CAZIMERO’S SONGFEST DODGES MOON

Robert Cazimero’s so-called monthly Full Moon Concerts continue to attract loyalists at Chef Chai’s.  However, the event no longer adheres to the lunar glow.

Reason: the casual serenades – this month’s show was last night (July 13), though this month’s actual full moon was on July 10  — are scheduled according to the entertainer’s mainstream work and travel agenda. And Sundays appear to be the convenient playdate, even though the August show will be on a Friday.

Hula maiden Sky Perkins Gora dances, while Cazimero sings…

Further, December dates are not yet finalized, but will be staged on several evenings because this slate will comprise his Christmas concert gift to the community. So stay tuned to the announcements and sign up early; the shows will be sold out.

Cazimero’s opening number last night was “Sing Me a Song of the Islands,” and that’s kind of his modus operandi. He programs numerous island tunes, some in Hawaiian, some in English, some from left field. But he homers because of candid control. Nostalgia is a common trait – think stories of his first three years at Hongwanji Mission’s grade school, before he switched to Fern School. “I thought I was Japanese,” he chimes with a mischievous tone, then he quickly shares a verse of a folk song in Nihongo.

…and Bully Keola Makakau also lets his hands do the talking

A lot of elements are predictable, but nonetheless precious. Like hula by Sky Perkins  Gora and  Bully Keola Makaiau, who share storytelling with hands, in perfect cadence in difficult, crowded walk space between tables.

Aunty April hulas, too,

Cazimero says it like it is; he tossed darts to a noisy audience a month ago. “You guys the best,” he alludes to this evening’s audience.

He recalls Kui Lee visiting Kamehameha Schools when he was a student, capping the stroll down memory lane with “Days of My Youth;”   and watching Don Ho at the now-gone Duke Kahanamoku’s at the International Market Place. which punctuates this remembrance via a rendering of sHo’s signature, “I’ll Remember You.”

Sitting behind his grand piano, he sips his favorite bubbly, and as the glass empties, another filled one appears. The Louis Vuitton Veuve Cliquot champagne is his magic potion. (It really works!)

Cazimero’s songbook also includes two Dennis Kamakahi classics, “Wahine Ilikea” and “Pua Hone,”  which he renders separately and provides meaningful stories of meanings. And guest performers get brief performance time, like Sistah Robi Kahakalau joining Cazimero at the piano, and  his beloved “Aunty April” sharing her classic “Ei Nei,” hula but this time standing (instead of a sit-down hula).

Our grandnephew Sgt. John Rhoades, now stationed at Schofield Barracks, visits his Uncle Robert, flashing shaka and smiles.

Next month’s endeavor, clearly, will be entirely different. And if he sings “Zippity-Doo-Dah,” the Disney evergreen from “Song of the South,” you can count on his mode of informal but incisive fun…

And that’s Show Biz…

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Robert Cazimero concerts
Where: Chef Chai, at 1009 Kapiolani  \Blvd.

When: Aug. 29, Sept. 14, Sept. 28, Oct. 28; November and December dates to be announced

Schedule: Dinner service, from 5:30 p.m; show at 6:30 p.m.

Cost: $109, includes complete meal, from appetizers, choice of entrée and dessert.

Reservations: (808) 581-0011.

PAPER TRAIL FUELS SOME MEMORIES

You never know what you’ll find, when you pore through old boxes you’ve neglected for years.

As a journalist, I’m referring  to stuff I’ve kept because newspapers were the focus of my career. I often save many articles for future use.

Interestingly, the three tear sheets I discovered brought flashes of joy, because they were very much a part of my life.

Show directory

One treasure, which reflected the pulse of Broadway, was a compilation of all of the shows in New York, which helped me select shows. The New York Times maintained the tradition of collating small advertisements which – at a glance – reflected the pulse on the Great White Way. This list was dated March 15, 2020, well before the COVID 19 pandemic halted and buried Broadway a few months later.

The prevailing hits included “Phantom of the Opera,” “Come From Away,”  “Dear Evan Hansen,” “Frozen,” “The Lion King,” “Book of Mormon,”  “Mrs. Doubtfire,” “Ain’t Too Proud,” ”West Side Story” and “Six.”

I saw all of these shows – over a couple of visits – before the lights went out. And with the shutdown, The Times  and shows stopped the listings…which never were restored even when the lights were turned on again.

Yeah, I know, the data is available via your iPhone or your laptop. But the at-a-glance peek at what’s playing became history…

Indexing fun

So did the TGIF – The Great Index to Fun – which was a tradition at the Honolulu  Advertiser, a Friday tabloid in the morning paper. Disclosure: I wrote features and/or reviews in TGIF, which was a handy-dandy resource to see where or what was happening for the weekend and beyond.

My colleagues on TGIF – reporters, copy editors, page designers and chief editor (plus staff photographers) – dutifully produced the section week after week, from earlier years when entertainment ruled Waikiki and name acts brought their shows to Aloha Stadium, Blaisdell Arena and/or Concert Hall, and Waikiki Shell.

TGIF didn’t survive the merger of the morning Honolulu Advertiser and the evening Star-Bulletin, and a feature section eventually disappeared. The Star-Advertiser became a two-section endeavor – main and local news, and sports. Instead of a feature section on Sundays, a Travel section prevails – with a key New York Times story with art, week after week.

The paper truly has a content issue, or perhaps it doesn’t give  a damn… 

Bright beginnings

Then I came across a feature article I wrote, published Aug. 3, 2016, in the Star-Advertiser, sharing news that survivors, supporters and former actors in a Ron Bright musical, were launching the I’m a Bright Kid Foundation, to perpetuate the legacy of Mr. B, as he was called.

Ron Bright

The revue, entitled “Brighter Still,” was to feature a roster of Bright Kids in a production July 13 at the Hawaii Theatre, the first IABK show organized  by Ligaya Stice, executive director. The show corraled everyone who was a someone singing and dancing for the late director-educator at Castle High School, whose auditorium bears the Bright name, and at Paliku Theatre at the Windward Community College, where an IABK show usually sets anchor.

Former Bright-directed talent traditionally participate in a Bright show, coming from near and far. Mo Bright, widow of the director, said “A little bit of Ron lives in each one of them/”

IABK’s annual musical production, “Gypsy,” opens Aug. 8, with a three-weekend run at Paliku through Aug.24. For tickets,  visit  Www.iabk.org

‘Wicked” defying gravity; remains No. 1

“Wicked” retains its No. 1 on the Broadway grosses tally, for the week ending July 6.

However, “Hamilton” has jumped into the game, again, moving up a few notches to No. 2.

The Top 10:

1—“Wicked,” $2.257 million.

2—“Hamilton,” $2.110 million.

3—”The Lion King, $2.054 million.

4—” Sunset Blvd.,” $1.940 million.

5—” Aladdin,” $1.378 million.

6—” Maybe Happy Ending,” $1.331 million.

7—”MJ,” $1.232 million.

8-“Just In Time,” $1.231 million.

9—”Harry Potter and the Cursed Child,” $1.167 million.

10“The Outsiders,” $1.146 million.

The complete list, courtesy the Broadway Guild:

And that’s Show Biz…

‘LILO & STITCH’ SEQUEL IN WORKS

To no one’s surprise, “Lilo & Stitch 2” is in the planning stages at the House of Mouse.

Disney today announced the sequel to the popular live-action, Hawaii-filmed  audience favorite, which so far has grossed $914 million – and counting – as the summer’s hot ticket.

“Should’ve known we couldn’t keep a secret,” Disney said on social media. “A 626 Day surprise: ‘Lilo & Stitch 2’ is now in development!”

Stitch, with Lilo (Maia Kealoha), in the live-action “Lilo & Stitch” hit film.

Numerically speaking, June 26 – 626 Day – ties into Stitch’s origins as Experiment 626.

The sequel logically means the ultimate callback of the first live-action cast, including Maia Kealoha, Sydney Elizebeth Agudong, Kaipo Dudoit, Tia Carrera, Amy Hill,  Billy Magnussen, Hannah Waddingham, Chris Sanders, Courtney B. Vance and Zach Galifianakis.

The hit film was directed by Dean Fleischer Camp from a screenplay by Chris Kekaniokalani Bright and Mike Van Waes.

Stay tuned for more details…

‘Glengarry’ rises to No. 2 on Broadway list

There’s a major change in the weekly list of Broadway’s best, with “Glengarry Glen Ross”  moving up to No. 2, behind “Wicked” and ahead of the longstanding faves “Hamilton” and “The Lion King.”

The Top 10:

1—”Wicked,” $2.484 million

2—”Glengarry Glen Ross,” $2.234 million

3—”Hamilton,” $2.169 million

4–“The Lion King,”  $2.141  million

5—”Sunset Blvd.,” $1.827 million

6—”The Picture of Dorian Gray,” $1.655 million

7—” Aladdin,” $1.524 million

8—”Death Becomes Her,” $1.458 million

9—”MJ  the Musical,” $1.369 million

10—”The Outsiders,” $1.334 million

The complete list, courtesy the Broadway Guild:

And that’s Show Biz…

POSSIBLE 10-YEAR RUN FOR ‘CIRQUE’

I revisited “‘Auana,”  the Cirque du Soleil spectacle, the other night at the Outrigger Waikiki Beachcomber resort.

The show, launched last December,  has just passed its six-month residency, with its stunning 80-minute spectacle in the heart of the Waikiki mainstream. I said in a December review that Cirque is the future of Waikiki attractions. Highly visible, a non-stop showcase of faith in Hawaiiana, loaded with artistry and creativity. And huge.

Business has been brisk, with two performances at 5:30 and 8 p.m., Wednesdays  through Sundays.

The good news:  “‘Auana”  — Hawaiian for wandering, drifting thoughts – has an agreement with the Outrigger for a run of 10 years, a keen investment by the hotel with the team from Montreal, Canada, known for its prolific planting of performance companies in a wide range of destinations over the decades.

Honolulu is the creator’s newest production, with pure Hawaii story lines, with narrations and songs and dancers, delivered in native Hawaiian language. Though the title of the show might suggest wandering, it’s quite certain “‘Auana” will stay put here. It is the essence of the ‘olele  spirit (language, speech, texture) of original island songs and dances. And the Hawaii influences flow beautiful in the lively choreography embellished by the eye-filling island costumes

Cirque’s next launch will be Germanic, in Berlin, in November 2025.

Instead of another review of the Waikiki  show, let me share highlights via a recapitulation of images of the major segments that have resonated with an audience comprised  largely of spectators who don’t speak or understand Hawaiian. Not to fret …this is a wholly visual endeavor, and a satisfying cultural entity. Let us count the ways.

1 – A journey via canoe sets the story in motion…

2—A surfer dude defies gravity and “surfs” on cylinders…

3 – A segment on the naupaka flower depicts the bloom’s unique  idiosyncrasy: only half-a-flower emerges from the buds.

4—Let’s call this the balloon boy, whose feat is a wonderment.

5—If there’s an acrobat, and an oversized cocktail glass filled with water, she’ll share her balletic poses.

6—A salute to “Hawaii Five-O” features a tourist ork (from the audience), for comic relief. More fun than gents learning to hula.

7—The Hawaiian sand painter creates images with, yes, sand and hand…shared on the show’s huge screen…

8—And voila, her art sashays into a mystifying, colorful rainbow…backed by a sweet vocal by a gent of “Over the Rainbow,” delivered in – what else? – Hawaiian.

9—Hawaii welcomes visitors, so why not include a cache of postcards?

10 – And Hawaii means beach boys, too, so they get their moments of fame.

11—When it’s time to bid adieu, the word to know is “aloha” (again, on a postcard).

12 – Two daredevils walk, jump rope, and risks their lives in this rotating

behemoth, often featured in a traditional circus…

13—And this being Cirque du Soleil, the finale means a burst of color, too…

14 – And this is us when the bright lights go off – me, grandnephew John Rhoades, and my wife Violet…

And that’s Show Biz…

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Cirque du Soleil’s “‘Auana”

When:  5:30 and 8 p.m.,  Wednesdays through Sundays

Where: Cirque showroom, second floor, Outrigger Waikiki Beachcomber Hotel

Tickets: From $86; visit https://www.tickets-center.com

Discounts available for kamaaina and military

Information: (877) 773-6470

‘SPONGEBOB’ DIRECTOR, CAST NAMED

Greg Zane will direct and choreograph Diamond Head Theatre’s “The SpongeBob Musical,” opening a run July 18 through Aug. 3.

Jenny Shiroma will be musical director.

Nickelodeon’s undersea world of Bikini Bottom, originally a TV cartoon favorite of young kids, was transformed into a flashy Broadway musical, bringing the heart, humor, fantasy and fun to an adult sensation, with an explosion of sea-worthy colors and antics, and a  bounty of bubbly music enriching the score, with tunes by John Legend, Cyndi Lauper and David Bowie.

Greg Zane

The cast is already rehearsing for the see-worthy fun. Chad Navarro will play the beloved SpongeBob SquarePants, Zach Oldham will be his buddy Patrick Star, Nathaniel Ryan-Kern is Squidward Q. Tentacles, Mehana Stone is Sandy Cheeks, Lee Nebe is Eugene H. Krabs, Presley Wheeler is Sheldon Plankton, Aiko Schick is Karen the Computer, Sage Nguyen is Pearl Krabs, Lainey Hicks is Mrs. Puffs, Landon
Ballesteros
is Patchy the Pirate/Perch Perkins, Cassidy Ross is The Mayor of Bikini Bottom,

Genesis Kaeo is Buster Bluetang/Electric Skates, Isaiah Gundermann Graham is Old Man Jenkins/Electric Skates, and Andrew Erwin is Larry the Lobster/Electric Skates.

The ensemble will include Nanea Allen, Marisa Noelle Capalbo,
Celia Chun, Alana Clayson, Sammy Houghtailing,
James Lauer,
and Timmy “Tino” Nozaki.


Performances will be at 7:30 p.m. Thursdays, Fridays, Saturdays and at 3 p.m. Saturdays and 4 p.m. Sundays. Extended playdates are likely, considering the popularity of “SpongeBob.”

Tickets are $41 to $68, on sale at the at www.diamondheadtheatre.com and at the box office, (808) 733-0274….

And that’s Show Biz…