BAKERY GOODIES, NOW AND THEN…
Let’s talk bakeries – and pastries.
First, a confession: I’m a fan of sweet treats. Life-long. Not the best of choices, but I can’t resist ‘em.
Some yummy things still exist. Many are long gone.
So, a reflection or two…memories you also may share.
Hall of fame, or gone but not forgotten:
- The lemon crunch cake, from the old downtown Alexander Young Hotel Bakery.
- The red velvet cake, from Sweetheart Bakery, in Makiki.
- The French doughnut, from Bill’s Bakery in Kapahulu.
- The peach Bavarian cake, from Kapiolani Bakery.
- The guava chiffon cake, from Delight Bakery, in Kalihi.
- The glazed blueberry cake doughnut, from Safeway Bakery.
- The custard pie, from Bea’s Bakery in Kaimuki.
- The Japan-style square whole wheat and/or white bread, from Shirokiya Bakery at Ala Moana Center.
- The humungous glazed yeast doughnut (I used to call ‘em “truck tires”), Kimura Bakery in Kaimuki.
- The circular crusted bread (don’t recall what it was named), from 9th Avenue Bakery in Kaimuki.
- The sweet bread rolls, from King’s Bakery (bakery gone, recipe still lives via national distribution and available at markets).
Still present and still delish…
- The coco puffs, from Liliha Bakery.
- The Napples apple turnover, from Napoleon Bakery, at Zippy’s.
- The Chantilly cake, from Napoleon Bakery.
- The malasadas, from Leonard’s Bakery.
- The apple fritters doughnut, from McDonald’s (all locations).
- The coconut haupia pie, served at the Halekulani Hotel’s Orchids restaurant, and apparently available as a dessert slice at the Halekulani Bakery and Restaurant at the Halepuna Hotel across the street from the hotel.
Some other wonderments
- The Halekulani’s popovers are legendary; back in the day, larger portions were available; now, a smaller version is a huge favorite at the Sunday brunch and served as part of the offerings. The popovers at Neiman Marcus’ Mariposa restaurant hit the spot, too.
- Are those malasada-like doughnuts, with fillings ranging from apple to custard to chocolate pudding still part of any bakery’s menu? Yes, nowadays, Leonard’s malasadas have fillings, too.
- Are you a fan of the trendy upscale doughnuts topped with everything like bacon, cereal, nuts of all kinds and laden with specialty frostings?
- Anna Miller’s at Pearlridge used to make its marvelous strawberry shortcake; is it only a seasonal offering, or is it off the menu for good?
- Costco’s bakery options are great for the prices, but the gotta-buy-12 muffins or a dozen large croissants are overwhelming for a household of two. And if you savor the portions, the pumpkin, custard, and apple pies will feed an army. Well, you know what I mean.
Feel free to add your faves to the discussion. Yum’s the word…
NEXT FOR DISNEY: LIVE-ACTION ‘MOANA’
Now it’s “Moana” that will get that live-action Disney touch.
Dwayne Johnson, below, left, who voiced the demi-god Maui in the original animation film, announced from Honolulu yesterday that the Mouse House is planning do a live-action version of the animated 2016 hit that has grossed $644 million since.
Johnson will produce the newbie via his Seven Bucks Productions company, partnering with Danny Garcia and Hiram Garcia.
And Auli ‘i Cravalho, right, the native Hawaiian actress from Kamehameha Schools who voiced Moana and sang the Oscar-nominated hit tune, “How Far I’ll Go” in the film, will be back – but not playing the titular role nor on camera.
She is too old now, and has been focusing on building her career outside of the Disney franchise (she’s doing the movie, “Mean Girls the Musical: The Movie”) but will be on board as a producer instead, with Scott Sheldon of Flynn Picture Co.
Aside from Johnson, a cast is not yet set, so auditions for roles likely will begin in the weeks ahead, surely in Hawaii.
The animated “Moana,” with Johnson as Maui and Cravalho as Moana.
The “Moana” live-action project comes as Disney just recently announced plans for a live-action “Lilo & Stitch,” an island-based production that will star a Big Island lass, Maia Kealoha, as Lilo. She has no previous acting experience but likely will emerge as a certified film star by the time the movie is released.
A search also is on for a Stitch, whether a live actor or a CGI creation, which will need a voice, too.
A director for the new “Moana” has not been named, but Jared Bush, who wrote the screenplay for the original movie, will pen the remake, along with Dana Ledoux Miller. John Musker and Ron Clements who directed the original movie, from a story by Clements, Musker, Chris Williams, Don Hall, Pamela Ribon, Aaron Kandell and Jordan Kandell; the Kandells have Hawaii roots. Bush was the sole credited screenwriter.
“This story is my culture, and this story is emblematic of our people’s grace and warrior strength,” said Johnson. “I wear this culture proudly on my skin and in my soul, and this once-in-a-lifetime opportunity to reunite with Maui, inspired by the mana and spirit of my late grandfather, High Chief Peter Maivia, is one that runs very deep for me.”
Cravalho, who helped shape the protagonist in the original film, said Moana’s reach is sweeping. “She has had such a profound impact on how we think of Disney princesses. Moana’s strength and perseverance are inspiring—to audiences around the world, to me, and to everyone who helped bring her to life. I’m looking forward to sharing her story in a whole new way.” …
Remembering Phil Arnone
Friends, family, and colleagues of the late Phil Arnone, the GOAT of cultural and entertainment specials, gathered at the Outrigger Canoe Club today (April 3) to pay homage, share stories and simply remember the glory, the accomplishments and the irreverence of the island-style TV documentaries, game shows, children’s shows and news broadcasts Arnone either produced or directed largely on KGMB.
His widow, Michelle Honda, assembled the gang and Arnone’s team of specialists involved in at least 50 shows he formatted and oversaw in his prime time “retirement” doing what he loved: making TV with watchable and wonderful programs.
Arnone died Feb. 12 at age 86, and folks like Dan Cooke, Larry Fleece, and Robert Pennybacker (the latter two, via scripts read by Cooke) reflected on the Greatest of All Time dude aka Mr. Television. From newscasts featuring Bob Sevey to “All in the Ohana” with Andy Bumatai and Linda Coble, from “Bingo” shows with Karen Keawehawai‘i, above left, and Kirk Matthews, to “Hawaiian Moving Company” with Kamasami Kong and Michael W. Perry, and from“Checkers and Pogo” to Rap Reiplinger, Arnone did ‘em all, and his professionalism and fingerprints were the common denominator.
Leslie Wilcox’s earlier PBS special on Arnone was the prime resource of the key interview, because in his prolific career, he was always the interviewer and researcher on his subjects, and never the interviewee.
Jerry Santos, right, the beloved Hawaiian entertainer, rendered “E Kuu Home O Kahaluu,” because that’s the number Arnone always asked him to share; Karen Keawehawai’i didn’t call out Bingo numbers, but yodeled beautifully; and Phil’s son Tony Arnone , left, brought his cello for a classical treatment of “Pearly Shells” and “Aloha Oe,” and said he forgives his dad for naming him Tony Arnone, which he had to live with while growing up. .…
And trusty Dennis Mahaffay, Arnone’s longtime buddy on the TV turf and life, documented the lovely program that should provide another kind of documentary that Arnone is awaiting to see from his heavenly perch. …
And that’s Show Biz. …
DISNEY’S LIVE ‘LILO’ IS LOCAL GIRL
Maia Kealoha, a Big Island girl, has been cast as Lilo in Disney’s planned “Lilo & Stitch” live-action film, inspired by the animated set-in-Hawaii series.
Knight Edge Media was the first to disclose the news about Maia, with few details except the she has appeared in many Little Miss Kona Coffee pageants via Instagram.
Little is known about Kealoha for now; where she attends school, who her parents are. She has no acting experience, but is plenty cute. Details will be revealed, once Disney rolls out a PR campaign on its newest discovery.
Though the movie was scheduled to begin to start filming in February, it apparently has been delayed.
Further, buzz that Auli‘i Cravalho, who voiced Moana in Disney’s “Moana” animated hit, likely won’t be able to participate in “Lilo & Stitch” as Nani, the older sister of Lilo, because of commitments to “Mean Girls the Musical: The Movie.” If that production is completed befzackore the start of “L&S,” she still could join the cast.
Maia Kealoha, left,
and Zack Galifianakis, right.
Earlier, it has been announced that Zack Galifianakis will play the alien Peakley.
Lilo is a lonely Hawaiian girl, who adores hula and the music of Elvis Presley, who builds a bonding friendship with Stitch, a blue dog-like alien who potentially has destructive powers. No word yet on who might play or voice Stitch, should it be a CGI-generated character.
Dean Fleischer Camp will direct. He was an Academy Awards nominee for his “Marcel the Shell with Shoes On.”
Chris Kekaniokalani Bright, son of Clarke and Lynell Bright and grandson of Ronald and Mo Bright, scripted the new film, from an earlier draft by Mike Van Waes. So Bright brings a behind-the-screen Hawaiian element to the project.
Lilo and Stitch, the little lonely girl, and her alien pal, in their animated days.
Disney has had remarkable success with “L&S” and sequels included TV-centric projects over the years and continued to invest in Polynesian projects like 2016’s “Moana,” which also featured the voice of Dwayne Johnson, who appeared as Maui.
The studio has made unknowns like Cravalho to become certified stars, so Kealoha could be a candidate for such fame, considering the enormous popularity of “L&S.” And it has been converting, successfully, animated films in live-action feature films.
Dan Lin and Jonathan Eirich will produce for Rideback, with Ryan Halprin executive-producing for the company.
No date yet on when “L&S” will be released. …
Clublicity
Jake Shimabukuro, right, and his ukulele will be at Blue Note Hawaii at 6:30 and 9 p.m. April 2. Tickets: $75, $85, at https://www.bluenotejazz.com/hawaii/shows/ or (808) 777-4990.
Streetlight Cadence will return to The Republik at 7 p.m. April 20. Doors open at 6 p.m. Keilana and MTO will be guest performers. Tickets are $28.50, plus a $7.74 fee. Information: (808) 941-7469 …
Paula Fuga also will be at The Republik at 8 p.m. April 21. Trishnalei will also appear, along with DJ Keala Kennelly. Tickets: $35, $45 on day of appearance. Information: (808) 941-7469 …
And that’s Show Biz…
DIRECTOR’S LIFE IN THE CAST LANE
Casting a major Broadway musical – well, for any show, whether a musical or a drama – is no picnic.
A director generally conducts auditions to seek his talent. But he or she might have a trick or two and the Midas touch to secure his performers.
In John Rampage’s case – he is directing the Jerry Herman musical, “La Cage Aux Folles,” which opens Friday night (March 24) at Diamond Head Theatre – and lightning struck brightly for him, since he reaped his key performers largely from previous associations with the men and women he discovered.
In his director’s notes in the show’s playbill, DHT’s artistic director admits how his memory of previous alliances with his actors were factors in filling his dance card.
Andrew Sakaguchi, portraying the difficult trans part of Albin, was a youth actor who has matured marvelously, and sang “I Am What I Am,” a show-stopping anthem from the score, at a previous DHT Sunset Serenade during the pandemic.
So the tune already was in Sakaguchi’s repertoire and he starred in “Anything Goes,” the final show in DHT’s now demolished theater, which was the current season’s first show. Rampage approached Sakaguchi, without an audition; “I realized that he’s now the right age to take on this demanding, triple threat role,”, he says — and got not just a yea response, but a bonus offer to choreograph the show, too.
Tenor Guy Merola as Georges, the owner of the club La Cage Aux Folles and Albin’s longtime partner, had the right voice and previously played opposite Sakaguchi in a production, “so there was a natural connection between them,” says Rampage.
For the part of Jacqueline, who belts out “The Best of Times” with Albin in the show, it was easy. Shari Lynn, a pal of his who is one of the town’s musical gems, called to inquire if he’d consider her to repeat her performance (she did the part in a 2006 production). “I love having the chance to reminisce and joke with her during rehearsal breaks,” he says. Nothing like have good friends in the right places at the right time.
The part of Edouard Dindon went to Joe Martyak, who did a number of DHT shows prior to moving to Washington D.C. was sympatico, with a twist. Early rehearsals had to be done remotely. “No one that auditioned for Marie Dindon was quite what I was looking for, so I put on my thinking cap and gave a call to Kim Anderson,” says Rampage. Her last DHT show was “Charley and the Chocolate Factory,” in which she starred as Willie Wonka, which brought out her comedic skills, and despite the fact that her character doesn’t appear till Act II. Anderson – playing against type – will likely get some of the biggest laughs.
It’s always fun to cast the Cagelles – nine of them – to play the feathered, bejewelled night club showgirls;, three players identify themselves as women, not men in drag. So the audiences get the opportunity to sort out the he’s from the she’s …
Broadway grosses, for week ending March 19
“The Phantom of the Opera” and its music of the night composed by Andrew Lloyd Webber continues to be the blockbuster of Broadway, grossing over $3 million for the A week ending March 19.
The Phantom’s journey, for 35 years, will end April 16, when the chandelier will descend for the final time at the Majestic Theatre.
Here are the top seven shows and their box office figures, courtesy the Broadway League:
1 –“The Phantom of the Opera,” $3.25 million.
2 – “The Lion King,” $2.25 million.
3 – “Hamilton,” $2.15 million.
4 — “Wicked,” $2.04 million.
5 – “MJ,” $1.742 million
6 – “Sweeney Todd,” $1.679 million.
7 – “Harry Potter and the. Cursed Child,” $1.627 million.
And just a skosh behind: “Moulin Rouge,” $1.567 million, and “Jonas Brothers,” $155.6 million. …
The full list:
Broadway is buzzing with new arrivals, too.:
Just opened: “Parade,” “Bob Fosse’s Dancin’,” “Bad Cinderella,” “Sweeney Todd.”
In previews: “Life of Pi,” “Shucked,” “Camelot.”…
And that’s Show Biz. …