SHARI LYNN SETS MEDICI’S YULE DATE

Note: this column has been updated with a correction.

It’s a bit earlier than usual, but a few Christmas events are already being promoted.

Shari Lynn

Shari Lynn is doing her annual Christmas sing-out on Dec. 10 at Medici’s at Manoa Marketplace. Her holiday show will be laden with traditional standards and familiar carols, with a bit of a cultural jolt. She’s Jewish, but nonetheless observes Christmas complete with decorated trees in her Kailua home, so she’ll serve a darling Jewish number (or two) to mark her faith. Tickets: $59, includes dinner. …

We also mentioned, a few weeks back, that Robert Cazimero will do a five-night Christmas residency, starting Dec. 15, at Chef Chai’s, where he normally stages his once-a month Full Moon concert. Well, ho-ho-ho, there will 2021 yuletide serenades, too. …

The producer report

Phil Arnone

Retired producer-director Phil Arnone is recovering from a double hernia operation at Queen’s Medical Center, one of the health issues plaguing him in recent months. Send get-well wishes and prayers, so he can be up and running again. Well, walking – he stopped running years ago! (Note: an earlier posting misstated the hospital where Arnone had his surgery) …

Rick Quan, KITV news anchor, has produced and directed a new documentary on show entrepreneur Jack Cione. Alas, Cione will be out of town when the doc premieres at 11 a.m. Nov. 13 at Consolidated’s Kahala Theatre, as part of the fall Hawaii International Film Festival, and again at 7 p.m. Nov 17 at Maui’s Kaahumanu Center’s Consolidated Theatre.  No airdate yet, however, on KITV. ..  

Televiews

Recurring characters, longtime favorites on ongoing procedurals, are slowy vanishig from TV landscape.

Take Mark Harmon, playing Leroy Jethro Gibbs for 18 years on CBS’ “NCIS,” who made his exit recently, in this mothership NCIS show’s 19th season. It’s possible, but not likely, that Harmon will make infrequent appearances; he’s wanted out for several years, and finally had his wish granted, leaving a huge gap on the show and threatening its popularity among diehard followers. One possible solution to galvanize the show is to hire Michael Weatherly as Tony DiNozzo, to return as lead agent, but that’s highly unlikely, since he departed to star in CBS’s “Bull,” and it’s logical that he wouldn’t now want to return to a sinking ship. …

Jesse Spencer

And speaking of a void: NBC’s “Chicago Fire” drama has lost a valuable asset, Jesse Spencer, who portrayed Capt. Mathew Casey. He exited the show to keep his promise to care for and watch over the sons of a deceased firefighter colleague. Thus, Casey will relocate to another city to become a protective “dad,” upholding his commitment and sidetracking his personal goals for now, as reflected in a recent episode leading to this development. A loss for Firehouse 51 and its franchise viewers. …

And that’s Show Biz …

‘CHILL’ TIME AT MANOA VALLEY THEATRE

“Be More Chill,” finally out of the lockdown freezer and live and chilling on the Manoa Valley Theatre stage, reflects the flavor of the Broadway musical genre that is evolving with regularity, if not consistency.

As directed and choreographed by Andrew Sakaguchi, “Chill” is hip, loud, ludicrous at times, and now. Meaning it has youth appeal, its intended audience, not so much for graying oldsters; it’s a bit like “Dear Evan Hansen,” with its focus on technology and social media, and “The Prom,” with its high school momentum involving kids in their own weird whirl (like in most musicals about high schoolers).

So there exists a great divide:  parents and adults are not exactly tuned in on the same sci-fi electronic waves as the youths.

In this one, Jeremy (Darian Keanu Ruis Aquino) is an outsider trying to be an insider, who lacks confidence while yearning to be the beau of Chistine (Alanna  Poelzing), his fellow drama student united by a production, and her lack of focus is emblematic of many kids today. He’s mighty likeable and mobile, with a voice that is as powerful as his dance moves; she’s the stand-offish picture of sweet indecision, trying to find her heart.

Darian Keanu Ruiz Aquino (Jeremy) and Alanna Poelzing (Christine), in MVT’s “Be More Chill>”

The musical, written by Joe Iconis (music and lyrics) and Joe Tracz (book), is set in a suburban New Jersey high school, where Halloween looms and a costumed song and bewitching tune makes this a timely arrival. So tricks and treats loom in the playout.

The key characters in Jeremy’s ‘hood include the Squip (Brandon Caban), an avatar in black costume festooned with neon green lights, an invasive alien supposedly a Keanu Reeves look-alike (not!) with powers to guide Jeremy in life and girlfriend issues; and Jeremy’s best buddy Michael (Moku Durant), who also is a geek with loyalty who gets locked in a bathroom; and Jeremy’s dad (Devon Nekoba), who hasn’t worn pants his wife left home.

Thus, the score includes such weirdo tunes as “Michael in the Bathroom” and “The Pants Song,” not relevant outside of the show but expressive and essential in defining some of the issues in the storytelling.

And among the ensemble, Bailey Barnes as Jenna is a multi-threat, as singer and dancer who projects and delivers on cue, and Melani Carrie as Chloe, whose seductive vocal and moves provide precise tension at the right moment.

The tale is based on Ned Vizzini’s novel with the same title, and the show began as an off-Broadway hit that transferred to the Broadway stage. It suits the MVT space well, thanks to Michelle Bisbee’s lean, clean and inventive set that includes numerous stairways and playing platforms, plus turntable wall panels that spin and display backstage mirror and sink, a small cluster of lockers, and even a pair of urinals … all smartly illuminated by Janine Myers’ precise lighting design.

Ticketing advisory: Your preordered reserved seats might have changed since you placed your order (mine did), so it’s advisable to arrive early and resolve seating issues, if any. MVT had to modify seating for social distancing, since protocols changed the rules after sales had started.

Details: www.manoavalleytheatre.com or call  988-6131.

PROTOCOLS PLAGUE LOCAL THEATERS

Manoa Valley Theatre is the first local stage group to kick off a delayed and occasionally truncated drama season. Its Hawaii premiere of “Be More Chill” opened Thursday night (Oct.14) and  runs through Oct. 31, with new protocols.

Consider:

  • For the first time, season subscribers, along with single-ticket buyers, had to designate specific seat choices. Assigned seating will be in place throughout the 2021-22 season.
  • Masks must be worn to enter the theater and watch the play, as has been the practice during the past season.

MVT’s opening show

  • Proof of vaccination is required, so bring your vaxx card for certification.
  • Social distancing protocols mean that MVT can only sell and fill 60 of its 120 seats, meaning half the house.
  • The post-show opening night party is canceled as long as the pandemic lingers.
  • With the pushback in dates, there won’t be a week or two of extension performances, because the finale of the current show would affect the preparation and opening of the next production, which is “The Joy Luck Club,” beginning Nov. 26.
  • Audience members are asked to exit the hall after the performance, which means that apres-show gestures of aloha – lei or bouquets, gifts and hugs – are discouraged. Gifts for cast members on opening night were collected and distributed backstage.
  • Playbills are part of the sacrifices of a pandemic – there is only a virtual playbill, available at www.manoavalley.com .  It’s a misfortune for actors and techies involved in the ritual of theater – a memory keepsake unavailable for now. …

‘Oliver’ seats scarce

DHT’s opening show

 Diamond Head Theatre has virtually been silent about its “Oliver!” season opener, which begins Oct. 22. Because of the half-house seating protocols, most of the performances have been “sold out,” since season subscribers had to be reassigned to other nights. (When sales started, the pandemic protocols suggested that all seats could be sold; that changed).

At this time, only one performance, at 7:30 p.m. Nov. 3, offers pairs of seats available for purchase. Details: www.diamondheadtheatre.com .

The obvious requirements are in place: mask-wearing, social distancing, proof of vaccination before entry.

Further, DHT has eliminated its opening night party, along with the complimentary playbill (a virtual one exists on the website) and also discourages friends and other patrons gathering after a performance for the customary shared aloha with cast members. …

A virtual ghost story

KK’s opening show

Kumu Kahua’s world premiere of “The Kasha of Kaimuki,” at 7:30 p.m. Oct. 28, is perhaps Hawaii’s most unusual debut this fall. The thriller, about a notable and terrifying haunted house in Honolulu, will be performed virtually. The play is by Hannah Ii Epstein.

A virtual performance is not unusual these days, but the cast will assemble from four different time zones, to perform as one ensemble. Talk about a looming twilight zone.

The cast and crew will involve talent not only in Honolulu, but also in California, Illinois (Chicago), and Pennsylvania.

“One of the best things to come out of having to work digitally, is working with people from all over the place,” said Kumu’s Harry Wong III. “Especially when we get to work with those with local ties to Hawaii, people who are going to school outside of Hawaii, or some who had to leave Hawaii to seek work elsewhere.”
For instance, islander Alisa Boland, is attending school in Chicago, and the virtual performance enables her to participate from afar. So it’s a new wrinkle and twinkle to the digital experience.

“The digital format will also lend itself well to the scary aspects in this production,” said Wong. Which means if things go awry, there will be unintended obake drama. …

And that’s Show Biz. …

PEASE LANDS CHICAGO ARTS JOB

Kevin Pease, who’s left his pals from the I’m a Bright Kid Foundation here, has a new gig ahead in the Chicago area.

He is the new artistic director of Chicago’s Beverly Arts Center, which he describes as  “a cornerstone of the Beverly/Morgan Park neighborhood since 1967.”

Kevin Pease

Pease added, “Their 40,000 square-foot space houses a 400-set proscenium theater, art gallery, exhibition spaces, music and dance studios, art classooms and event rental spaces including a courtyard and light-filled atrium,” he said. “I’m excited and humbled to begin this journey with their amazing leadership team and the array of artists and educators dedicated to bringing high quality arts experiences to not only the Far South Side but to the Greater Chicago Metro Area. I can’t wait to get to work with BAC in sparking joy through the arts.” …

Ruivivar scores ‘NCIS’ role here

Anthony Ruiviar

Anthony Ruivivar, currently seen on the Disney+ streaming comedy, “Turner and Hooch,” was in Honolulu earlier this month, for a bit of filming of “NCIS: Hawai‘i.”

He couldn’t reveal any specifics about the role, citing non-disclosure protocols, but was impressed with the manao shared by Vanessa Lachey, starring as Jane Tennent, the show’s lead special agent. …

Mary Gutzi

Gutzi home for R&R

Mary Gutzi, the singer-actor-entertainer, is in the islands again, after living and working in New York City.

“So happy to be home,” she said in an email. “New York was very challenging in this pandemic and the aloha here is a welcome change.”

For now, Gutzi hopes to recruit some students for private coaching in the realm of acting. Since local theater is set to go again, she’s eager to prep prospects with auditions, train actors needing help with a monologue, and even do scene work. “You just name it,” she said.

Her workshops in The Big Apple were canceled due to the coronavirus, so she decided to come back home and offer her services.

Gutzi plans to be home through Nov. 3. …

HPR raises $622,785 in campaign

Hawaii Public Radio raised $622,785 in its fall membership campaign, with 35 per cent of donors  representing first-time supporters.

The station relies on the campaign for 94 per cent of its revenues, with the remaining 6 per cent from the Corporation for Public Broadcasting.

“Once again, our community has stepped forward to demonstrate their commitment to the work that we do,” said José A. Fajardo, HPR’s president and general manager.

HPR will mark its 40th anniversary next month. …

And that’s Show Biz. ….

CRETTON LANDS 2ND CHINESE PROJECT

One down, one more to go.

Destin Daniel Cretton, the Maui director who helmed the Disney/Marvel box office hit, “Shang-Chi: Legend of the Ten Rings,” has another Chinese film as his next assignment.

He has signed on to direct “American Born Chinese,” based on a graphic novel by Gene Luen Yang, which will be a Disney+ vehicle.

“American Born Chinese” explores the challenges of Jin Wang, a teenager conflicted with his immigrant home life and his efforts to fit in with social life at school. The storyline will entangle the lad in battles with legendary Chinese mythological gods.

Destin Daniel Cretton

Cretton will direct and also serve as an executive producer, with Kelvin Yu and Charles Yu adapting the graphic novel for the screen. Kelvin Yu also will be showrunner.

“Reading Kelvin’s riveting adaptation of Gene’s incredible novel had me laughing and crying and jumping out of my chair on every page,” Cretton said in a statement to the Hollywood Reporter. “I feel deeply connected to the characters in this story and the brilliant team bringing it to life. This show is going to be unlike anything we’ve experienced on TV, and I can’t wait for the world to see what we’re cooking up.”

Clearly, Cretton’s follow-up to “Shang-Chi” should boost his profile as a global film-maker and further extend and expand his fame as a Maui-boy-makes-good figure in Hollywood.

The project, from Disney Branded Television, is the first series for Ayo Davis, the division’s new president.

In an announcement of the project, Davis said: “We are delighted to continue our relationship with Melvin Mar and Jake Kasdan and thrilled that Destin Daniel Cretton is set to direct. The team are visionaries in bringing character-driven adventures to life, and we cannot wait for our audience to experience his fantastically memorable and imaginative adaption of the graphic novel. This is a universal story that moves between worlds and explores the impact of culture, identity and acceptance through the lens of adolescence.”…

Oh, and good news for Disney+ viewers who have yet to view “Shang-Chi.” The flick will be available on Disney+, along with a lot of other anticipated content, on Nov. 12. It’s part of the start of a celebration of the streamer’s second anniversary. …

A peculiar Hoku Awards

The 44th annnual Na Hoku Hanohano Awards will be aired at  7 p.m. today (Oct. 7) on KFVE, with additional virtual coverage on Facebook Live.

Hoku Award trophies

But there’s a peculiar element for the winners-to-be. The Hoku Awards show, celebrating achievement in  island music, was taped “live” earlier at the Hawaii Theatre, with nominees, musical acts and the usual “and the award goes to” rhetoric.

But the nominees each had to prepare and tape an acceptance speech, which by now has been inserted into the flow of the show, creating a strange situation. Is it easy or difficult to feign emotions? I suppose this was the most convenient way to handle a challenging mission; this is not network TV, which could stage a show and have an army of handlers contact winners by phone or a Zoom set-up, to get live, at-home reactions. No?

The show will repeat at 7 p.m. Saturday (Oct. 9)  on KGMB and at 7 p.m. Oct. 30 on KHNL.

To the winners, an early congratulation cheer; to the losers, well, you got to practice for a future win. …

And that’s Show Biz. …