ADULT FARE IN 2025 BWAY SHOWS

Let’s say this up front:

“Broadway in Hawaii,” the trio of musicals from the Great White Way, will generally be a mature-audience proposition next year.

Here’s the roster:

  • “Tina: the Tina Turner Musical,” April 22 to 27.
  • “Six,” June 17 to 29.
  • “Chicago,” Dec. 2 to 7.

Here’s the outlook:

The shows will be staged at the still-under-renovations Blaisdell Concert Hall.

Two productions  — “Tina” and “Chicago” — will be in residency for one week only,  with eight performances Tuesdays through Sundays (Monday is dark).

The third show, “Six,” will play two weeks, for a total of 16 performances.

So some judgement will need to be exercised regarding children: will the young kiddies stay at home or with grandma? The 2025 fare is geared to adults; based on Broadway recommendations, the fare is unquestionably for mature audiences, but youths 10 to 14 or older may attend  with guidance.

“Throughout the years of producing Broadway shows in Honoluluit’s clearthat Honolulu deserves to be a regular stop for touring Broadway in North America,” said Steve Boulay, COO of MagicSpace, which is the show presenter. “The success of ‘Hamilton,’ and the rest of our 2022-2023 season, put the spotlight on Hawaii once again.”

Here’s the summary of each show:

A musical with book by Katori Hall, Frank Ketelaar and Kees Prins.

What: A musical biography of the “Queen of Rock ‘n’ Roll,”  Tina Turner, who was a nobody from Nutbush, Tenn., who became a somebody with such global hits as “Proud Mary,”  “Private Dancer,” “What’s Love Got to Do With It,” and “River Deep, Mountain High.”

Advisory: contains scenes of domestic violence, racist language,  and gunshots; Tina endures a life of physical and emotional violence from her first husband and artistic collaborator Ike Turner and the senseless injustices of society.

Summary: More than a jukebox musical; a glimpse of a fighter who withstands societal injustices to succeed as a rock and r&b legend.

A musical inspired by the actual angry six wives of Henry VIII

What: A modern retelling of the exes of the King of England– Catherine of Aragon, Anne Boleyn, Jane Seymour, Anna of Cleves, Katherine Howard and Catherine Paar –who unite to perform in pop concert/competition, to express their husband’s numerous affairs and injustices towards women.  Thus, the Tudor queens transform into popsters. With book, music and lyrics by Toby Marlow and Lucy Moss.

Advisory:  A whole lotta bitching opens eyes and ears; misery loves company.

Summary: The exes challenge each other but learn there’s strength in unity, in an era where men ruled; so their idiosyncratic songs and styles strengthen their places in British history. The contention is that if you raise your voice, you heighten your impact.

A musical with razzle-dazzle, now the second longest Broadway show.

What: A legendary production with iconic choreography by the late Bob Fosse, and a jazz-blues songbook by John Kander and Fred Ebb. A tale with heart and humor, about Roxie Hart and Velma Kelly, two murderesses on trial for their crimes.

Advisory: Contains violence and adult language and themes, and a satirical send-up of celebrity culture, sex, crime, justice, dishonesty and prejudice. Not recommended for youths under 13.

Summary: The current Broadway revival places the orchestra on stage;  online reviews about touring “Chicago” companies aren’t specific about the musicians’ presence.  The Fosse/Kander-Ebb connection is the reason to go;  the classic score includes “All That Jazz,” “Razzle Dazzle,” “Mr. Cellophane,” “Class,”  “When You’re Good to Mama,” and “Cell Bock Tango.”

For season tickets for the trio of shows – from $200 – visit

 www.BroadwayInHawaii.com

“Cabaret” leaps  to No. 3 in week ending Sept. 15

There’s been a switch of rankings – “Cabaret at the Kit Kat Club”—jumped to No. 3 in the weekly Broadway grosses. “Wicked” still is  No.1, followed by “The Lion King” at No. 2.

The Top 10:

1—”Wicked,” $1,831 million

2—“The Lion King,” $1,791 million

3—”Cabaret at the Kit Kat Club,” $1,674 million

4—”Hamilton,” $1,628 million

5—”Hell’s Kitchen,” $1,528 million

6—”MJ the Musical,” $1,376 million

7—”Moulin Rouge! The Musical,” $1,314 million

8—”The Outsiders,” $1,283 million

9—”Aladdin,” $1,131 million

10—”The Great Gatsby,” $1,107 million

The complete list, courtesy the Broadway League:

And that’s Show Biz…

HALLOWEEN PIN MAILINGS DONE

Update on the 2024 Halloween pins:

For the most part, the thrust of the mailings is over. If you’re on my list, you’ve already received a box of trick-or-treat pins.

Will be delivering bulk collection of pins within the next week.

An early Happy Halloween wish. And here’s another batch of pins in circulation…

‘HAMILTON’ VOTE TUNE REVIVED

Marc delaCruz, the actor from the Big Island in Hawaii, is one of the cast members of Broadway’s hit show “Hamilton,” who recorded new lyrics to a tune in the musical still playing at the Richard Rodgers Theatre in New York.

“The Election of 1800”  — retitled “The Election of 2024” – was recorded recently and released today (Sept. 17) to coincide with National Voter Registration Day.

The new lyrics encourage voter registration and the importance of being politically engaged.

Marc delaCruz

“We’re proud to partner with @WhenWeAllVote and @VoteRiders to make sure everyone’s voice is heard at the polls,” the musical’s X account wrote in a post sharing a snippet of the song, “Register to vote now!”

“How does the bastion of the west democratically search out how to stay united as we churn out vitriol, and bots, and memes and try to work out how we can rebuild the trust and boost the turn out?” are part of the lyrics to the new tune.

In conjunction with the release of the revised tune,  the brand is also dropping the Hamilton Vote Collection (souvenir merch including of T-shirts, hats, stickers, buttons and bags), now available at the Broadway Merchandise Shop and at theaters where Hamilton is performing, according to BroadwayWorld.  A portion of the proceeds will be equally divided among the organizations When We All Vote, VoteRiders and Vote Forward…

And that’s Show Biz…

CERTAINLY, ‘MOON’  IS CASUAL FUN

There are three certainties at Robert Cazmero’s once-a-month Full Moon Concert at Chef Chai’s on Kapiolani Boulevard:

  • You can’t predict what the singer-pianist will  share, since the serenades are informal, impromptu and inviting, as I’ve mentioned here before. Whatever Cazimero programs, it will be casual fun and gratifying; he has no formal playlist so anticipation is the rule.
  • Spontaneity is the prevailing element; he’ll start one tune and could halt and render another, because his repertoire is like his mind: in real time, it’s his choice to keep or change the momentum. A human jukebox, he uncorks what he feels, a challenge for his pair of hula dancers Sky Perkins Gora and Bully Keola Makaiau. Worry not, they’re accustomed to his pace.
  • Chai Chaowasaree’s food will always be ample and delish, from an array of appetizers, your choice of entree, and dessert. I always select the Mongolian-style lamb chops and eat half with enough to box for lunch (or dinner) the next day. Oh, and if you get full quickly like me, ask to box your dessert, too; the coconut cake will be a pleasure the day after.

So last night’s (Sept. 15) Full Moon event had elements and moments to remember. It began with “Sing Me a Song of the Islands,” the start of a lei of melodies like “One Paddle, Two Paddle,” “Hanalei Moon,” “The Cock-Eyed Mayor of Kaunakakai,” even if the lei is comprised of plumeria, pikake and ginger, unlikely but fragrant. By the time Cazimero calls for hula maiden Perkins Gora, he’s into “The Little Grass Shack in Kealakekua Hawaii,”  which segues into “Wahine Ilikea,”  linking a good-fun touristy tune with a love song about romantic courtship.

Robert Cazimero is the lord and master of the monthly Full Moon concert at Chai’s.

By the time Bully is summoned, he – and we watchers – anticipates the unexpected, and we’re all laughing. Sorry, I don’t know the title of the frisky Hawaiian ditty, but he had a gleeful, energetic hula workout.

More hula  was provided by Perkins Gora on the soothingly nostalgic “Waikiki,” and Bully had the frisky, fun-filled “Holo Holo Kaa” novelty.

There was yet another hula stylist – in the audience. Aunty April rendered “Ei Nei” from her seat, and Cazimero said that hula can be done anytime and anywhere so why not a sit-down hula?  This kupuna was at a previous Full Moon concert, sitting next to me, and she has grace and integrity.

If you’re a Full Moon regular or a newbie, Cazimero will be behind Chai’s grand piano three more times this year: Oct. 6, Nov. 3 and Dec. 11. Call (808) 585-0011 or visit www.opentable.com

And that’s Show Biz…