HOKU AWARDS: THE NOMINEES, THE BUZZ

When you’ve been away from the Hoku Awards – formally, the Na Hoku Hanohano Awards – as I have, for several decades, the current final ballot is a stunner.

The Hawaii Academy of Recording Arts members now vote online – the final ballot was released yesterday (April 10) – via email.  The old-fashioned paper ballot is so yesterday.

I served on the HARA board of directors for the first 10 years, in the era of KCCN-AM deejays Krash Kealoha, Kimo Kahoano,  and Jacqueline “Skylark” Rosetti and station manager Ronnie Hope. I attended every awards night for 10 years, when arrivals of nominees were just as much fun as the show. Everyone looked forward to what Melveen Leed would be wearing, and what kind of zany commute Frank DeLima had planned.

The event now is in its 48th year, heading for the Big 5-0, and some reflections and observations are logical:

Jake Shimabukuro: He’s now a group.
  • Jake Shimabukuro, the ‘ukulele wizard is likely to pick up two disc-shaped prizes for Instrumental Composition and Group of the Year, with collaborator Mick Fleetwood (of Fleetwood Mac) Yes, he’s a group now.
  • There’s a scarcity of female singers; only three are nominated this year. Death has silenced the like of Auntie Genoa Keawe, Lady of Love luminary Loyal Garner, and Hawaiian/jazz stylist Teresa Bright.
  •  Mahi Beamer, a legendary Hawaiian trouper, died in 2017, and the release of his haku mele put him on the ballot belatedly.  He could win.
  • Marquee acts like Keali‘i Reichel, Robert Cazimero, Jerry Santos’ Olomana, and the Tita Melveen have pulled back their recording efforts, so chartbuster songs and allied concerts are virtually on pause.
  • Recording acts still release  CDs and DVDs, mostly sold by the acts, who are challenged to get noticed without the customary radio airplays in the past; music stores are gone, and even Costco also stopped selling recordings years ago.
  • Yet there are 32 categories in the HARA competition, indicative that the beat goes on. Academy voters have till May 2 to cast ballots. The Hoku event will be from 3 to 10 p.m. June 21, at the Hawaii Ballroom of the Sheraton Waikiki Hotel; for tickets, visit https://www.zeffy.com/en-US/ticketing/48th-na-hoku-hanohano-awards

The full list of categories and nominees:

Album of the Year:

  • “The Islands Are Calling” by Eric Lee (Lee Enterprises) – Eric Lee & Louis “Moon” Kauakahi, Producers
  • “Two Of Us” by Kailua Bay Buddies (Tin Idol Productions) – Gerard K. Gonsalves, Producer
  • “Where I’m Going” by Kala`e (Kala’e Parish Music) – Imua Garza & Kala`e Parish, Producer
  • “Kuini” by Kalani Pe`a (Peʻa Records & Entertainment) – Kalani Pe`a, Wailau Ryder, Michael Casil & Allan B. Cool-Peʻa, Producers
  • ʻMusic Manʻ by Kenny Tagavilla (Tin Idol Productions & Kenny T. Music) – Gerard K. Gonsalves & Kapena DeLima, Producers
  • “Many Feathers” by Seven Suns (Ineffable Records) – Seven Suns, Producers
  • “`Ano`ai” by Weldon Kekauoha (Ohelo Records & WAY House Entertainment) – Weldon Kekauoha, Producer

EP of the Year:

  • “A Cozy Christmas” by Brittni Paiva (Brittni Paiva Music)
  • “Blue Hilo Moon” by Darrell Aquino (Mana Recordings)
  • “Written On My Heart” by Jeff Rasmussen (Mango Tree Music Records LLC)
  • “Play Loud”, Vol. 1 by Kapena School Of Music (KSMCE Music Hub)
  • “Stewards Of The Earth” by Kenneth Makuakāne (Makuakāne Music)

Hawaiian EP of the Year:

  • “Ho`i Ke Aloha” by Christy Leinaʻala Lassiter (Christy Leinaʻala Lassiter)
  • “Kauluwehi” by Gregory Juan (Kahikina Productions)
  • “Hawaii Island Mele” by Keoki Kahumoku (featuring Sonny Lim) (Hawaiian Harmonics)
  • “Hanohano Wailea” by Sandy Essman (Tin Idol Productions)
  • “Pahumoa” by Wayne Kamake`e`aina (Wayne K Productions)

Single of the Year:

  • “Don’t Let Me Fade” by Brittni Paiva (Brittni Paiva Music)
  • “Blue Hilo Moon” by Darrell Aquino (Mana Recordings)
  • “Gravity” by Gerard K. Gonsalves (Tin Idol Productions)
  • “Le Tu`una” Oe by Josh Tatofi (Josh Tatofi)
  • “Kickin’ Back” by Kala`e (Kala’e Parish Music)
  • “Killin’ Island Time” by Kala`e + Kalena (Kala`e Parish Music)
  • “Many Feathers” by Seven Suns (Ineffable Records)

Hawaiian Single of the Year:

  • “He Mele No Ka Pāo`o” by Gregory Juan (Kahikina Productions)
  • “Ka Leo Kupuna” by Hi`ikua (Kanemakua Records)
  • “Ho`omālamalama” by Kahiau Lam Ho (Kahiau Lam Ho)
  • “Keali`i: A Mele For King Kamahele” by Hoku Zuttemeister (Kaleiola Records)
  • “Pua Hone” by Sandy Essman feat. Kenneth Makuakane (Tin Idol Productions)

Christmas Single of the Year:

  • “This Christmas” by Brittni Paiva (Brittni Paiva Music)
  • “Let It Snow!” by Christy Leina`ala Lassiter (Christy Leina`ala Lassiter)
  • “It Came Upon The Midnight Clear” by Eric Lee (Lee Enterprises)
  • “Noel” by Kenny Tagavilla & Sandy Essman (Kenny T. Music & Tin Idol Productions)
  • “My Christmas Wish” by Rasmussen & Makuakāne (Makuakāne Music)

Music Video of the Year::

Hawaiian Music Video of the Year:

Instrumental Composition of the Year:

  • “The Secret Of Moloka`i” by Andrew Molina (Andrew Molina) – Andrew Molina, Composer
  • “Don’t Let Me Fade” by Brittni Paiva (Brittni Paiva Music) – Brittni Paiva, Composer
  • “Puddle Jumping” by Darrell Aquino – (Mana Recordings) – Darrell Aquino, Composer
  • “Kula Blues” by Jake Shimabukuro & Mick Fleetwood (JS Records/FortyBelow Records) – Jake Shimabukuro, Composer
  • “Mālie” by Kenneth Makuakāne (Makuakāne Music) – Kenneth Makuakāne, Composer

Song of the Year:

  • “Blue Hilo Moon” by Darrell Aquino (Mana Recordings) – Darrell Aquino, Composer
  • “Hanohano Kilauea Ku I Ka La`i” by Eric Lee (Lee Enterprises) – Eric Lee & Louis “Moon” Kauakahi, Composers
  • “Le Tu`una Oe” by Josh Tatofi (Josh Tatofi) – Josh Tatofi, Composer
  • “Kickin’ Back by Kala`e” (Kala’e Parish Music) – Kala`e Parish & Craft Brewz Music, Composers
  • “Kuleana” by Storm (Tin Idol Productions) – Sandy Essman & Gerard K. Gonsalves, Composers

Female Vocalist of the Year:

  • Charly for “Charly” (Tin Idol Productions)
  • Christy Leinaʻala Lassiter for “Ho`i Ke Aloha” (Christy Leinaʻala Lassiter)
  • Sandy Essman for “Hanohano Wailea” (Tin Idol Productions)

Male Vocalist of the Year:

  • Darrell Aquino for “Blue Hilo Moon” (Mana Recordings)
  • Kala`e for “Where I’m Going” (Kala`e Parish Music)
  • Kalani Pe`a for “Kuini” (Pe`a Records & Entertainment)
  • Kenny Tagavilla for “Music Man” (Kenny T. Music & Tin Idol Productions)
  • Weldon Kekauoha for “`Ano`ai” Ohelo Records & WAY House Entertainment)

Group of the Year:

  • Jake Shimabukuro & Mick Fleetwood for “Blues Experience” (JS Records/FortyBelow Records)
  • Kala`e + Kalena for “Kala`e + Kalena + Kalikimaka” (Kamakoa Productions)
  • Kapena for “Tribute” (Revive The Live)
  • Nuff Sedd for “Cup Of Aloha” (JPK Productions)
  • Seven Suns for “Many Feathers” (Ineffable Records)

Most Promising Artist of the Year:

  • Charly for “Charly” (Tin Idol Productions)
  • Isaiah Tavares for “Blessed Man” (Waianae Records)
  • Kahiau Lam Ho for “Ho`omālamalama” (Kahiau Lam Ho)
  • Kapena School Of Music for “Play Loud, Vol. 1” (KSMCE Music Hub)
  • Kawika Boro for “Ua Kō `Ia Iho Nō” (Zeo Music LLC)

Alternative Album of the Year:

  • “North Shore” by 808Imposters (Tin Idol Productions)
  • “The Ride” by Bad Papa (Bad Papa)
  • “Malama Aina” by Big Chief Thunder (Bamboo Room Recording)
  • “El Misfits: Elvilive” by El Sancho (El Sancho)
  • “Alter Natives” by Eric & Cathy Lagrimas (On The Up Records)
  • “Disasterville” by Eyes Of Red (Tin Idol Productions)

Anthology Album of the Year:

  • “An Anthology Of Love “30 Year Anniversary”” by Darrell Aquino (Daddy Leopard Records) – Darrell Aquino, M. Kalani Souza, Mark Caldeira & Michelle Aquino, Producers
  • “He `Umi Makahiki” by Institute of Hawaiian Music (Institute of Hawaiian Music) – Keola Donaghy, Producer
  • “”Ku`u Mana`o” by Kawika Kahiapo (Pono Records) – Kawaika Kahiapo, Producer
  • “Christmas Memories” by Kenneth Makuakāne (Makuakāne Music) – Kenneth Makuakāne, Producer
  • Timeless” by Maggie Herron (Herron Music) – Maggie Herron, Producer

Christmas Album of the Year:

  • “Slack Key For The Holidays” by Jeff Peterson (Jeff Peterson Productions)
  • “Kala`e + Kalena + Kalikimaka” by Kala’e + Kalena (Kamakoa Productions)
  • “Twas The Night Before Christmas” by Michael Chock (Seawind Productions)
  • “Sean & Mali’s Na’auao Christmas” by Sean & Mali’s Na’auao (Maliona Records)

Compilation Album of the Year:

  • “Ha`ina Ko Wehi: Celebrating West Maui in Mele” by Institute of Hawaiian Music UH Maui College (Institute of Hawaiian Music) Keola Donaghy, Joel Katz, Stephen Fox & Lance D. Collins, Producers
  • “Journey Through Hawai`i by Mana Music Quartet” (Mana Music LLC) – Kellen Paik, Producer
  • “Notes In A Bottle by Music Tech” (Music Tech) – Bailey Matsuda, Producer
  • “”Aloha Pauahi: Voices Of Legacy” by Various Artists (Kāhuli Leo Le`a) – Zachary Alaka`i Lum, Producer

Contemporary Album of the Year:

  • “Where I’m Going” by Kala`e (Kala’e Parish Music)
  • “Wild as the Wind” by Kenny Tagavilla & Sandy Essman (Tin Idol Productions)
  • “Timeless” by Michael Chock (Seawind Productions)
  • “Ryan Hooley” by Ryan Hooley (Ebb And Flow Records)

Contemporary Acoustic Album of the Year:

  • “Eclectic Much?” by Danny Johnson (Danny Johnson)
  • “Two Of Us” by Kailua Bay Buddies (Tin Idol Productions)
  • “Music Man” by Kenny Tagavilla (Tin Idol Productions & Kenny T. Music)
  • “Island Time” by Rand Anderson and Blue Grass Hawaii (Pumphouse Records)
  • “A Matter Of The Heart” by Rasmussen & Makuakāne (Makuakāne Music)
  • “Prison Walls” by Ray Buddy Golden (Mana Music & Media)

Hawaiian Music Album of the Year:

  • “The Islands Are Calling” by Eric Lee (Lee Enterprises)
  • “Hoʻomālamalama” by Kahiau Lam Ho (Kahiau Lam Ho)
  • “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • “Lei Hiwahiwa“ by Madison Makanaokahaku Scott (Madison Makanaokahaku Scott)

Hawaiian Slack Key Album of the Year:

  • “Goin Home” by Apokolani (Ouli Wai/TryLookInside)
  • “By Special Request” by George Kahumoku (KFRC)
  • “Kiho`alu: Stories In Song, Vol. 1″ by George Kuo (Dancing Cat Records)
  • “Kī Hō`alu He Welo Aloha” by Kenneth Makuakāne (Makuakāne Music)

Hip-Hop Album of the Year

  • “What Got You Here Won’t Get You There” by Cedric Clinton & EDP-Beats (Chi Funk & Our Altered State Publishing)
  • “Priced Out Of Paradise” by Punahele & SoundGaruda (SoundGaruda/808)
  • “Love Letters II” by PK DREAMZ (PK DREAMZ)
  • “Nitty Gritty” by Thomson Enos & Ya’laam aka Wiz Hotep (THP)

Instrumental Album of the Year

  • “S-K2″ by Alexander Wong (Alexander Wong)
  • “Piano In Paradise” by Kaori Kawabuchi (THP)
  • “Relections” by Noah Plays Piano (Noah Hull)
  • “Press Start” by Console: The VGM Band (Tyranny Studios)

Island Music Album of the Year

  • “He Hawai`i Au” by Desmond Yap (Desmond Yap)
  • “Ua Ola I Loko I Ke Aloha” by Kamehameha Schools Children’s Chorus – (KSCC)
  • “Hawaiian Cowboy” by Slack Key `Ohana (Pacific Records)
  • “ʻAno`ai” by Weldon Kekauoha (Ohelo Records & WAY House Entertainment)

Jazz Album of the Year

  • “Mindful, Latin And Funky” by Dan Del Negro (Dan Del Negro Music)
  • “Pecking Order” by Jeff Gaeth (Puna)
  • “Hō`ihi” by Noel Okimoto (Noel Okimoto Music)
  • “Omniportal” by Peter Shaindlin & Jay Jaskot (Forward Records)
  • “Nago Blue” by Red Nova (Red Nova)
  • “Ho`okanikapila, Maui” by Tarvin Makia & Faith Ako (Faith Ako)

Metal Album of the Year

  • “Web of Fear” by Anxiety Suite (Tin Idol Productions)
  • “Shield of Honor” by Sacred Idol (Tin Idol Productions)
  • “Queen of the Vampires” by Storm (Tin Idol Productions)

R&B Album of the Year

  • “Hey Yo” by Johnny Valentine & Kailua Bay Buddies (StudioValentineOneMusic)
  • “Ua Kō `Ia Iho Nō” by Kawika Boro (Zeo Music LLC)
  • “deLUXE” by soLUXE (soLUXE Music)
  • “Hey Child” by Stephen Henderson (Ohana Records)

Reggae Album of the Year

  • “Bridges Not Walls” by Azato (Tree N One Records)
  • “Blessed Man” by Isaiah Tavares (Waianae Records)
  • “Tribute” by Kapena (Revive The Live)
  • ” Of Aloha” by Nuff Sedd (JPK Productions)
  • “Many Feathers” by Seven Suns (Ineffable Records)

Religious Album of the Year

  • “Free Inside” by Ben Borthwick (Koʻolau Productions)
  • “Acoustic Hymns O My Father” by Darrell Aquino (Mana Recordings)
  • “In The Moment” by Jonah Davis (Aʻo ʻUkulele Productions)
  • “E Ho`omana Kākou” by Kenneth Makuakāne (Makuakāne Music)

Rock Album of the Year

  • “Coming Home” by Average Joes (Play That Disco Productions)
  • “Midnight Flames” by Masque (Masqued Melodies)
  • “A Tribute To Pat Benetar” by Sandemonium (Tin Idol Productions)
  • “Even The Good Die Young” by Stuart Hollinger (Independent)
  • “All Things I’ve Considered” by Zach Manzano (Audio Ramen)

‘Ukulele Album of the Year

  • “Generations” by Andrew Molina (Andrew Molina)
  • “Blues Experience” by Jake Shimabukuro & Mick Fleetwood (JS Records/FortyBelow Records)
  • “Resurgence” by Kris Fuchigami (Kris Fuchigami)

All of the categories above are voted on by members of the Hawaii Academy of Recording Arts.

Adjudicated Categories

These are the catagories that are voted on by specialized members of HARA in instances of Engineering, Graphics, Haku Mele, Hawaiian Language Performance and Liner Notes.

Engineering– General

  • “Resurgence” by Kris Fuchigami (Kris Fuchigami)
  • Cody Matsuda & Kanoa Kūkaua for “Ka Huliau” by Mailani Maka`ina`i (Ninjas 808 Productions)
  • Imua Garza for “Heartache Anniversary” by Rocco Olmstead (Rocco Ryan Music)
  • Kapena De Lima for “Tribute by Kapena” (Revive The Live)
  • Michael Casil & Calvin Canha for “Cup Of Aloha” by Nuff Sedd (JPK Productions)
  • Seven Suns for “Many Feathers” by Seven Suns (Ineffable Records)

Engineering –Hawaiian

  • Dave Tucciarone for “Ho`omālamalama” by Kahiau Lam Ho (Kahiau Lam Ho )
  • Kenneth Makuakāne for “Kī Hō`alu He Welo Aloha” by Kenneth Makuakāne (Makuakāne Music)
  • Keola Donaghy, Joel Katz & Wayne Kamake`e`aina for “Pahumoa” by Wayne Kamake`e`aina (Wayne K Productions)
  • Michael Casil for “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • Michael Grande for “Aloha Pauahi: Voices Of Legacy” by Various Artists (Kāhuli Leo Le`a)

Graphics

  • Dancing Hands Co. for “Aloha Pauahi: Voices Of Legacy” by Various Artists (Kāhuli Leo Le`a)
  • Daryl Fujiwara for “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • Marc C. Antosh for “Ha`ina Ko Wehi: Celebrating West Maui in Mele” by Institute of Hawaiian Music UH Maui College (Institute of Hawaiian Music)
  • Sam Seibert for “Learning to Die” by Sam Seibert (Sam Seibert )
  • Solomon Enos for “Journey Through Hawaiʻi” by Mana Music Quartet (Man Music LLC)

Haku Mele (Composers Award)

  • “Hanohano Kilauea Ku I Ka La`i” – Eric Lee & Louis “Moon” Kauakahi, Composers from “The Islands Are Calling” by Eric Lee (Lee Enterprises)
  • “He Aloha No Ka`ililauokekoa” – Louis “Moon” Kauakahi, Composer from “The Islands Are Calling” by Eric Lee (Lee Enterprises)
  • “Ka Leo Kupuna” – Kalehua Krug & Kamuela Kimokeo, Composers from “Ka Leo Kupuna” by Hiʻikua (Kanemakua Records) 
  • “Ka Nani A`o Nihon” – Chad Takatsugi, Composer from “Ua Ola I Loko I Ke Aloha” by Kamehameha Schools Children’s Chorus – (KSCC)
  • “Leilehua Ke Kuini O Ke Kai (1955)” – Edwin Mahi`ai Copp Beamer, Composer from “Aloha Pauahi: Voices Of Legacy” by Various Artists (Kāhuli Leo Le`a)

Hawaiian Language Performance

  • “Ho`omālamalama” by Kahiau Lam Ho (Kahiau Lam Ho )
  • “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • “Lei Hiwahiwa” by Madison Makanaokahaku Scott (Madison Makanaokahaku Scott)
  • “The Islands Are Calling” by Eric Lee (Lee Enterprises)

International Album – Special Recognition Award

  • “Aloha from Iāpana” by Kentaro Tsushima (Kepani Records)
  • “Brand New Rainbow” by Ryo Natoyama (King Records)
  • “Hoa Lanihuli” by Kaulana (Kaulana)
  • “ʻUla” by Poma (Poma)
  • “Pick Them Up With Ukulele And Guitar” by Junichi Moriyama & Shota Hozumi ( Breeze And Tone)

Liner Notes

  • Lynell K. Bright, Chad Takatsugi & Selah Fronda for “Ua Ola I Loko I Ke Aloha” by Kamehameha Schools Children’s Chorus – (KSCC)
  • Michelle Aquino for “Blue Hilo Moon” by Darrell Aquino (Mana Recordings)
  • Pono Fernandez for “Many Feathers” by Seven Suns (Ineffable Records)
  • Riann Nālani Fujihara & Kalani Pe`a for “Kuini” by Kalani Pe`a (Pe`a Records & Entertainment)
  • Vaea Iona, Kenny Tagavilla & Tia Tagavilla for “Music Man” by Kenny Tagavilla (Tin Idol Productions & Kenny T. Music)

ALIIS LEADER JOE MUNDO DIES AT 83

Entertainer Joe Mundo, who was the leader of The Aliis – the group supporting Don Ho –died Wednesday  (April 2) while in the hospital, in Auburn, WA.

His son Mark Mundo said his dad had heart issues but ultimately died of kidney failure.

Mundo was 83 and a 1960 graduate of Farrington High School.

Joe Mundo

“He had a long, successful life,” said Mark, who remembers the time he spent with his dad and The Aliis on tour.

“It was pretty cool, hanging out in the summers. My dad was resilient and persistent and fun to watch,” he said.

Mundo played keyboards in Ho’s performances, a talent nurtured while he was a student pianist at Farrington. Mundo often put a comedic spin with The Aliis.

“It was a whole culture, watching and touring with the group,” said Mark. He was inspired to work in several rock groups but never turned professional in music. “I stopped touring with the group when I turned 18 and was hired by Hawaiian Airlines.”

Joe Mundo, in comedic mode with a floral headpiece, played keyboards with The Aliis.

He described his father as “a kind soul, very strong, and a good dad and husband. The time I spent with him as a kid was the best.”

Arleen Laimana, a longtime friend of Joe (they both attended Kalakaua Intermediate School in Kalihi), said she got an unexpected  phone call from Mundo on March 14. “He told me he was calling to say goodbye,” she said. “What do you mean?” she asked. “My body hurts all over,” he said. She concluded, about the phone comments, that “Joe had a weird sense of humor.”

The Aliis last performed in a reunion concert in 2017 In Los Angeles and rehearsed at Laimana’s home in Torrance.

Mundo, at left, with Don Ho, center, and the original Aliis.

Mundo was in Honolulu for the unveiling of Don Ho’s statue at the International Market Place, an iconic location where Don Ho and The Aliis were the main nightlife attraction at Duke Kahanamoku’s. The supper club no longer exists.

“I miss the guys and the touring,” said Benny Chong, the original guitarist of The Aliis who has navigated his career as a jazz ukulele virtuoso since retirement. “But the guys are scattered all over, and I hate to drive at night (to make the gigs). We had so many memorable good times together.”

Mark is the lone survivor of his family; his mom Patricia died in 2014.

Services are pending but will be private. “My dad wanted something simple and private; his ashes will be scattered off Waikiki, just like my mom’s,” he said…

And that’s Show Biz…

 BROTHER NOLAND, ROUND TWO

Brother Noland (Conjugacion), who marked his Waikiki comeback last month with a two-night gig at Blue Note Hawaii at the Outrigger Waikiki resort,  embarks on round two of his planned re-entry on the club scene.

His next pair of shows will be on the Big Island, as follows:

  • April 11, at 7 p.m., at the Kaleiopapa Convention Center, at the  Outrigger Kona Resort, at 78-128 Ehukai St., Kailua-Kona. Tickets: $45, general admission, at  www.brothernoland.com
  • April 12, at 7 p.m., at the Palace Theatre, in downtown Hilo’s waterfront. Tickets: $45, priority seating, $35 general admission, in advance; $5 extra on day of performance. Doors open at 6 p.m.
Brother Noland, at Blue Note Hawaii. He’s Big Island bound in April.

Noland’s Island Incredibles, his powerhouse all-star group, will perform in both shows. The group features Noland on guitars and vocals, with Gaylord Holomalia on keyboards, David Garibaldi on drums, Kata Maduli on bass, Michael Ruff on keyboards, Tavana on guitars, Fred Schreuders on guitars, Olivia Ruff on vocals, and Lila Chris on vocals.

Noland is introducing three new singles – “Ride the Water”, “Walkabout”, and “Las Vegas” –in the shows, notable for the group’s alter-native rhythms and funky grooves, embracing dynamic vocals that take Noland beyond the reef with his socko sound…

Locals loved Chamberlain’s ‘Island Sons’

Actor Richard Chamberlain, who died Saturday (March 29) following a stroke in Waimanalo, would have been 91 today (March 31).

Richard Chamberlain

While he was considered the king of the mini-series, because of his vast successes with the likes of “Shogun” and “The Thorn Birds,” locals adored him for his Honolulu-based “Island Sons” TV series, which was filmed here 25 years after “Dr. Kildare,” was his first big success where he portrayed a physician.

 I remember some women here mentioned they’d love to be treated by Dr. Daniel Kulani, a doc Chamberlain portrayed at the fictional Kamehameha Medical Center, because of his kind demeanor.

He had a gentle manner, on and off screen, and a sweet singing voice, too, recording the theme song from “Dr. Kildare.” He earned three Golden Globes, for his performance in “Kildare,” “Shogun” and “Thorn Birds.”

The series ran for one season on CBS, during the1989-90 season.

Donations may be made  in his name to either NPR or the Hawaiiia Humane Society…

And that’s Show Biz…

KILOHANA HULA SHOW PAU MONDAY

The Kilohana Hula Show, which opened on Feb. 15, 2024, as a free Hawaiian music and hula attraction at the Tom Moffatt Waikiki Shell Amphitheater, will give its final performance at 9:30 a.m. Monday (March 31).

It was touted as a grand endeavor, with island musicians backing up a cast of hula dancers, sounding and looking like what Hawaii is all about.

The effort has dwindled down into an ensemble of five, still representing the aloha spirt in song and dance. But Kilohana will shut down at the end of the month, in a minimalist program at the Kuhio Beach Hula Mound, where it has been staged three days a week – on Mondays, Tuesdays and Wednesdays – since last fall.

Blow the conch shell: Monday’s show be the finale.

Kilohana had great intentions and enviable spirit, when it was launched in the amphitheater chock full of Waikiki visitors filling the seats, but no solid plan to keep the show afloat.

Karen Keawehawaii

One of the troupers from the opening weeks is veteran entertainer Karen Keawehawaii, who also has been a rotating cast member playing for tourists at the Kuhio  Beach Hula Mound.

“It’s been a little more than a year,” she said with a tone of sadness, about the finale she’ll be part of,  as singer and ukulele player, and a kupuna.

But like any production, payroll becomes a major issue  without paid admission.

Kilohana  had lofty intentions, envisioned as a replacement, or a new-generation hula spectacle, like the long-running Kodak Hula Show, in same location in the shadows of Diamond Head.  

But the Kodak original was sponsored by the camera and film company, the title sponsor of the original show, which ran from 1930 to 2002 without charging an entry fee. The end was somewhat logical; cameras and film were being replaced by telephones with built-in cameras.

Kilohana originators maintained the free-admission policy like its predecessor but clearly struggled with the overhead of a show in a zone defined as a Hawaiian park, forbidding admission charges. At one point, the operators wanted to do an early evening show with paid admission to subsidize the morning shows, which was nixed by the city.

Footnote: Google “Kilohana Hula Show,” and an online image appears with the show’s title, with a “Southwest Presents” credit. However, if the airline became a title presenter, the show has kept it a secret…

And that”s Show Biz…

A SPIRITED BROTHER NOLAND RETURN

Brother Noland staged a spirited, luminous performance last night (March 6) — his first-ever concert at Blue Note Hawaii at the Outrigger Waikiki resort and a relaunch of his brand,

Noland, 68,  has been  somewhat nomadic in recent decades, mostly invisible to his fans; but he’s been a responsible, quiet,  viable and vigorous musician, storyteller and guitarist on the Hawaii scene. In the 1980s, he was deemed to be the Father of Jawaiian Music, with a rhythmic “Coconut Girl” signature hit.

Noland’s back!

So the unveiling of the Noland now  was awesome, nostalgic and a fascinating catch-up of his musical and cultural intersections he’s crossed over time. He fronted an incredibly powerful ensemble of eight, dubbed the Island Incredibles, sharing a few old tunes, a batch of new ones, and atmospheric acoustic revivals of pure Hawaiian mele, updating his profile of the 1980s or thereabouts, when Noland was a budding and prolific trendsetter.

… and in action

If you hadn’t seen Noland in eons, you might not have anticipated his snow white hair, his dark glasses motif, and his (and his band’s) flurry of colorful Jam’s World-print garb.

The revelation of “Las Vegas,”  an unexpected potion of pop tones, was his blast of cultural expression in the music bin, a goofy and giggly exploration of the exodus of beaucoup Hawaii folks relocating to the Ninth Island because of cost of living is way too expensive here.  Since families and clans of friends make frequent jaunts to Las Vegas and staying at California Hotel or Fremont, where they hope and pray to score a major jackpot on the slots, the tune has purpose. Finally, there is an anthem for the mad movement to a new ZIP code.

Noland’s voice is not the best in the industry, but he is skillful in channeling his tones to deliver any kind of music. His vintage Hawaiiana was as charming as they come, with a throaty voice articulating the spirit of the era, on “Ka Ipo Lei Manu,” a Queen Kapiolani mele written for her husband, King David Kalakaua, who had traveled to the mainland where he died. The lamentation is quite evident, in Noland’s moody delivery.

Brother Noland: Crisscrossing in multiple song styles.

In his Hawaiian sector, Noland also shared a “place song,” or “mele pana,” entitled “Mauna Kea,”  the mountain on the Big Island where he resides part of the year. The tune showcases the beauty and vista of the region, and living in the elevated heights means he enjoys the serenity and isolation of being “close to God.”

Thus, his musicianship reflects these life choices, crisscrossing in multiple song styles and residency experiences, like toiling in the Outback of Australia, represented in a tune he wrote called “Walkabout.”

He truly is a keiki o ka ‘aina, or child of the land, born in the Palama region, and perhaps that’s why he favors uncommon passions like authoring books via his Ho‘ea Initiative, experiencing and embracing the tropical jungles, sharks, and wilderness survival. This positioning has produced some revealing postures in his music, too, advocating the appreciation of life and culture. on “Are You Native,” “Harbor Town,” and “Signs.”

With this gig, recurring one more time tonight (March 7), Brother Noland (last name, Conjugacion), showcases a loud, proud band of buddies, featuring some of the town’s best instrumentalists and voices, pictured here, from left to right: Tavana on guitar, Gaylord Holomalia on keyboards, David Garibaldi on drums, Kata Maduli on bass, Michael Ruff on keyboards, Fred Schreuders on guitars, and Lila Chris and Olivia Ruff on vocals.

Noland also strums rock guitar and ki hoalu (slack key) and because he allows numerous solo riffs from all musicians on many numbers, the opening performance was an extended show running nearly two hours, cancelling the originally planned second show. That format will continue for tonight’s (March 7) gig – one lone show at 6:30 p.m.

Rumors surfaced that there would be another two-night stand at Blue Note next week, but that’s not true. Instead, Noland’s team is contemplating Neighbor Island concerts on Maui and the Big Island next week…

And that’s Show Biz…

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Brother Noland and the Island Incredibles

Who: Brother Noland  and the Island Incredibles, first time in Waikiki in eons

Where: Blue Note Hawaii at the Outrigger Waikiki resort 

When:  Opened last night (March 6); final show at 6:30 p.m. today (March 7); doors open at 5 p.m. for beverage and food service

Tickets: $35 and $45, available at www.bluenotehawaii.com and (808) 777-4890. …