Fuchigami)
  • Cody Matsuda & Kanoa Kūkaua for “Ka Huliau” by Mailani Maka`ina`i (Ninjas 808 Productions)
  • Imua Garza for “Heartache Anniversary” by Rocco Olmstead (Rocco Ryan Music)
  • Kapena De Lima for “Tribute by Kapena” (Revive The Live)
  • Michael Casil & Calvin Canha for “Cup Of Aloha” by Nuff Sedd (JPK Productions)
  • Seven Suns for “Many Feathers” by Seven Suns (Ineffable Records)

Engineering –Hawaiian

  • Dave Tucciarone for “Ho`omālamalama” by Kahiau Lam Ho (Kahiau Lam Ho )
  • Kenneth Makuakāne for “Kī Hō`alu He Welo Aloha” by Kenneth Makuakāne (Makuakāne Music)
  • Keola Donaghy, Joel Katz & Wayne Kamake`e`aina for “Pahumoa” by Wayne Kamake`e`aina (Wayne K Productions)
  • Michael Casil for “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • Michael Grande for “Aloha Pauahi: Voices Of Legacy” by Various Artists (Kāhuli Leo Le`a)

Graphics

  • Dancing Hands Co. for “Aloha Pauahi: Voices Of Legacy” by Various Artists (Kāhuli Leo Le`a)
  • Daryl Fujiwara for “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • Marc C. Antosh for “Ha`ina Ko Wehi: Celebrating West Maui in Mele” by Institute of Hawaiian Music UH Maui College (Institute of Hawaiian Music)
  • Sam Seibert for “Learning to Die” by Sam Seibert (Sam Seibert )
  • Solomon Enos for “Journey Through Hawaiʻi” by Mana Music Quartet (Man Music LLC)

Haku Mele (Composers Award)

  • “Hanohano Kilauea Ku I Ka La`i” – Eric Lee & Louis “Moon” Kauakahi, Composers from “The Islands Are Calling” by Eric Lee (Lee Enterprises)
  • “He Aloha No Ka`ililauokekoa” – Louis “Moon” Kauakahi, Composer from “The Islands Are Calling” by Eric Lee (Lee Enterprises)
  • “Ka Leo Kupuna” – Kalehua Krug & Kamuela Kimokeo, Composers from “Ka Leo Kupuna” by Hiʻikua (Kanemakua Records) 
  • “Ka Nani A`o Nihon” – Chad Takatsugi, Composer from “Ua Ola I Loko I Ke Aloha” by Kamehameha Schools Children’s Chorus – (KSCC)
  • “Leilehua Ke Kuini O Ke Kai (1955)” – Edwin Mahi`ai Copp Beamer, Composer from “Aloha Pauahi: Voices Of Legacy” by Various Artists (Kāhuli Leo Le`a)

Hawaiian Language Performance

  • “Ho`omālamalama” by Kahiau Lam Ho (Kahiau Lam Ho )
  • “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • “Lei Hiwahiwa” by Madison Makanaokahaku Scott (Madison Makanaokahaku Scott)
  • “The Islands Are Calling” by Eric Lee (Lee Enterprises)

International Album – Special Recognition Award

  • “Aloha from Iāpana” by Kentaro Tsushima (Kepani Records)
  • “Brand New Rainbow” by Ryo Natoyama (King Records)
  • “Hoa Lanihuli” by Kaulana (Kaulana)
  • “ʻUla” by Poma (Poma)
  • “Pick Them Up With Ukulele And Guitar” by Junichi Moriyama & Shota Hozumi ( Breeze And Tone)

Liner Notes

  • Lynell K. Bright, Chad Takatsugi & Selah Fronda for “Ua Ola I Loko I Ke Aloha” by Kamehameha Schools Children’s Chorus – (KSCC)
  • Michelle Aquino for “Blue Hilo Moon” by Darrell Aquino (Mana Recordings)
  • Pono Fernandez for “Many Feathers” by Seven Suns (Ineffable Records)
  • Riann Nālani Fujihara & Kalani Pe`a for “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • Vaea Iona, Kenny Tagavilla & Tia Tagavilla for “Music Man” by Kenny Tagavilla (Tin Idol Productions & Kenny T. Music)

NEW TECHIE DESIGNED ‘GREASE’ CAR

You don’t commonly see a stage car that looks like a real car, tools around on four wheels, and is capable of earning hurrahs.

Well, Kenickie’s red car—only lacking a motor — was a stunning discovery, in Diamond Head Theatre’s hit show, “Grease.”

Brian C. Sullivan

I wondered about the origins of that hot rod in an earlier review of the show, so better late than never. The car was designed and built by Brian C. Sullivan, a Hollywood construction coordinator with more than two decades of savvy,  who has been creating miniatures and props for flicks, TV and commercials.

He earlier toiled on the now-cancelled  CBS series, “NCIS: Hawaii,” as foreman and construction coordinator, and that’s why there seemed to be a new burst of creativity sense it, burst  on DHT’s stage. You sense it, you feel it, you see it, you love and welcome it.

DHT hired Sullivan to kokua with “Grease” and happily, Sullivan was recently inked as the new, full-time  technical director. Applause, please!

Sullivan surely fills a void; DHT has struggled to consistently create sets that are mobile, quiet, and distinctive. So, it’s terrific that he  will oversee production of sets and props in future shows.

Can’t wait to see what he’ll do with “The SpongeBob Musical.”…

Other stage matters

At DHT, remaining performances of “Grease” are at 7:30 p.m. Saturday (April 11), 3 and 7:30 p.m. Sunday (April 12,) 4 p.m. April 13 (Sunday), 7:30 p.m. April 18, 3 and 7:30 p.m. April 19, and 4 p.m.  April 20. Tickets: www.diamondheadtheatre.com or (808) 733-0274.

At MVT, there are only two opportunities to catch “Parade,”  at 7:30 p.m. Saturday (April 12) and at 3 p.m. Sunday (April 13). Tickets: www.manoavalleytheatre.com or (808) 988-6131…

Ginai at Makaha Valley

Ginai

Ginai will stage “Rhythm of the Valley,”  an 80’s-themed show, Saturday night (April 12) at the Lilikoi Lounge at the Makaha Valley Country Club.

Doors open at 7 p.m. for drinks and food; her flier doesn’t list a show time. The agenda also includes DJ Nina and DJ Sher Bear.

Tickets: $30, includes a raffle ticket. Information: www.lilikoiloungehi.com…

And that’s Show Biz…

A FLOCK OF FILIPINOS ON BROADWAY

It’s a good time to be Filipino  on Broadway – a handful of notables are starring in Broadway attractions this year, according to ABS-CBN, a Filipino media company based in Quezon City, Metro Manila in the Philippines.

The best-known Filipino actress in the world is marquee favorite Lea Salonga, who was the first Asian actress of Filipino ancestry to win a Tony Award (and an Olivier Award) for her performance as Kim in “Miss Saigon” in 1991.

Lea Salonga, the world’s best known award-winning Filipino actress.

Salonga now is co-starring with Bernadette Peters (also a Tony winner), Jasmin Forsberg and Camille Liwanag in “Old Friends,” a Stephen Sondheim revue, now at the Samuel J. Friedman Theatre.

In 2023, Salonga also had a cameo role in “Here Lies Love,” the musical biography of Philippines first lady, Imelda Marcos, featuring an all-Filipino cast, a first for Broadway.

Nicole Scherzimger, starring in London-produced”Sunset Blvd.”

Hawaii’s Nicole Scherzinger, former Pussycat Dolls lead singer, is starring as Norma Desmond in the acclaimed revival of “Sunset Boulevard” at the St. James Theatre. It’s a role she originated in the West End and imported to New York last year. And yes, Scherzinger is of Filipino heritage, too.

Marc delaCruz of “Hamilton.”

Hawaii also can claim two other male Filipino performers in current hit shows: Marc delaCruz  is a standby to play the lead of Alexander Hamilton plus other key roles in “Hamilton,”  at the Richard Rodgers Theatre; and Zare Anguay is a swing actor, dance captain and fight captain in Disney’s “Aladdin,” at the New Amsterdam Theatre.

Zare Anguay. of “Aladdin.”

Filipino American trouper Eva Noblezada has assumed the role of Sally Bowles in “Cabaret at the Kit-Kat Club,” at the August Wilson Theatre.

And Darren Criss is Oliver in “Maybe Happy Ending,” at the Belasco Theatre.

Among other Filipino actors on Broadway now:

  • Kay Siba is Katherine Howard, one of the six wives of King Henry VIII in “Six: The Musical,” at the Lena Horne Theatre.
  • Daryl Tofa is  Two-bit Matthew in “The Outsiders,” at the Bernard B. Jacobs Theatre.
  • Angelica Hale is Trisha in “Boop: The Musical,” a newcomer at the Broadhurst Theatre.
  • Jhailyn Farcon is Imogen and Alaina Vi Maderal is Gwynne in “& Juliet,at the Stephen Sondheim Theatre.
  • Nico De Jesus, Raechelle Manalo, and Niki Saludez are ensemble members in “Hell’s Kitchen,” at the Shubert Theatre.
  • Kay Trinidad is Fate and KC Dela Cruz is a swing actor in “Hadestown,” at the Walter Kerr Theatre.
  •  Jessica White is in the ensemble of “The Great Gatsby,” at the Broadway Theatre.
  •  Jeigh Madjus is Baby Doll and Heather Makalani is in the ensemble in “Moulin Rouge,” at the Al Hirschfeld Theatre.
  • Lissa DeGuzman is Elphaba standby in “Wicked,” at the Gershwin Theatre…

A reimagined, existential ‘Mulan’

An up-front advisory: “I Am Mulan,” opening today (April 9) at the Earle Ernest lab Theatre adjoining Kennedy Theatre at the University of Hawaii, is not recommended for young children.

The play’s subtitle, “Rewriting the Legacy of a Timeless Heroine,” sets the tone. This is not a Disney princess fable; youths 13 and older may attend.

Elizabeth Ung, an MFA candidate, has written and directed an existential dramady that reimagines the popular heroine   into five distinct personas – a battle-hardened veteran, a modern American-born Chinese, a romantic dreamer, a politically charged revolutionary, and an irreverent, gender-fluid performer – all trapped in a surreal purgatory known as Dìyù.

Another challenge: the production is multi-lingual featuring English, Mandarin, and Cantonese languages.

The storytelling taps a rich tapestry of history – from the origins of “The Ballad of Mulan” in 4th-century China through turbulent periods such as 1930s Shanghai, the 1966 Cultural Revolution, and the late 1980s New York City AIDS crisis, to the contemporary impacts of COVID-19.

Lily Hi’ilani Okimura, left, with Jill Sanders.–Christine Lamborn photo.

An all-Asian ensemble includes alum Lily Hi’ilani Okimura as ABC Mulan, alongside Justin Fragiao, Qi Zhang, Ariean Jimenez, and Jill Sanders.

The design team includes set designer Lacey Tuell, light designer Tyler Kanemori, projections by Alison Bruce-Maldonado, and costumes by Kāneikoliakawahineikaʻiukapuomua Baker.

Performances are at 7:30 p.m. today (April 9) through Saturday (April 12) and at 2 p.m. Sunday (April 13). Tickets: $8 to $18, available at manoa.hawaii.edu/liveonstage/mulan Information: (808) 956-7655…

Washington beats Clooney in the Broadway grosses

Denzel Washington and Jake Glynenhaal have regained the No. 1 spot on the Broadway gross competish, for the  round-up, for the week ending April 6. George Clooney slides to No. 2.

The Top 10:

1—“Othello,” $3.179 million.

2—“Good Night, and Good Luck,” $3.315 million.

3—“Wicked,” $2.476 million.

4—“The Lion King,” $1.986 million.

5—“Hamilton,” $1.965 million.

6—“Glengarry Glen Ross,” $1.789 million.

7—“The Outsiders,” $1.359 million.

8—“Aladdin,” $1.268 million

9—“The Picture of Dorian Gray,” $1.218 million.

10 – “MJ the Musical,” $1.170 million.

The complete list, courtesy the Broadway League:

And that’s Show Biz…

BREAKFAST BREWS AND BITES…

The array of morning munchies at Bits & Bites Cafe.

I’m a scones fan, and adore breakfast finds, so I’m happy Bits & Bites Café has moved from Kailua to Hawaii Kai. But its hours haven’t suited my timetable. So consequently, I haven’t had a chance to try the morning munchies despite the café’s presence for a few months.

I had to get a blood test early one recent morn – 6 a.m., if you want to know –  at the Diagnostic Lab next door, but the shop (in the former Taco Del Mar site)  does not open till 7 a.m. You can get a whiff of the yummy pastries, because the bakers are already getting the goodies ready for purchase. And yes, scents drift out from the closed door. The temptation is maddening.

 Many Hawaii Kai folks are commuting from 5:30 or 6:30 a.m. weekdays, to beat the town-bound freeway traffic. So, a pause between 6 and 7 a.m. to buy pastries is truly unfathomable. I see early drivers stopping at Starbucks at 6:30 a.m. around the corner, for coffee and perhaps some nibbles that don’t measure up to Bits & Bites’ delicacies.

Bits & Bites’ morning goodies.

The Bits and Bites shop is open till mid-afternoon (like, 3 p.m.) and I wonder who buys these  goodies that late in the day. The fare is solidly early morning-oriented, and I’m curious if timing was part of Bits & Bites’ scope and vision.

Reminds me of the misdirected Scratch restaurant, where Outback Steakhouse used to be in Hawaii Kai. Scratch peddled breakfast, but it opened at 9 a.m. and by then, most  Hawaii Kai breakfast traffic is long gone, either already at work or off to do errands. The menu also was part of the reason Scratch shut down, but methinks the hours also had to do with its inability to build and maintain a morning club of diners. With Zippy’s dining room shut down, folks in East Oahu move on to do breakfast at Jack’s in Aina Haina or Zippy’s at Kahala. bEASTside Kitchen in Niu Valley served breakfast for a brief period, after a trial run didn’t work out.

Of course, on special occasions, some folks play tourists and enjoy and view at Plumeria Café at the Kahala resort and its impeccable views.

Breakfast pancakes at Heavenly at Koko Marina.

Heavenly is splendid for a leisurely morning breakfast, with a view of the Koko Marina, but rather expensive without a wide range of options, and Moena Café a few doors down is OK but mostly experimental for folks who’ve heard about its signature menu. My concern: when you go to Moena, and there’s a crowd of 15 outside waiting for a table, you can’t linger and chat over a second or cup of coffee…

Finally, and sadly, two closures at Koko Marina in Hawaii Kai

  • Moena Sweets, the ice cream parlor operated by Moena Café, has closed its doors.
  • Fatboy’s, a stone’s throw away, apparently is closed, too. This, despite earlier renovations and more sidewalk tables and seats.