IT’S PRIME TIME FOR KEALI’I REICHEL

Keali‘I Reichel, the Maui-based superstar of Hawaiian mele, chant and hula, made a triumphant return to the Blue Note Hawaii stage Thursday night (Nov. 16).

He’s doing five shows over four nights through Sunday (Nov. 19) at the Outrigger Waikiki resort venue, in whatr constitutes his annual Honolulu residency.

Reichel, who admits he is in the midst of being 61, is eager to hit 62, so he can start collecting Social Security. Or not. He likely will continue concertizing, if the opportunity is there.

His debut album, “Kawaipunahele,” is nearly 30 years old now, and it made him a prime force in island music and dance. As a concert act, he’s still very much in his prime, too, though the venues in Honolulu have become disturbingly scarce. Thus, the Blue Note is red hot for local and visiting acts.

His casual, conversational, and cordial “act” is Reichel at his best. Who else can admit he has hairy toes (he’s always barefooted on stage), and he drops local-style references periodically in his 90-minute show. From gala-gala and hanabata (to non-locals, he says it’s phlegm…and spells out the word), and he’s unashamedly honest to confess and admit he was a “bad boy” at Lahainaluna High School and couldn’t graduate in 1980 until he completed work on one credit during the summer.

This kind of patter reflects his local-boy demeanor. He is clearly a proud Mauian and his cache of songs and dances depict his life, likes and artistry.

He started off his serenades with “Ode to a House,” an homage to his earlier Valley Isle home, as he weaves name songs with place songs in his repertoire to share the joys of his life.

Most tunes are in the Hawaiian language, with a few with inserts in English, but he wisely provides brief descriptions of what he’ll perform, so he’s savvy about engaging his listeners who may not speak or understand the Hawaiian language.

And because he is kumu hula of Halau Ke’alaokamaile, his wahine dancers are joyful with precision galore, providing motion and mana’o to his compositions.

For instance, “Maunaleo,” with dancers in light blue costumes, was about a beloved mountain on Maui depicted as a source of inspiration with its majestic currents. Reichel wrote the tune for his mother, Lei.

 “Kawaiokalena,” another place song, assembled his corps of dancers — clad in black and blue gowns this time — who provided a poetic painting of Piiholo, a secluded area above Makawao on Maui where Reichel and his husband Fred Krauss, now live. Its elevation and wilderness are home to grazing wild boars, cows and deer, and clouds hug the forestry. “You have to have fur BVDs,” Reichel commented about the temps, adding “You have to have big dogs you can put your feet on (presumably, when seated), not chihuahua.”

“Maile’s Song” was a sentimental moment – a tribute to Doris Maile Krauss, the late mother of Fred Krauss – and it reflected the affection he had for her. It’s also a rare instance when English lyrics were lovingly woven into the precious Olelo Hawaii (Hawaiian language).

Of course, being a ‘Luna, he delivered a splendid  rendering of “Lahainaluna,” tossing in a footnote about supporting and devoting kokua to the effort to restore normalcy and restoration of Lahaina, the historic beachfront community ravished by the wildfires.

Reichel’s last tune, on a roster of 15 titles, was “E Ku‘u Home O Kahaluu,” the trademark song composed by Jerry Santos whose career with Olomana soared with this lovely, nostalgic tune engineered by the late Jim Linkner, an award-winning veteran sound engineer who championed Reichel’s career with his engineering savvy. Reichel’s entire discography was engineered by Linkner, so the tribute was genuine and real.

At last year’s Blue Note residency, Reichel played to sold-out houses but left the stage without programming his signature hit, “Kawaipunahele.”

At last night’s show, the audience howled “hana hou, hana hou,” and he returned to the stage to dutifully respond to the request. If you no ask, you no get “Kawaipunahele.”

Lest you don’t know, Reichel’s appeal and following continue to astound; at the table I sat, a visiting Los Angeles couple flew to Honolulu expressly to see Reichel in action and they used airline and hotel points to make the overnight visit. That’s loyalty, for sure – and an indication that Reichel still is in his prime.

And that’s Show Biz…


Keali‘I Reichel

Where: Blue Note Hawaii, at the Outrigger Waikiki resort

When: Opened last night (Nov. 16); remaining shows:

  • Nov. 17, 6:30 p.m.
  • Nov. 18, 6:30 and 9 p.m.
  • Nov. 19, 6:30 p.m

Tickets: $125 for premium seating, $85 for loge seating and the bar zone; available at www.bluenotehawaii.com. Doors open at 5 p.m. all nights and 8:30 p.m. for Saturday’s second show.

STREETLIGHT: BRIGHTER THAN EVER

Streetlight Cadence, the alt-rock band Hawaii adores, is brighter than ever with unparalleled artistic fervor. The expanded group of 10 — assembled in what was described as a reunion gig —  returned to Blue Note Hawaii Friday night (Nov. 3) delivering an astounding one-nighter, attracting a nearly full house which saw a stunning performance that ran for 2 hours and 10 minutes and even included a couple of hana hou treats. Whew!

Streetlight has been known for its busking on the sidewalks and its “Will Work for Food” motto to gain free meals and perhaps a couch for a night’s sleep.

Jonathan Franklin, on violin, and Jesse Shiroma, on accordion.

Well, the group –  currently a small trio – is led by Jonathan Franklin whose calls to former mates  to reunite succeeded. Franklin developed a production worthy of showrooms not sidewalks.

Ten take-aways from the one-nighter:

1 — Franklin is an indefatigable emcee. He is a genial host and a wonderful storyteller, and he plays an electric violin, often shelving the bow and plucking and strumming his instrument like an ukulele. How cool is that?

2 – The assembled instruments included the violin, along with two cellos, an accordion, two guitars, a bass, a drum, a banjo and a piano. Impressive!

3 – Two women – Clara Stegall on guitar and vocals and Maia Wolfe on cello – bring a rich warmth to the show. Hooray!

Usually a trio now, Streelight Cadence had 10 musicians for its first reunion show at Blue Note Hawaii. Pictured from left, Mariconda, Wolfe, Shiroma, Webb, Franklin, Stegall, Chai, Arashiro and Umamoto.

4 – The gents are all over the place: The players include Jesse Shiroma on accordion, Ben Chai on banjo, Brian Webb on cello, Chaz Umamoto on bass, Matt Mariconda on piano, and Evan Arashiro on drums. They jump, twirl, leap, demonstrating energy and mobility, and on one tune, two dudes – think they were Chai and Umamoto – were lying, back-to-back on the stage floor, and singing. Jiminy Cricket!

5 –Every tune delivered was an original, mostly composed by Franklin (with Stegall serving up one of her songs). There are no “covers” on the Streetlight jukebox!

6—However, a few songs are somewhat structurally repetitive, beginning with calm, and building up to a furious storm…but there’s no lack of communication and interplay when the troupers jam and get the juice flowing, with constant interplay, like partnering in cadence.

7—It’s not easy to categorize the Streetlighters’ music. Yes, primarily, alt-rockers, but flavored with a savory mix of folk, country, hard rock, and in one tune, rap. The mood is like a jam, a hootenanny, a contagious crossover of many genres of music.

8— Franklin opened up a window to his soul and heart; clearly, he’s had issues, which are resolved in a song, notably about his longtime conflict with a sister in Japan, reflected in an honest, revealing, and soulful apologetic letter of sorts, on “Learn to Love.” Sounded like a diary admission of making up to heal wounds.

9—The audience was a peculiar but homogenous mix of young, old, mostly locals; they are not always fully familiar to the Streetlight repertoire (me included) but they’re loyal and addictive to the party on stage, perhaps attracted to the  personalities, happily clapping along and offering an impromptu standing ovation at the end, and yes, howling “hana hou,” not fully satisfied with the earlier non-stop 2-hour-plus music fest. Geez!

10– With this kind of performance – pure, revealing, engaging – Blue Note ought to book the band again, which means Franklin will have to start convincing the ex-members to come back to Hawaii for a second annual reunion. Hana hou!

And that’s Show Biz. …

CAZIMERO SETS YULE AT LEEWARD

“A Robert Cazimero Christmas,” set for 7 p.m. Dec. 9 and 2 p.m. Dec. 10 at Leeward Community Theatre, will be themed “E Ho‘i I Ke Kumu,” which Cazimero describes as a “Return to the Source.”

The shows will bring him “back to the reason for the season,” referring to his halau fundraiser programs last season that were an astounding achievement and a crowd-pleaser. And as The Brothers Cazimero, with his late bro Roland Cazimero, Robert and his entourage always treasure the holiday season with annual staging of mele and hula to celebrate the joyous holiday season.

Clearly, Robert is a revered master of his craft and his career as a singer-musician-composer-kumu hula are unparalleled. His signature Hawaiian music and dance are legendary, as previously demonstrated in Lei Day spectacles and showcases from the prestigious Royal Hawaiian Hotel’s Monarch Room, infrequent gigs at Blue Note Hawaii at the Outrigger Waikiki resort, or the monthly Full Moon Concerts at Chef Chai’s bistro. But no doubt, Cazimero’s twinkle and jingle are especially radiant and luminous during the Christmas season.

As one who commands format and structure, Cazimero said, “I’ve decided the two halves as ‘Christmas Green’ and ‘Christmas White,’” which could refer to color and season, meaning tropical and green and wintery white.

“I’ve finished the script, and the show will be mine,” Cazimero said of ownership and originality, and he’ll corral his usual cast of vocalists, dancers, and musicians.

“My gents of HNKOL (Halau Na Kamalei O Likolehua) will sing, chant, drum, and dance, and I will have three ladies from the RDC (Royal Dance Company), Ka‘ohi Yojo Daniels, Noheahiwahiwa Stibbard and U`ilani T Lum. 

My band members will include Kaipo Hale,  Keala Chock and Richard Heirakuji.  My very special guest will be the lovely Kalena Delima Parrish. I think it’s going to be quite a show,” he boasted…

—————————————————–

“A Robert Cazimero Christmas”

What: A celebration of the holidays, in Hawaiian music and dance

When: At 7 p.m. Dec. 9 and 2 p.m. Dec. 10

Where: Leeward Community College Theatre

Tickets: $30 to $55, available at the Leeward box office at (808) 455-0385 or online https://app.arts-people.com/index.php?ticketing=leecc

“Wille K: Lahaina Son”


”Willie K – Life on Stage 4,” the Emme’s Island Moments show containing the last interviews of the late island star, Willie Kahaiali‘i (pictued), will be revived with updated content and aired on Hawaii News Now as a Thanksgiving week special.

Playdates are 9 p.m. Nov. 19 on KHNL, 9 p.m. Nov. 20 and 7 p.m. Nov. 25. Emme Producer-host Emme Tomimgbang Burns has retitled the show, “Willie K: Lahaina Son,” with a new focus on Willie’s Lahaina roots, in light of the August wildfires that destroyed his Maui hometown. Willie’s siblings and extended family lost their homes, and almost their lives, fleeing from the disastrous blazes.

“Willie has been gone for five years, which is difficult to believe,” said Tomimbang Burns. “But he’s been on my mind since the fires. He would be heartbroken over the loss of life and belongings, but he would be the first to stage a concert or fundraiser to help those who need it most. Maybe we need be reminded of Willie’s beautiful fighting spirit at this time to encourage us all to keep going.”…

Broadway grosses for week ending Oct. 22

“Merrily We Roll Along” has rolled up to second place, in last week’s Broadway grosses. The Stephen Sondheim musical stars Daniel Radcliff (pictured), Jonathan Groff, and Lindsay Mendez.

The Top 10:

1 — “The Lion King,” $2,063 million.

2 –-“ Merrily We Roll Along,” $1,820 million.

3 –“Wicked,” $1,809 million.”

4 — “ Hamilton,” $1,801 million.

5 –“Sweeney Todd: The Demon Barber of Fleet Street,” $1,710 million.


6 –“ MJ The Musical,” $1,577 million.

7 — “Aladdin,” $1,279 million.
8 –“Back to the Future: The Musical,” $1,257 million.

9 –“Moulin Rouge! The Musical,” $1,252 million.

10 –“Harry Potter and the Cursed Child,” $,194 million.

The full list of last week’s grosses, courtesy The Broadway League:

And that’s Show Biz. …

THE MERRY MONTH OF MAY DAYS

Since his splendid May Day concert last May at the Great Lawn of Bishop Museum – staged ‘neath that tented behemoth – Robert Cazimero, pictured below, has been enjoying a merry time, making good his wish and promise to share Lei Day beyond the reef.

Of course, the principal show had all the bells and whistles: the legendary kilohana presence of Cazimero, soprano Nina Keali‘iwahama and Olomana’s Jerry Santos. Cazimero’s Halau Na Kamalei O Lililehua, along with another guest halau, provided the syncopation and seduction of hula auwana and kahiko.

Following Oahu, Big Island audiences were treated to a performance May 13 at Kahilu Theatre, in Waimea, though with an abbreviated cast. It’s a longstanding tradition, to visit the Big Island, since The Brothers Cazimero “owned” May Day, since the era they delivered that May Day spectacle at the Waikiki Shell… where the tradition had its roots.

And this past week, Cazimero traveled to Japan to share that powerful cultural breeze of Hawaiian music, for hula-happy Nippon audiences, tapping soprano Keali‘iwahamana, pictured below right, and his “house band,” the singing, strumming, dancing trio of Keauhou (Zachary Lum, Nicholas Lum, and Jonah Solatorio)  not only to showcase the group’s instrumental and vocal energy, but also the hypnotic hula since the chums also dance with Cazimero’s halau.

The Keauhou presence, and participation in Lei Day, has bolstered the foundation as it now has planted seeds in new markets to set more Hawaiian roots beyond the islands. The Japanese, of course, adore Hawaiiana, and appreciate and eager to grow the “make a lei, wear a lei and give a lei” tradition. And with Zach Lum and his colleagues at the core of the event, the future looks stable and bright, with a growing village of supports eager get this thing glowing.

Every day can lei day any time, any place, but the practice becomes powerful when the mele and marvel are connected to faces and names that translate to trust. …


Hugh Jackman’s ‘Oklahoma!’

Advisory for fans of Hugh Jackman: Before he became a superstar of film and stage, he played Curly in a filmed musical of Rodgers & Hammerstein’s “Oklahoma!” in Australia.

By all accounts, this 1998 vehicle would become a talking point and casting barometer to propel book him toward a musical, on stage or on the big screen.

I first saw him in his Tony Award-winning role where he portrayed Peter Allen in “The Boy From Oz,” his first Broadway musical, but missed him in last year’s “The Music Man” where he enacted Professor Harold Hill.

We’ve all seen and heard him in the last film version of “Les Miserables,” where he was Jean Valjean, and of course, he was the reason “The Greatest Showman” became a blockbuster, the hit film where he played P.T. Barnum.

So back to “Oklahoma!”  The vintage film, with a young Jackman, will make a rare two-day global return, to mark the 80th anniversary of “OK.”  In Honolulu, the screenings will be at 3 p.m. July 16 and at 7 p.m. July 19 at Consolidated’s Kahala Theatre, and Regal’s Dole Cannery and Pearl Highlands Theatres.

Tickets ($17.75 Kahala, $15.70 Regal) are already on sale online. Visit https://www.oklahomaincinemas.com/?gclid=CjwKCAjw1MajBhAcEiwAagW9McrGH8StzCgwjTTdymD3UUWktat7hpQBQoh2krHYTV4BN7WdhWk4shoCUHMQAvD_BwE

Earlier this month, President Biden hosted a special screening of the anticipated Disney+ original series, “American Born Chinese,” as part of the largest Asian American Native Hawaiian and Pacific Islanders Heritage Month key event at the White House.

A host of actors of color were on hand. The series, now streaming on Disney+, tracks an immigrant family that includes an American son, at the crossroads of the cultural struggles reflecting real-life issues with storybook fantasies about a new American identity fusing family bonding.

“Nights like these are a reminder of the power of stories,” said the president.Academy Award-winning actor Ke Huy Quan was one of the key participants in the screening; Maui native Destin Daniel Cretton, pictured right, who was executive producer and director of “American Born Chinese,” attended with many other on-camera and off-camera folks, like series stars Ben Wang, Yeo Yann Yann, Chin Han, Daniel Wu,  Jimmy Liu and Sydney Taylor, and creative team members including executive producer and author of the graphic novel Gene Luen Yang series creator and showrunner Kelvin Yu, and executive producers Melvin Mar, Jake Kasdan and Erin O’Malley. Peyton Elizabeth Lee and Alex Aiono, stars of the Disney+’s filmed-in-Hawaii  series, “Doogie Kamealoha, M.D.,“ also attended. …

And that’s Show Biz. …

HARMONY ON THE SYMPHONY AGENDA

With the pandemic in its rear view mirror, the Hawaii Symphony Orchestra is looking for harmony and stability in a new four-year contract with the orchestra’s 84 musicians.

The HSO board has ratified the  pact, also overwhelmingly approved by the orchestra’s union, Musicians’ Assn. of Hawaii, Local 677, which assures 18 weeks of performances for the first two years, 19 weeks in the third year, and 21 weeks in the final year. The agreements cover the fiscal years from 2022 through 2026, somewhat rare in the still uncertain pandemic cloud that has stalled growth and security for many orchestras.

Dave Moss

“The heart of the symphony is our musicians and the signing of this multiple-year agreement ensures that they will have opportunities for growth as we continue our mission-driven work for the community,” said Dave Moss, president & CEO of HSO. “In a large way, it ends years of stops and starts for the Hawai‘i Symphony Orchestra throughout the past decade and puts HSO in a place of unprecedented stability, even after we’ve navigated the effects of the pandemic.”

James F. Moffitt

“The four-year agreement is unusual among orchestras at this time. For Hawai‘i, it will allow the HSO management time to recover from the detrimental effects of the pandemic and it gives the musicians job security and growth to look forward to,” said James F. Moffitt, president of the Musicians’ Association of Hawaii, Local 677. “This will also strengthen the organization by giving confidence to patrons, donors and sponsors, encouraging them to continue to contribute generously as they anticipate the expanded programming and financial stability of the HSO.”

“The harmony between musicians, board, administration and community serves as the catalyst behind the credibility and trust that has been established over the past three years, both financially and artistically,” said Paul Kosasa, chairman  of the HSO board of directors..

The  contractual certifications will assure stability for the orchestra, when it launches the upcoming season, beginning Oct. 8, and enables HSO to continue the Halekulani Masterwork Concerts Series, the HapaSymphony Series, Starlight Series and additional special performances ….

‘Doogie’ boyfriends

Alex Aiono

Alex Aiono will return in season two of Disney+’s “Doogie Kamealoha, M.D.,” already in production here. Aiono has been portraying Walter Taumata, the surfer boyfriend of Lahela, the titular character played by Peyton Elizabeth Lee, who is the teen doctor when she’s not in high school. His relationship with Lahela, however, has not been defined since the series this year also cast Milo Manheim in a new recurring role and a likely boyfriend of Lahela.

Aiona also has  been a regular in “Pretty Little Liars: Original Sin,” the HBO Max streamer, where he appears as Shawn. His Hawaiian/Polynesian looks are from his Samoan-Maori father and he calls Phoenix, AZ his home. …

Casting couch

Keanu Reeves

Keanu Reeves, a Hawaii native of “The Matrix” and “John Wicks” franchises, will star in his first TV mainstreamer on Hulu,  “Devil in the White City,” based on Erik Larson’s book. The movie explores the life of Daniel Burnham, a visionary architect, who left his mark on the 1893 Chicago World’s Fair, supposed the part Reeves will play, opposite a yet-to-be-cast  Dr. H.H. Holmes, considered to be America’s first modern serial killer (200 victims) and the dude behind the “Murder Castle” built in the shadow of the World’s Fair. The film boasts two celeb exec producers, Martin Scorsese and Leonardo DiCaprio

Lady Gaga will add wattage to Joaquin Phoenix’s “Joker 2,” officially to be called “Joker: Folie a Deux,” when she plays Harley Quinn, a tongue-in-cheek handle for sure. In an early posting in June, Variety said the sequel would be a musical, though that distinction has not be mentioned in her casting announcement, but it had a musical teaser, tapping “Cheek to Cheek,” a song legitimizing her  career as a chanteuse-partner of Tony Bennett rather than an oddly-dressed pop-rocker. ..

Look for James Franco to play Fidel Castro in “Alina of Cuba,” an indie flick about Alina Fernandez, daughter  of the Cuban revolution. It’s a true story of her exile from Cuba and also features Natalia Revuetta as the Cuban socialite whose affair with Castro resulted in the birth of Alina. …

Zippy’s Senior Card expiring

If you possess a Senior Card from Zippy’s restaurants in Hawaii, you have until Sunday (Aug. 7) to utilize the card. The program will conclude effective Aug. 8.

A new Zipster program will replace the card, which has been a boon for the elderly with its 10 per cent discount for dine-in or take-out patronage. …

And that’s Show Biz. …