Postcards? I make and send ’em

Nobody sends postcards anymore.

Yes, post carding used to be a trip-related thing. Back in the day, you’d secure a bunch of postcards whenever you visited a city. You’d buy a few cards and  bring some postcard stamps with you when you hit the road.

That’s a tradition that’s mostly extinct now. Before, if you visited Europe, your hotel concierge in Italy or France would have the appropriate foreign stamps to affix to your postcard.

Nations like the U.K., New Zealand, Mexico, Croatia, etc. possibly would have  exotic stamps, including some treasures. In reality, however, you’d beat your card home because out-of-country mail is understandably slow-mo.

In days of old, you could even use generic postcards showing your hotel. Or gratis cards from your airline. Boring, but doable.

My home-made postcards/notecards, for a week-long New York visit. The tradition lives!

I’m so old-school and believe the postcard industry – and perhaps even the  post office – have killed this element of travel communication. Bright new postcards at a curio shop cost a few dollars now, if you can find ‘em at all. The standard cheapo cards were 10 for $1, and they were OK if you don’t mind cards depicting  outdated Statue of Liberty or Empire State Building images.  Equally out of date: a post card flashing  Times Square neon signs depicting “Phantom of the Opera” or “A Chorus Line” billboards, a pair of singular sensations long gone.

E-mail has changed the world. And I changed, too. I make my own, decorating cards pr paper sheets depicting my destination. It’s almost always a New York theme, and this year, I’m doing a Broadway jaunt.

But postal costs are also a factor. The present price to mail a first-class envelope is 78 cents, but will rise to 82 cents beginning July 12. A domestic postcard stamp currently costs 61 cent, and it rises to  65 cents  starting July 12.

I’m utilizing my Forever stamps, bought earlier at  discounted for eternal use.

E-mails erased the necessity of sending postcards; a quick “arrived 10 a.m.; off to a boat tour,” via your iPhone would suffice, along with a companion image of you on a tour going ‘neath the bridges in Chicago, New York, or San Francisco.

But I’m a crafter, and a crafter crafts. And notecards -to the Big Apple- with appropriate stickers or rubber stamps –are especially easy to create.  It’s very basic crafting, but I enjoy sharing ‘em.

A confession: I’m bound for New York this week, to catch a clutch of Broadway shows, including “Lost Boyd” and “Schrigadoon,” both Tony winners this year.

FYI,  I’m done making my N.Y. postcards/notecards, 2026 edition,  and  have assembled envelopes, too, in anticipation of the keeping the postcard ritual alive.

 I affixed an apple with glitter inside, and chose a signature NY attraction or nameplate to complete the NY theme.

In the past, I used subway maps, adorned with tiny yellow cabs; Lady Liberty has been a favorite motif and years ago, I purchased a great rubber stamp. Two years ago, I was ambitious created a mini-newspaper filled with data of shows I was seeing and it was so easy to make, using one sheet of 8 ½ x 11 paper, folded like a book with only two  scissor cuts. Grade school teachers know this trick for their youngsters— a mini book with a few actual pages to turn. I filled the wee pages with text messages.

With my homemade cards, I’ll write notes and mail ‘em in-between Broadway shows or while breakfasting or lunching. Hmmmm, not certain if I made enough notecards or will have enough time to scribble a note and affix the stamp and find a mailbox…

And that’s Show Biz…

DHT announces ‘Les Miz’ cast

Do you hear the people sing?

You will, when Diamond Head Theatre unveils its cast for the upcoming “Les Miserables” production, opening July 24. 

Anthony Fedorov will portray Jean Valjean, the protagonist unjustly imprisoned for 19 years who breaks parole to seek  a rich life, but Jose Ver, cast as the antagonist Inspector Javert, is forever in pursuit of Valjean.

This beloved musical based is based on Victor Hugo’s novel and showcases  musical theater’s grand, rich score, which most theater fans can sing, since every number has become part of the folklore of musical theater. 

Its uplifting characters perform songs of hope, heartbreak, struggle and redemption, laced with romance, honor and heroism in wartime 19th century France.

The Cameron Macintosh production is the world’s longest running musical, and boasts a grand score featuring music by Claude-Michel Schonberg, lyrics by Herbert Kretzmer and book by Alain Boublil, based on the classic wartime Hugo story.

Other leads in the company: Mehana Stone (Fantine), Lainey Hicks (Cosette), Ainsley Schearer (Eponine), Kimo Kaona (Marius), Buffy kahalepuna Wong (MadameThenardier), Presley Wheeler (Thernardier), Kime Braud (Enjolras), Mali Na’auao (Gavroche), Philex Kepa (Gavroche), Elle Silver (Little Cosette/Young Eponine), Mazzy Meers (Little Cosette/Young Eponine), Madison Abe-Revera (Little Cosette/Young Eponine).

Also in the Ensemble: Mike Abdo, Kim Anderson, Landon Ballesteros, Becca Brake, Drew Bright, Ioane Camacho, Mary Chesnut Hicks, Kalani Hick, Sage Hirasuna, Casey Lauti, Lee Nebe, Shane Nishimura,Cayden Park, Larry Paxton, Pualaela Slover, Marie Staples, David Weaver, Karsyn Wentzell, Brian Willis, Trent Yamagata, Rain Young, Anna Young.

Doug Kreefer will direct this spectacle, and Jenny Shiroma is musical director. “Les Miz” enables the artistic team to take advantage of the revolving stage installed on the DHT floor.

Willie Sabel is set designer, and it’s a no-brainer that he’ll build the show’s iconic barricade.

Jericho Sombrio is sound designer, Kyle Conner is props designer,Chris Gouveia is lighting designer, Emily Lane is costume designer, Aiko Schick is hair and make-up designer, Trudi Melohn is production stage manager.

Though opening July 24, the formal opening night will be on July 31; and even before the show opens, extension dates have been announced for 3 p.m. July 26, 7 p.m.. Aug. 5,   7 p.m. Aug. 20 and 7:30 p.m. Aug. 21.

Tickets: $70 and $54 at (808) 733-0374 or diamondheadtheatre.com

And that’s Show Biz…

Brice is right in ‘Funny Girl’

In her Diamond Head Theatre debut as Fanny Brice in “Funny Girl,” Becca Brake turns in a star-making performance, hitting all the right notes and delivering all her solo vocals with powerful confidence.

Not an easy task, considering she is working in the shadows of Barbra Streisand, who originated Fanny Brice on Broadway and later in the film.

Hello, gorgeous!

Brake starts off slowly, then going full-throttle-furiously, chewing her lines in rat-tat-tat swiftness, and conquering every one of her solo vocals with stunning flair and finesse.

Not surprisingly, audiences are cheering and applauding.

The show, about a hungry-for-fame singer from New York’s Lower East Side, features a musical score by Jule Styne (music) and Bob Merrill (lyrics), based on a book by Isobel Lennart.  It’s a made-for-the-stage story of talent and eagerness overtaking the odds and challenges of the uncertainties of stardom, in the era of vaudeville and  the Ziegfeld’s Follies.

John Rampage, DHT’s seasoned director-choreographer, is the perfect choice to helm and mount “Funny Girl,”  which is the fourth revival  of the classic over the past six decades,  Rampage knows the road map to this one, steering  his cast of 29 –  tap dancing has been his specialty – with the spirit of the era. And yep, he  knows how to party hearty with a corps of dancers who also sing…a strength of DHT musicals.

Shari Lynn is Mrs. Brice, Becca Brake is Fanny Brice, in “Funny Girl.”

The show is well cast, with Mark Sanders (debonair, smooth talker) as gambler Nick Arnstein, who marries Brice; Shari Lynn (a stalwart Jewish mother, with a firm perspective of life), as Mrs. Brice;  Joe Martyak  (profound business man, and a star-maker), as Florenz Ziegfeld Jr.; and David Weaver (loyal, supportive best buddy of Fanny) as Eddie Ryan, the  talented dancer-choreographer.

Brake carries the burden of singing and delivering the show’s familiar hit songs – “I’m the Greatest Star,” “Don’t Rain on My Parade” and “People”  –all in Act 1, with a couple of duets with Nick. Brake still dominates the song count in Act 2, with such novelties as “Sadie, Sadie” and “Rat-Tat-Tat-Tat”  rendered with the company.

Jenny Shiroma efficiently conducts the orchestra of seven; the opening overture here is not exactly the best (not the fault of the musicians).

The techies deliver where it counts: Dawn Oshima’s lighting design and Michael Minor’s sound design work hand in hand; Miya Yoshimoto’s hair and make-up design project the look and style of an earlier time.

Kyle Conner’s and Dawn Oshima’s set design – depicting backstage of the New Amsterdam Theatre in New York, circa 1924 —  is a curiosity, with a pair of moveable stairways as the centerpiece. There’s a lot of old-time roll-on/roll of set pieces, like Fanny’s dressing room, lots of furniture (sofas, chairs, tables) and a couple of recurring “drops” (a faux brick wall, a reflecting and glittering curtain). It’s all effective, considering the time, and a reminder of old times before the new DHT launched, when set pieces were on wagons and relied on cast and stagehands to push and pull.

Playdates originally were through June 7, with performances at 7:30 p.m. Fridays and Saturdays, 7 p.m. Thursdays, 3 p.m. Saturdays and 3 pm. Sundays. Extension dates have been announced for Saturday June 13 and Sunday June 14.

Tickets are $43 to $70, at www.diamondheadtheatre.com or 808-733-0274…

And that’s Show Biz…

DHT’s ‘Funny Girl’ opens Friday

“Funny Girl,”  opening Friday (May 22) at Diamond Head Theatre, is a classic show biz musical, about the aspirations of and eventual conquest by a Lower East Side singer with stardom in her heart and soul.

It boasts a score by Jule Styne (music) and Bob Merrill (lyrics) with a book by Isobel Lennart, based on Lennart’s story.

It’s a challenge not to link  Barbra Streisand, singer-actor-diva whose fingerprints are all over the Fanny Brice role, which she originated in the 1964 Broadway stage version and later the 1968 film version, which also earned her a 1968 Best Actress trophy.

DHT’s cast boasts young and veteran talents in the leading roles. Becca Brake will perform the Fanny Brice role, hungry for fame, with Mark Sanders as gambler Nick Arnstein. Shari Lynn will enact Mrs. Brice and David Weaver will be Eddie Ryan, Joe Maryak will appear as Florenz Ziefeld Jr.

The score of riches include “I’m the Greatest Star,” “Don’t Rain on My Parade,” and “People,” all familiar titles originated by Streisand which you’ll likely be singing as you exit the theater.

John Rampage, veteran DHT artistic director, is director-choreographer , with Jenny Shiroma handling musical direction.

Playdates originally were through June 7, with performances at 7:30 p.m. Fridays and Saturdays, 7 p.m. Thursdays, 3 p.m. Saturdays and 3 pm. Sundays. Extension dates have been announced for Saturday June 13 and Sunday June 14.
Tickets are $43 to $70, at www.diamondheadtheatre.com or 808-733-0274..


‘Harry Potter’ cursed, Radcliffe ‘brilliant’

Daniel Racliffe

“Harry Potter and the Cursed Child” was swept away from the weekly Broadway pinnacle, somewhat of a surprise since it had been dominating the survey for weeks. But Daniel Radcliffe prevailed, to top the charts.

The Top 10:

1— “Every Brilliant Thing,” the popular show starring Daniel Radcliffe,  made a historic leap to No.1, with a gross of $1.98 million, just shy of a short jump into  the $2 million club.

2— “Hamilton” with nearly a 100 per cent capacity attendance surged to $1.89 million.

3—“The Lion King” skidded a bit, but still earned $1.71 million

4–“Death of a Salesman” was full of life, with $1.71 million.

5—“Oh! Mary” grossed $1.57 million.

6—“MJ the Musical” remained a chart regular, with $1.43 million.

7—“Ragtime” logged an enviable $1.25 million.

8—“Maybe Happy Ending” remained a reliable hit with $1.16 million.

9—“Lost Boys” found its way to the Top 10, with $1.16 million.

10—“Harry Potter and the Cursed Child” fell through the ceiling, landing with a thud and a low gross of $942K.

The complete list for the week ending May 17, courtesy the Broadway Guild:

And that’s Show Biz….

‘Yellow Face:’ A volley of vitriol

I’m old enough to remember the casting controversy of the Engineer role in “Miss Saigon,” a Cameron Macintosh hit in the 1990s. And this theatrical friction recurs in the current theatrical satire, “Yellow Face,” now at Manoa Valley Theatre.

Jonathon Pryce, a Welsh actor, was cast to play the Engineer in the Broadway launch of “Saigon,” which was an affront to the Asian community.  Playwright David Henry Hwang, best known for scripting “M. Butterfly,”  rightfully cast an Asian, B.D. Wong, to play the leading role.  But Hwang was not silent about the “Miss Saigon” development.

Pryce, Wong and Hwang are smack dab in the middle of the casting conversation and  its implications, in Hwang’s  bold and “Yellow Face”  production, which plays like a mockumentary with a volley of vitriol.

Reyn Afaga is DHH (as Hwang is called) and he leads a small army of Asian and part=Asian performers, who argue, agree, yell, shout and spew out opinions like bullets in this theatrical drama en route to becoming a social and satirical comedy. The players form a vigorous and vital animated ensemble, directed by Reiko Ho, herself a seasoned and savvy director of numerous Asian-content works in her career. “Yellow Face” easily could be the most explosive  and controversial entry in her list of credits.

Reyn Afaga, in yellow shirt, plays David Henry Hwang in “Yellow Face.”

“Yellow Face” is easy to watch as it dismantles real-life drama and repurposes it  into onstage comedy, examining and exploring the elements of farce, racial discrimination,  cultural identity.

Nicholas Gianforti plays Marcus Gee, an actor cast as  “The King” in “The King and I,” and mocked as a fraud, since he is not Asian but trying to legitimize the role popularized by Yul Brynner (who was part Asian).

Other players are Brandon Caban, who is the constant announcer in a wave of informational bursts of headlines and quips from newspapers like the New York Times and the Post; Sam Bui is Henry Yuah Hwang (NYH), the father of DHH who idolizes Frank Sinatra and  “My Way;”  Elizabeth Ung is Leah Ann Cho; Anastacia Narrajos is Jane Krakowski; Angeline Roselani Han is Carla Chang; and David Tang is Stuart Ostrow. All cast members take on numerous smaller roles and also actively move  or remove furniture and set pieces as needed.

MTV’s recent series of in-the-round staging is over, as “Yellow Face” is staged in the more conventional proscenium format, though there’s no proscenium. Before there’s any stage action, the performance space is kind of blank canvas; Willie Sabel’s stage is all black but takes on different hues thanks to lighting; the open space enables romping by the entire cast, with selected props, and Janine Myers’ lighting and Sarah Velasco’s sound direction work their magic. Amber Lehua Baker’s costumes are  suitable and functional and Kelly Belle’s props are comprised mostly of tables, chairs, and stools.

Performances are at 7:30 p.m. Thursdays through Saturdays and 3 p.m. Sundays; a matinee has been added at 3 p.m. May 23; and two performances also have been added at 7:30 p.m. May 30 and 3 p.m.. May 31.

Tickets: $25 to $47, at (808) 988-6131 or www.manoavalleytheatre.com

Around town

Hoku Zuttermeister.

Hoku Zuttermeister has been performing at Roy’s in Hawaii Kai, doing  informal sets on the lawn outside of Roy’s downstairs bar. According to Robbyn Shim, who does p.r. for Roy’s, the entertainment community has been stopping by the catch him in action. Among Zuttermeister’s pals tuning in: Nina Kealiiwahamana, Robert Cazimero, and Manu Boyd. Nothing like attracting celeb listeners…

With the extension of the “Ke Kilo Lani: Robert Uluwehionāpuaikawēkiuokalani Cazimero” exhibit till May 30, another panel discussion has been added to the series at Gallery ‘Iolani at Windward Community College, adjoining Paliku Theatre.

Roland and Robert Cazimero, back in the day…

Zachary Lum, a member of Keauhou and a Gent from Halau Na Kamalei, will moderate.

The final panel discussion will be from 6 to 7 p.m. May 21, and the panelists will be members of Cazimero’s halau, the Gentlemen of Hālau Nā Kamalei o Lililehua, who will discuss their learnings and perspectives of the exhibition.

For tickets, register at https://www.waheafoundation.org/

Gail Mack, Lance Luke, Keith Hiraoka and Bobby Nishida will perform from 5 to 8 p.m. today (May 17) at Mango Street Grilll in Wahiawa. For reservations, call Daryl at (808) 627-5451. Same number, to preorder a prime rib dinner…

The musicians also perform from 6 to 8 p.m. May 29, at The Edge, at 31 N. Pauahi St. Reservations: (808) 888-3228; $5 cover prevails.

And that’s Show Biz…