Since his earlier-announced six shows in July sold out in a day, Bruno Mars has added four more performances at the Park MGM in Las Vegas.
Tickets are on sale, and likely will be snapped up pronto, for new play dates July 30 and 31 and Aug. 13 and 14.
In-between these four shows, Mars will trek to the MGM National Harbor in National Harbor, Maryland, for shows Aug. 6 and 7.
With coronavirus protocols lowering and vaccinations increasing across many states, it wouldn’t be surprising if still more concerts are added. Mars, like other mainstream performers, have been idle and awaiting the return of “normal” in the entertainment spectrum.
During the pandemic, Mars has not released a new solo recording but his collaboration with Anderson .Paak in the group Silk Sonic produced a No. 1 hit, “Leave the Door Open,” keeping his name and voice on radio and online postings.
Ticketmaster.com and other websites are selling tickets. …
‘NCIS’ director talks filming
Larry Teng, who is directing the first episode of CBS’ “NCIS: Hawai‘i,” is beginning to talk about the franchise’s first spin-off away from the continental U.S.A.
Teng, no stranger to the islands since he previously directed multiple episodes of the now-retired “Hawaii Five-0” reboot, is inclined to ensure Hawaii and its residents are properly represented in the new venture, now filming in Honolulu.
“It’s a love letter to Hawaii, too, you know, and I gotta make sure we protect that,” he was quoted at Express.com.
“It’s one of the things we stress about every day,” he added.
Bottom line: he knows he carries the burden to get right. Not just shaping the newbie NCIS so it has a decent life span in prime time, but he pleases not offends the local folks. …
You missed a sparkling gem, if you didn’t tune in to PBS’ retelecast of the 25th anniversary of the “Les Miserables” milestone concert at O2, last night (June 13) on TV. The mammoth Brit arena was converted into a massive stage to celebrate the show’s enduring popularity…originally in 2010.
Nonetheless, the screening stirred memories and recalled what an astounding score Alain Boublil and and Claude-Michel Schonberg created, based on the Victor Hugo novel. Simply, “Les Miz” is a show for all seasons — never out of fashion.
PBS first aired this one in October 2010 and the show remained a snapshot of a theatrical giant, whose popularity has not declined an iota.
The stellar cast brought back that galaxy of theatrical luminaries, significantly and resourcefully relying on the words and music that have made “Les Miz” a powerful evergreen. The actors donned costumes but let the poetry and poignancy of the score to re-tell the saga of the jailed protagonist who stole bread to feed his family and stalked by an irrepressible policeman who made it his life’s work to right what he felt was wrong.
With a cast of more than 300 and an orchestra that sounded like 300 and a chorus of extras donning T-shirts displaying the familiar face of little Cosette, “Les Miz” was pure theater.
Consider the who’s who in the ranks:
Alfie Boe as Jean Valjean. A stunning tenor, who owned “Bring Him Home.”
Norm Lewis as Javert. A powerful presence, with a conflicted agenda.
Lea Salonga as Fantine. A gem from the get-go, delivering the role’s indelible “I Dreamed a Dream.”
Nick Jonas as Marius. A bit reserved, as the lone survivor of the war, but possessing the necessary youthfulness.
Ramin Karimloo, as Enjolras. A booming voice, and “One Day More”/”Do You Hear the People Sing” are his one-two take-away anthems.
Samantha Barks, as Eponine. The love-stricken “boy” whose “On My Own” resonates the theme of sacrifice and commitment.
Katie Hall as grown-up Cosette. Her heart was full of love, with cheer to spare.
Matt Lucas and Jenny Galloway, as the Thenardiers. Masters of the house, and masters of comedic hi-jinx.
Mia Jenkins as Young Cosette. Her “Castle on the Cloud” projected innocence and hope.
Robert Madge as Gavroche. His “Little People” exuded the feistiness of a young, reliable soldier.
David Charles Abell conducted the orchestra with grandeur and control, shepherding the mass choruses and legendary actors to march to a uniform drum.
The stage was devoid of sets like the show’s famed barricade or the signature turntable of a conventional production, so the audience had to toss in their imagination to fill in the blanks. And Gavroche’s death, a moment of awe, was not part of the theatrics.
Watching on TV, “Les Miz” felt like real theater, a habit that had been halted since the start of the pandemic 16 months ago. So in households galore, “Les Miz” was a welcome visitor and perhaps a means to jump-start a visit to a real theater in the near future…
Channel hopping
In the NCIS TV universe, filming starts here today (June 14) on CBS'”NCIS: Hawai’i.” If you encounter those filming and catering vans across the city in the weeks ahead, it’s likely to be the cast and crew of the latest franchise in the NCIS family. To the show’s creators and actors and techies, welcome to the islands. May your stay be fruitful. See ya’ in the fall, when the Hawai’i brand starts sharing its glow to the rest of the world…
Meanwhile, in the California-based show; Barrett Foa (Eric Beale) and Renee Felice Smith (Nell Jones) will not return in “NCIS: Los Angeles” next season. Instead, Gerald McRaney (Admiral Hollis Kilbride), introduced this year, will replace them in season 13. …
And Eric Christian Olsen (Marty Deeks), captured as “L.A.” wound up season 12, will return to the CBS procedural along with on-screen spouse Daniela Ruah (Kensi Blye). However, Olsen has another TV production ahead during the off-time: “Woke,” which is filming its second season as Olsen as an exec producer. …
As a youth growing up, schools offered what was called a typing class, where you learned how to type on a typewriter. OK, if you don’t know what a typewriter is (because it’s obsolete now), ask your parents or grandparents.
If you knew how to type, you needed that typewriter as well as paper to insert, to see the fruits of your work.
In more recent eras, kids who wanted to type took keyboarding classes, to master the art of typing, not on a typewriter but on a computer keyboard. With keyboarding, of course, there’s no paper and the result of your input is displayed on the computer screen.
Typewriters were replaced by computers over the decades.
But there are precise memories of learning typing the old way.
If you took typing lessons, you surely remember the ubiquitous sentence you had to master on your typewriter. Over and over.
That sentence was The quick brown fox jumps over the lazy dog, an English-language pangram—a sentence that contains all of the letters of the English alphabet.
If you could repeatedly type that, at a speed of, say 65 words per minute, you’d be somewhat of a master. Without making a typo(mistake).
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
It was redundant, but necessary, to take ownership and conquer the keyboard.
And reflecting on the typewriter: if you made an error, you could erase it with a circular eraser attached with a brush; you needed a inked fabric ribbon to “print” your texts; if you had a deluxe ribbon, you could type in black and red ink; you had to return your carriage, to progress from one line to the next.
If you didn’t learn the five-finger way to type, you probably do the one finger-two hand hunt and peck system.
What memories, good or bad, do you have about the trysts of
Depends on when and where you lived, Aala Park conjures many memories, some pleasant, many not.
I grew up in the Liliha-Palama area and attended school in Kalihi, so back in the day, Aala Park was a hub with a mix of merchants, park users and if memory is correct, served as a major transit point for HRT, the bus service known as Honolulu Rapid Transit. If you were west bound, this was the place to transfer – on King Street, which was two-way then — to hop on a Liliha or Kalihi bus.
Today, it’s a site overtaken by the homeless, with no shops, no legit commuter foot traffic, since its boundary streets – west-bound on Beretania, west-bound on Hotel, and east-bound on King – are all one-way. (Beretania is partially two-way). The three streets converge at Nuuanu Stream.
But what if Aala Park had a different destiny? That it didn’t become a hangout for druggies and the homeless? That it transitioned into a recreation destination?
Aala would have evolved into a totally different place.
The retail cluster is long gone. I recall Japanese restaurants and movie theaters back in the day, and though I don’t remember ‘em, Aala boasted two baseball diamonds and at one point became the zone’s defining trademark. Aala Park hosted local baseball games with teams such as the Honolulus, the Kamehamehas, the Punahous, the Maile Ilimas.
Politicos gathered for rallies. Families shopped for gifts, at park bazaars and at merchants across the street.
The park’s old comfort station, built in 1916, was the city’s first public restroom.
An architectural gem – the Toyo Theatre – was a movie house built in the late 1930s with an ornate Asian motif designed by Charles W. Dickey, inspired by the Toshogu Shrine of Ieyasu Tokugawa in Nikko, Japan. The theater was located on College Walk, a stone’s throw from the River Street drainage canal that still is there. The movie house was renamed Aala after WWII, and razed years later. And believe it or not, a Las Vegas-bound company of “Hair,” featuring the late James Grant Benton, was staged here.
Further across the street was the terminal for OR&L (Oahu Rail & Land) railway station, which operated trains to Kahuku and back, between 1889 and 1971. I recall, as a youngster, we had a family trek to parks and beaches of Haleiwa and the remnants of the Iwilei station, across Aala Park, remain today. (There was a turntable for a turn-around in the city). The train carried passengers as well as transporting sugar cane and pineapple from the Ewa Plain to Kahuku.
But Aala became the spot to avoid and the stigma remains today. A skateboard park on the Beretania side of the park now offers recreational space for nearby tenants. The green space – grassy lawn, shade trees – is nice. But the stigma of a dubious past keeps folks away.
Do you have remembrances to share, about the Aala Park of yesteryear?
Kevin McCollum, an executive producer of the just-released “In the Heights” musical film, brings an island link to the summer’s first hit film.
McCollum, who earlier co-produced “Heights” in its Broadway incarnation, has had a New York career spanning 25 years. He has earned the Tony Award for Best Musical for “In the Heights” (2008), “Avenue Q” (2004) and “Rent” (1996). In the upcoming Broadway season beginning Sept. 14, McCollum will be represented with “Six” and “Mrs. Doubtfire,” two newbies on Broadway.
He also previously produced “Motown: The Musical,” “Something Rotten,” “Hand to God” and “The Drowsy Chaperone” on Broadway.
His film credit this year will be the new vision of an old favorite, “West Side Story,” directed by Steven Spielberg.
McCollum was born in Hawaii, the son of Sue McCollum Gereben; she appeared in “Hawaii Five-0” and was active with media groups including the Honolulu Press Club. …
Meaningful numbers
In the aforementioned “In the Heights,” there’s a bunch of numbers for a hot lottery ticket, and the sum of $96,000 as the amount of the prize.
Jon M. Chu, who directed the film, has a particular interest in figures, so the 96,000 number is the title of the lavish water and swimming pool production number.
But New York Magazine’s Vulture wing also reports the background story on the lottery ticket number: 5-7-16-26-33.
Turns out Chu’s wife Kristin Hodge was hapax with their second son, the film was being shot, and as the director of “Crazy Rich Asians” shared this cooky series of reasons of why those figs were assembled: 5 is his wife’s birthday month; 7-16 is their daughter’s birthday; 7-26 is their anniversary date and also the due date of their son.
“When I showed my wife (the numbers), she was like, ‘You know our anniversary is the 27th, right? And the baby is due on the 27th,” he was quoted. But a few weeks after the shoot, the boy was born … on July 26, “so he had my back,” said Chu. And rightfully, the toddler was named Jonathan Heights Chu. Imagine the story he’ll share when he grows up. …
Fashion focus
Bruno Mars says his fashion muse is Cher.
Well, maybe he was kidding when asked whose style inspired him.
InStyle interviewed Mars, the superstar from Hawaii, and Mars credited Cher as his muse. The changed his mind and said he is his own muse.
Amusing? Maybe.
Mars is the inspiration behind his Ricky Regal lifestyle brand, named after his alter ego, and the Lacoste fashion house describes the Mars product thusly: “Inspired by a lust for life and an entrepreneurial Midas touch.” It’s a luxurious but sporty line. …
The Emmy goes to …
The Honolulu Theatre for Youth, Hawaii News Now, and Ballet Hawaii were bestowed regional Emmy awards recently from the Northern California competition.
HTY’s TV show, “The HI Way,” earned three awards:
For Arts/Entertainment – Long Format: “Da Holidays: The HI Way” (NMG Network/HTY), Jason Cutinella, Katie Pickman, exec producers; Eric Johnson, producer.
For Arts/Entertainment – Long Format: “Pono: The HI Way.” Same creators.
For Informational/Instructional – Long Form content: “Racism: The HI Way,” episode eight. Same creators.
Hawaii News Now won three::
For Hard News Report – “On the Frontline: Honolulu EMS,” KGMB/KHNL Hawaii News Now. Allyson Blair, reporter; Jonathan Suyat, photographer.
For Historic/Cultural – Long Format: “Queen Liliuokalani Keiki Hoike,” KGMB/KHNL Hawaii News Now,” Guy Sibilla, Wendy Suite, exec producers; Mary Beth McClelland, producer; Josephine Kristine, director-editor; Kennedy Carson and Lacy Deniz, hosts.
For Spot Announcement/Campaign – “Ballet Hawaii’s #Arts Beyond Covid,” KGMB/KHNL Hawaii News Now/Ballet Hawaii. Pamela Taylor Tongg, exec producer; Stasia Droze Jost, producer-director-writer-editor; Deborah Glazer, producer-director-writer-editor…