ALAN WONG’S TAKING HOKU’S SITE

Alan Wong, one of the 10 pioneering founders of the Hawaiian Regional Cuisine movement, will be the new occupant of the current space of Hoku’s at the Kahala Resort, beginning  in early 2026.

Hoku’s fine-dining format will shut down by year’s end, with Wong securing the space and ending his inactivity since the closure of both his signature Alan Wong’s in a second-floor space on King Street in McCully, and the companion Pineapple Room at Macy’s at Ala Moana Center, where  Liliha Bakery now is thriving.

Alan Wong will return to the dining scene in 2026, at Hoku’s site.

Wong, winner of the prestigious James Beard Award, has been a key player in supporting the Hawaiian Regional Cuisine, a chef’s club of sorts, from the time of his original island restaurant, the Canoe House at the Mauna Lani Bay Hotel & Bungalows in 1989.

The HRC gang included other restaurateurs including Roy Yamaguchi, Sam Choy, Philippe Padovani, Roger Dikon, Gary Strehl, Amy Ferguson Ota, Jean-Marie Josselin, George Mavrothalassitis, and Beverly Gannon. Two others who shared the goals of the movement included Mark Ellman and Peter Merriman.

Hawaii Regional Cuisine is a contemporary style of cooking tapping traditional Hawaiian ingredients with diverse flavors from Japanese, Chinese, Portuguese, Filipino, and American food traditions. Fusion specials mandate produces like taro, and slow-cooked meats, rooted in the island history.

Wong closed his restaurant during the pandemic five years ago, and his return to the cooking front will also attract members from a pool of notables, including, Mark Shishido (who has been Hoku’s beverage director), who will become general manager of the new Alan Wong’s. Shishido previously was with the Pineapple Room.

 The Wong team will include Joe Almoguero as executive chef; the restaurant also is seeking a chef de cuisine, a sous chef, and a pastry chef.

Old favorites are expected to be on the menu, too. And surely, an extra attraction for diners should include Barack and Michelle Obama, who were never shy about listing Alan Wong’s as their favorite restaurant…

‘HAMILTON’ DIPS, BUT STILL IN $3 MILLION CLUB

“Hamilton” still has the Midas touch, the lone member of the $3 million club ln Broadway. It’s dropped a skosh ; it logged $4 million earlier.

The Top 10:

1—”Hamilton,” $3.764 million

2—”Wicked,” $2.266 million

3—”The Lion King,” $2.048 million

4—”Waiting For Godot,” $1.833 million

5—”ART,” $1.787 million

6—”Mamma Mia!,” $1.645 million

 7—”Death Becomes Her,” $1.429 million

8—”Just in Time,” $1.364 million

9—”MJ the Musical,” $1.349 million

10—”Oh, Mary!,” $1.280 million

The complete list of grosses, courtesy the Broadway League:

And that’s Show Biz…

KEVIN’S: CHINATOWN IN MAKIKI

If you’re specifically drooling for roast pork, char siu, and other Hong Kong entrée classics, Kevin’s Kitchen is the new place to go.

On a recent Sunday at high noon, the place was jammed and crammed and busy as heck. With no reservations, we (my wife Vi and our grandnephew John), opted to do takeout.

The noisy and casual crowd filled the Makiki restaurant, with folks in beach shorts looking like they might head to the beach after lunch; one table was dressier (women with jade bracelets and necklaces), perhaps eating out after Sunday church services.

The non-descript entryway of Kevin’s Kitchen, a Chinatown alternative in Makiki.

For me, this was a genuine alternative to Chinatown, ZIP code 96817. Kevin’s is the solution and destination if you’re ono for  roast pork, char siu, roast duck and chicken, chow fun, and other stables of Hong Kong/Chinatown fare. The restaurant’s non-descript entry, in ZIP code 96814, is a stone’s throw opposite the main entryway of Times Super Market

So, there’s no longer the need to venture to Maunakea Street and the markets in the environs of Hotel and Beretania Streets. No need to scope for street parking to feed the meters, seek parking in the municipal lots, or deal with the few charge-card boxes stationed within the Chinatown zone.

A sector of the restaurant, at right, offers roast pork, char siu, roast duck and chicken.

Best of all, there’s plenty of the coveted roast pork and char siu, hanging on hooks along with roast duck and chicken, in the glass-sectional like a Chinatown vendor. I would prefer the roast park chopped in larger pieces, but Kevin’s needs to work on a crispier pork skin and perhaps  larger chunks of the pork that would elevate the pork to a two-pound serving, instead of a pound. But attention must be to beef up the pork with a crispier skin first.

Kevin’s is open from 9:30 a.m. to 8:30 p.m., serving full lunches and dinners till 8:30 p.m.,  and the buzz is that the restaurant is eager to launch an earlier Chinese breakfast, too.

At lunchtime, you can order a mixed plate take-out with two or three items, or order a pound of roast park, char siu, and an order of beef broccoli.  A week after our first visit, John called in a take-out order of roast pork, roast duck and chow fun, and picked up the goodies at 4 p.m. Flexible and casual, though it might take 30 minutes to drive off with the order.

Roast pork’s on the menu, but work is needed to make the skin crispier.

The restaurant boasts a glassed-in sector where the customary roast pork, char siu, and roast duck and chicken await to be plucked and packed for take-out orders. This elevates Kevin’s a lot, with the luxury of ordering extras to go.

This is not a dim sum haven, so you need to go elsewhere if that’s your option.

This is a tale of two Kevins, playing outside the mainstay Chinatown ZIP code of 96817.  Two Kevins can be confusing and waitstaff can’t even shout “Mr. Lee” or “Mr. Li,” to add to the confusion.

Kevin Li, is  the owner. His friend, Kevin Lee, is his partner, formerly a chef at Harbor Village at the Koko Marian Center in Hawaii Kai. Ping Li, Kevin’s father, is roast maste

The restaurant is located at 1296 S. Beretania, ZIP code 96814,  opposite the front doors of the Times Super Market, which anchors this small mall. You’ll smell it before you see it, because of the lilting aroma of chow fun, roast duck, and char siu in the air.

Word of mouth has been positive about Kevin’s, and they do the customary fare of Chinese cuisine, with soups, seafood, fowl, pork and beef. The upgrades include sizzling platters of seafood, hot pots with pork, beef, seafood and lamb, vegetarian options, and party favorites like Peking duck and  Dungeness crab. The Pecking duck is listed, in Kevin’s take-out menu, as $63.90 for a whole duck and $39.95 for half a duck; no listing of the bao that commonly accompanies the duck.

When the joint is jumping, it’s a tad chaotic. On the busy Sunday, there were isolated seats at tables of four or 10, and waitresses directed the seat-seekers to the available chairs. You probably need yelling skills to order in this environment.

Consequently, this not the climate for business meetings or office gatherings,  because you pretty much have to shout above the din to be heard.

Information: (808) 888-3680…

KEVIN’S OTHER HALF-FACE ON HOLD

This is pure Facebook fare, triggered by Kevin I.’s new EP, “My Continuum,” released last week.

A FaceFollower had a legit query: “How come Kevin shows only half his face on his album cover? Does he have acne?”

Well, I went to the source, and asked Kevin – with a straight face, natch –“Do you have acne?”

The response: “Admittedly, I did have bad acne as a teenager and young man, but decades of meticulous skin care regimens, great dermatologists spending lots of ‘kala’ have improved my skin over the years. And more recently, Korean skincare products have helped, too.”

So why show only half your face now?.

Kevin I.’s half-face depicted on his new EP. Below, his smling full-face.

“The other side (not seen on the EP cover) has a half-smile, too. But is there really the other half?” he said.

The current half-face matter was for art’s sake – a popular European motif.

“Let’s just say we were going for the modern-day male version of the Mona Lisa smile: half smile, half face,” said Kevin, adding: “Joerg Alfter, the graphic designer for the EP, is from Germany, and he’s got that modern, clean, simple design that Europeans are so good at. We wanted a cover that is simple, classy, stylish and different enough to generate conversation and get attention, so from that perspective, it worked.”

Of course, it’s all inventive PR. A gimmick. You asked, he answered.

So, I had another question for Kevin: Are you saving the  other half of your face, which could be shown on the left side for a “Continuum” sequel?

His valid response: “No, but that is a great idea if there’s ever a follow-up recording. We’ll use the other half of the face and call it, what else, ‘My Continuum Part 2.’  What a great idea. I love it.”

‘Twas a good thing  Kevin was showing half of his face, not the back of his head. Then again, he could still launch another series of EPs: Back Again, Back Up, or Head’s Up.

But Kevin has a thing going with his half-face element, so he might embrace a title like, “About Face.”

 My suggestion: skip “My Continuum, Part 2,” and display his entire face, then dub the album “Full Frontal.”  Could be a winnah.

Visit www.kevin-i.com

Shari shares an important note

Shari Lynn

Shari Lynn is not going to appear at Hula’s later this month, as mentioned in an earlier column — and swiftly corrected and removed. Someone sent a poster — looked real— and I’ve seen it on social media, so it’s a horrid joke.

She sent this note, while on a sea cruise, alarmed about this faux show.

“Hi Wayne

“Thank you as always for mentioning the shows I’m doing, you know how much I appreciate it. However, I am not appearing at Hulas!!! I’m wondering where you heard that, certainly not from me! Kindly let folks know that I will not be there, nor was I booked to be there. 

“In fact, we are in the middle of the Caribbean sea on the Norwegian Joy. And will return on the 27th of the month.”

“Love to you and Vi!”…

OK, correction noted. And hereon out, will only rely on Shari for data on her forthcoming performances.

And that’s Show Biz…

GUTZI AS DICKINSON AT TAG

Mary Gutzi will star as Emily Dickinson in a Readers Theatre Production of “The Belle of Amherst,” at 7:30 p.m. Nov. 3, 4 and 5 at The Actors’ Group’s Brad Powell Theatre at The Shops at Dole Cannery in Iwilei.

Veteran Reader Theatre founder Vanita Rae Smith will direct the play based on a book by William Luce, a literary classic. “Amherst” is based on the life of poet Emily Dickison, circa 1830 to 1886, in her home at Amherst, Massachusetts, locale of the 1976 play.

Mary Gutzi

The story that embraces her recollections and encounters with significant folks in her life, including family, close friends, and acquaintances, and balances the poet’s isolation  and seclusion with the rare joy she enjoyed with her friends.

Tickets are $20, available at TAG. For reservations, call (808)722-6941 or visit www.taghawaii.net  or email tagbradpowelltheatre@gmail.com

Gutzi, a sometimes Hawaii resident who’s a Broadway star (“Cats,”  “Sunset Boulevard”)  has starred in productions here and abroad.

Her visibility will grow as she continues to take the TAG stage, like holiday show featuring singer Shari Lynn, “It’s Delightful,” “It’s DeLovely” and “It’s December,” a one-nighter, two-performance special at 4 and 7 p.m. at the Brad Powell Theatre. Tickets are $50, at (808) 722-6941.

Gutzi hopes to do a TAG benefit in the future…

Shari shares an important note

Shari Lynn

And speaking of Shari:  She is not going to appear at Hula’s later this month, as mentioned in an earlier column. Someone sent a poster — looked legit — and I’ve seen it on social media, so it’s quite a horrid joke.

She sent this note, while on a sea cruise, alarmed about this faux show.

“Hi Wayne

“Thank you as always for mentioning the shows I’m doing, you know how much I appreciate it. However, I am not appearing at Hulas!!! I’m wondering where you heard that, certainly not from me! Kindly let folks know that I will not be there, nor was I booked to be there. 

“In fact, we are in the middle of the Caribbean sea on the Norwegian Joy. And will return on the a27th of the month.”

“Love to you and Vi!”…

And sent this joyous see-worthy sea pic with hubby Michael.

So the bogus announcement has been removed…

Around ‘n’ about…

Gail Mack, Lance Luke, Keith Hiraoka and Bobby Nishida will perform  from 6 to 8 p.m. Oct. 24 at The Edge at 31 N. Pauahi St., in downtown Honolulu.

A $5 cover prevails. For reservations, call (808) 888-3228…

Mack also is assembling Luke and Nishida for a gig featuring guest Tim Hurley of the group Summer, from5 to 8 p.m. Nov. 2 at Mango Street Grill, 130 Mango St., in Wahiawa. For reservations, call Daryl at (808) 627-5451…

‘Hamilton’ grosses a whopping $4 million

Lin-Manuel Miranda

The room where it happened – at the Richard Rodgers Theatre on Broadway – has been a grand showcase for “Hamilton,” Lin-Manuel Miranda hit show. It grossed a whopping $4.042 million, for the week ending Oct. 12.

Two other shows, always in the Top 3, upped their grosses, too, last week. “Wicked” and “The Lion King” have jumped back with grosses over $2 million.

The Top 10:

1—’Hamilton,” $4.042 million

2—“Wicked,” $2.542 million

3—“The Lion King,” $2.272 million

4—”Waiting for Godot,” $1.823 million

5—”ART,” $1.764 million

6—”Mamma Mia!,” $1.763 million

7—”Death Becomes Her,” $1.608 million

8—“MJ the Musical,” $1.462 million

9—”Aladdin,” $1.378 million

10—”Just In Time,” $1.361 million

The full list of shows, courtesy the Broadway League:

And that’s Show Biz…

KEVIN I.: LOVE VOICE FOR ALL SEASONS

The arrival this week of “My Continuum,”  a five-tune EP chockful of romantic ballads, reintroduces veteran singer Kevin I. to the world (and maybe Hawaii, too).

It probably should have been released  to coincide with Valentine’s, because it’s the traditional season for love songs. Feb. 14, after all, is when the world focuses on romance, and surely, Kevin’s new CD, will lure his international audience. FYI, Feb. 14 happens to be Kevin’s birthday.

The  availability prior to Halloween means listening treats, not tricks.

And with Christmas in December approaching, it’s not a bad idea to get the EP charted for holiday gift-buying.

Hmmm, so “My Continuum” should be a collection for all seasons, all-year round.

Let me tell you the whys:

Kevin had been one of Honolulu’s favored balladeers during the ‘70s through ‘90s;  he sang solo, in hotel club shows, as well as with a dance group as a featured singer. His recordings were heard on local radio, too.

Then he abandoned his entertainment career for the next forty years, becoming an esteemed pioneer of executive and business travel, as a speaker and  an author of business travel, marketing and events.

As fate would have it, Kevin retired from his biz endeavors and focused on sharing his vintage tunes with followers across the globe – the Spotify crowd – triggering a second career minus the live concerts but a new EP laden with what his global fans favored: love tunes.

Under guidance from new mentor-producer Lance Jyo, Kevin clearly curated a roster of new material: two that he co-wrote with Jyo, and three others that Jyo co-authored.  All songs should attract his legion of fans, and I confess, if these tunes were on a roulette spin, all will would have winning appeal.

I adore ballads, so “The Love You Give (To Me)” reflects the kind of powerful gift for a crooner – deliberate, enduring, satisfying delivery, plus soothing lyrics. The song is constructed with cadence and care, perfect for Kevin’s style.

“Shine” features multi-tracking of voices, sounding like a chorus without overdoing it. However, the 5:08 length – long, by radio standards – might limit air time.

“My Forever Love” – also with the spirit of commitment — is yet another resourceful introduction to those who’ve yet to know Kevin’s engaging style. Could become the biggie of the bunch.

 “Can’t Get Back the Time” lyrically explores the value off embracing time in life, since it is elusive and disappears, with gentle piano accompaniment.

“The Last Goodbye” is a sweet departure ballad, exploring another element of romance.

Finally, for all the years I’ve known Kevin and reviewed him in concerts and on LPs and CDs, he’s never sounded this contagious perfection and glowing with amour and assurance. “The Continuum” could jumpstart an appearance on one stage or two, notably in foreign markets waiting to discover Kevin I. in the flesh. P.S: He’d welcome earning more Polaris bookings for his United treks around the world.

Think about it…

And that’s Show Biz…

Also visit: http:kevin-i.com