ACADEMIC CADENCE FOR SHIROMA
Jesse Shiroma, accordionist for Streetlight Cadence, is on leave from the group for academic reasons.
Shiroma is focusing on a master’s degree, so his latest status is that of a student at the University of Hawaii. Which means no more regular SLC gigs for a while.
“I have definitely returned to being a student and my long-term plans are to pursue a music librarianship with a focus on indigenous preservation and advocacy,” Shiroma said in an email. “Ideally, I can find some balance in that and return to a more regular live musical performance schedule as well. A man can dream, ha-ha!”
Shiroma’s absence was clearly, or perhaps dimly, visible in Streetlight Cadence’s recent “A Lightbulb Concerto” posting on YouTube. His colleagues Jonathan Franklin performed on violin, Brian Webb on cello, and Ben Chai on banjo, with friend Clara Stegall guesting on guitar, as mentioned in this column here.
So Shiroma shed light on his latest journey, but admitted that he intends to hang with his buddies when they’re in town. Should be later this year, when Streetlight Cadence performs in the Waikiki Aquarium’s “Ke Kani O Ke Kai Series,” in August.
Surely, Shiroma will bring his newfangled accordion with him, not the classic of yesteryear. …
No doubt, it’s sad
“Mrs. Doubtfire,” the new musical based on the popular film starring Robin Williams, will close on Broadway May 29 at the Stephen Sondheim Theatre. A bit of Hawaii will also be shuttering.
It was a record-breaker, with hot box office sales, when it premiered at Seattle’s 5th Avenue Theatre during the 2019 holiday season, prompting a move to Broadway.
The island element is that “Mrs. Doubtfire” was produced by Hawaii’s Kevin McCollum, whose earlier hits on the Great White Way included “Rent,” “Avenue Q” and “Something Rotten.”
Something rotten called COVID happened, impacting the Broadway marketplace, when “Doubtfire” began previews in March 2020, and had to be shut down due to the pandemic, resuming performances in Oct.21, only to be shuttered again in January 2022. The show reopened again on April 14 but will lower its curtains for good on May 29.
McCollum has said in Broadway media, “Even though New York City is getting stronger every day and ticket sales are slowly improving, theater-going tourists and, especially for our show, family audiences have not returned as soon as we anticipated.”
Much like some theatrical films, adult and family audiences have shown some reluctance in returning to the theater, unless it’s a Marvel adventure.
Some good news: “Mrs. Doubtfire” is set to premiere in London this fall, with a national U.S. tour scheduled for 2023. Unless the economic crisis in the U.K. and in the U.S. improves, box office response could become an issue, too. …
Musical notes
Ho‘okena, featuring Horace Dudoit III, Chris Kamaka and Glenn Smith, will showcase its award-winning Hawaiian music, at 6:30 p.m. today (May 25) at the Plumeria Beachhouse at the Kahala Hotel. Seating starts at 5:30 p.m.; reservations may be made via Open Table. …
The Stephen Inglis Project, with guest artist David Gans, will be featured at 7 p.m. Saturday (May 28) at Slack Key Lounge, at Hawaiian Brian’s on Kapiolani Boulevard. Doors open at 6:30 p.m.; a $15 cover is in place.
Inglis will share some originals, with his pendulum swinging from Dylan to the Grateful Dead. Gans is expected to showcase his finger-picking style, on ballads, some rock, fueled with improv and surprises. …
And that’s Show Biz. …
LARRIN HAS A RARE WAIKIKI GIG
Note: this column has been updated; Jay Larrin’s show times were incorrect in earlier postings.
Jay Larrin, tapped as a Lifetime Achievement Award inductee by the Hawaii Academy of Recording Arts earlier this year, will make a rare concert appearance at Na Kupuna Nights May 28 at the Hawaii Convention Center in Waikiki.
Larrin, a singer, pianist, composer and poet, will be the featured entertainer, in an event produced by the Hawaiian Music Perpetuation Society, celebrating Na Kupuna of Mele Hawaii. He also is a seasoned Na Hoku Hanohano Award winner, known for a body of work that includes “The Snows of Maunakea,” “The Ko’olaus Are Sleeping,” “Molokai Lullaby” and “Little Lei Lady.”
The event also will feature Halehaku Seabury and Bryan Tolentino, singers and ukulele artists, who also are previous Na Hoku Hanohano Award winners.
There are daytime and nighttime components for the event, celebrating island music, food and arts and crafts.
The schedule:
- 3 to 8 p.m. – E Ku’ai Kakou, “We Shop,” with Hawaiian inspired vendors.
- 4:30 to 5:15 p.m. – Kani Ka Pila, with Kuuipo Kumukahi, at the rooftop breeze way.
- 5:30 p.m. – Doors open for dinner, with a 6 p.m. opening protocol.
- 6:15 p.m. – Dinner service, featuring Hawaiian food.
- 6:15 p.m. – Performance by Halehaku Seabury and Bryan Tolentino.
- 7 to 7:30 p.m. – Raffle drawing and a silent auction.
- 7:30 to 8:30 p.m. — Jay Larrin performance on piano.
Tickets: $79, includes concert, dinner and parking; visit www.hawaiianmusicperpetuationsociety.com …
‘Sunshine’ postponed again
For the third time in as many years, “The Sunshine Boys,” featuring Joe Moore and Pat Sajak, has been postponed again until June 2023, due to the enduring pandemic crisis that will elevate some protocols, like face masking and crowd controls, in the weeks ahead.
The show has been on the summer slate at the Hawaii Theatre throughout the prevailing health concerns; it was to run from June 16 through June 26 this year. Clearly, the development of another rescheduling is a whirl of misfortune, yet again.
“With COVID cases rising for eight consecutive weeks and the Health Department predicting the numbers will continue to rise for an undermined amount of time before they go down, we felt the only responsible and sensible thing to do in the interest of public safety was to postpone,” said Moore, veteran KHON-2 news anchor, who has regularly staged theatrical productions co-starring his one-time Army buddy, Sajak, the longtime host of “Wheel of Fortune.”
“Big disappoint for all of us,” said Moore about pushing back the Neil Simon comedy for another year. “Three strikes and we’re out,” he shared in an email, and Moore was to announce the postponement in the 6 p.m. newcast on Channel 2 today (May 19).
“We’ll try to get out from under the cloud of COVID or whatever new virus might emerge,” he said. The uncertainty of restrictions of attendance numbers of large groups also was factor in the postponement.
Moore also revealed that the Hawaii Theatre had $50,000 worth of tickets sold a month before the “Sunshine” launching, when the decision was made earlier this morning to wait another year. “It wasn’t ticket sales I was worried about, it was the safety of theater-goers with so much COVID in the community,” said Moore.
Thus, it was the right call to postpone now, to enable ticket holders to plan ahead and also avoid possible COVID infections when huge numbers are in the same space amid the uncertainty of the virus.
Those with tickets for the scheduled June playdates may hold onto their tickets for next year’s performance, or accept a Hawaii Theatre gift card to enjoy another show.
“It’s been a tough time for the non-profit theater and folks’ support now is more important than ever,” said Moore.
The rescheduling for 2023 means another year of long-distance phone rehearsals and Zoom sessions for Moore and Sajak, which has become a routine for the two buddies in the past, and another delay is, indeed, frustrating.
The theater’s website, www.hawaiitheatre.com, should provide other specifics, though had not been updated to reflect the postponement yet when we checked midday. …
And that’s Show Biz. …
EARLY LOOK AT THE FALL THEATER SKED
Unexpected oddities are part of the 2022-23 season on island stages, beginning this fall.
For starters, Diamond Head Theatre, which prides itself in being the Broadway of the Pacific, will be one show short – with five, not six productions – in its 2022-23 outing. But there’s a valid reason.
And Manoa Valley Theatre, often called Hawaii’s off-Broadway resource, will have one show too many in its 2022-23 slate. Six shows had been scheduled, but the theater has to schedule a seventh, apart of the season. Yep, there is a valid reason, too.
Diamond Head Theatre will actually be working from two venues in the coming season, with the first show on the slate, “Anything Goes,” opening in the current theater. They’ll skip on a holiday production this year (sorry, Santa), so that there will be ample time to move house, into the new theater facility, still under construction. They’ll welcome first viewers Jan. 2023, when DHT’s second show, “Cinderella,” is launched in the spanky new state-of-the-art facility. So this simply will be an extended intermission.
At MVT, its secure six-show slate will have to accommodate the seventh title, since “Spamilton,” Gerard Alessendrini’s popular spoof of the hit musical that was slated this year, had to be bumped off the current calendar because of scheduling issues, one being the real “Hamilton” will be staged at Blaisdell Concert Hall, as part of a four-show “Broadway in Hawaii” season, this winter.
Complications and challenges aside, the new season will offer spectacles galore, some new, some familiar, reflecting the anything-can-happen, things-can-go-astray pulse of live theater. Ain’t it all exciting?
The early outlook from the organizations ready to roll with an agenda. We’ll report other seasons on other fronts, when they’re announced.
So here’s the schedule, so far:
Diamond Head Theatre:
- “Anything Goes,” Sept. 9 to 25. Cole Porter’s musical comedy, about Reno Sweeney setting sail for England, amid a complicated love triangle that unfolds at sea. Besides the title tune, the score includes “I Get a Kick Out of You.”
- “Cinderella,” Jan. 20 to Feb. 5, 2023. This is the Rodgers and Hammerstein version, not the Disney variation, about the cinder girl who becomes the belle of the ball, complete with glass slipper.
- “La Cage Aux Folles,” March 24 to April 9, 2023. Music and lyrics, with book by Harvey Fierstein, is based on the Jean Poiret French play, about a nightclub with drag entertainment, owned by Georges, and starring his partner in life, Albin, featuring the “I Am What I Am” anthem that defines the show.
- “Bodyguard,” May 26 to June 11, 2023. Based on a Warner Bros. film, with book by Alexander Dinelaris, and screenplay by Lawrence Kasdan. Essentially, a tribute to Whitney Houston, who played Rachel in the film, and includes the poignant and powerful “I Will Always Love You” signature. Held over by DHT since the early stages of the pandemic, but finally debuting.
- “Beauty and the Beast,” July 21 to Aug. 6, 2023. This Disney classic, with music by Alan Menken and lyrics by Howard Ashman and Tim Rice, and book by Linda Woolverton, is an Oscar and Tony winner about Belle and a prince trapped under a spell as a Beast.
Manoa Valley Theatre:
- “Cabaret,” the stage and film hit, Sept. 8 to 25. A Tony and Oscar-winning classic, with music by John Kander and Frank Ebb, based on a play by John Van Druten. Hits include “Wilkkomen,” “Don’t Tell Mama,” and “Perfectly Marvelous.”
- “The Game’s Afoot, Or Holmes for the Holidays,” Nov. 17 to Dec. 4. A comedy by Ken Ludwig, mixing murder, mystery, and madcap mayhem in the spirit of Sherlock Holmes.
- “The Mystery of Edwin Drood,” Jan. 12-29. Based on Charles Dickens’ unfinished novel where everyone is suspected of murder and spectators help decide the outcome.
- “Tick, Tick … Boom!,” March 9 to 26. Jonathan Larson’s autobiographical musical, about an aspiring composer frustrated about his looming 30th birthday, and struggling to create a song to seal the deal. A Hawaii premiere.
- “The Play That Goes Wrong,” May 11 to 28. A comedy in the show-must-go-on tradition, where things go askew before the final curtain. A Hawaii premiere.
- “The Chinese Lady,” July 13 to 30. A tale of an immigrant from China, based on a true story, laced with history and humor. A Hawaii premiere.
- “Spamilton,” a parody by Gerard Allensandrini of the Lin-Manuel Miranda Broadway hit, will have to be scheduled, date unknown yet.
Kennedy Theatre:
Mainstage productions:
- “Form Within a Form: Echoes and Reverberations,” Nov. 11, 12, 18, and 20. One of two Mainstage works, this one assembling collaborative dance, music, mixed media, scenic art and costume design; described as Kennedy’s largest dance production assembling innovative and renowned choreographers from abroad and locally, with music and media reflecting themes of nurturing, nourishing, sustaining and transmission intended to transit through the senses and body.
- “20,000 Leagues Deep, #hawaii_ascending,” Feb. 24, 25, March 3, 5. An immersive Theatre for Young Audiences production, also on the Mainstage, expressly for the young of heart, confronting the climate crisis in Hawaii, the Pacific and the world and intended to flag the obstacles and dangers in the battle for the planet. Directed by Alvin Chan.
Primetime Series
- “Chinee, Japanee, All Mix Up,” Sept —. An exploration of identity in Hawaii and in America. Directed by Reiko Ho.
- “Memorial Day,” October. Set in 1992, at the height of the AIDS crisis, when a generation of infected men are dying amid prevailing anti-gay hysteria. A Hawaii premiere.
- “Dance, Dance, Dance,” January. A play adapted on Haruki Murakami’s novel, set in Hokkaido, Tokyo and Honolulu, with a non-linear space-time warp, where dance is a metaphor to restore, rebuild, and rediscover life.
- “Footholds,” April. A dance show featuring MFA and BFA student choreographers on the eve of earning their diplomas.
Late Night Series
- Late Night Theatre Company, operated by students, though hosted by UHM’s Department of Theatre and Dance, will offer a yet-to-be-identified production set for fall, 2022. With the hallmarks of the genre: limited budget, minimalist tech elements highlighting student acting and directing skills, in the student-friendly late-night format.
Broadway in Hawaii:
Performances at Blaisdell Concert Hall
- “Jersey Boys,” Sept. 13 to 25 .A biographical music, about the life and times of Frankie Valli and the Four Seasons, features all the yesteryear hits like “Sherri,” “Big Girls Don’t Cry,” and “Walk Like a Man.”
- “Hamilton,” Dec. 7 to Jan. 29, 2023. Lin-Manuel Miranda’s Tony-winning mega hit about Alexander Hamilton, told in hip-hop rap. A Hawaii premiere, in an unprecedented seven-week residency.
- “Cats,” June 13 to 18, 2023. The Broadway classic, by Andrew Lloyd Webber, wstill the cat’s meow, is avpurr-fect “Memory”-maker, for a new generation of theater fans.
Broadway grosses, week ending May 1, 2022
Broadway grosses took a dip, with “The Music Man” and “Hamilton” retaining their No. 1 and No 2 status; at No. 3, “Plaza Suite” moved up the laddar.
The rundown, courtesy the Broadway League:
| Show Name | GrossGross | TotalAttn | Capacity | %Capacity |
| A STRANGE LOOP | $415,275.50 | 5,611 | 7,376 | 76.07% |
| ALADDIN | $965,527.18 | 12,516 | 13,816 | 90.59% |
| AMERICAN BUFFALO | $528,846.30 | 4,630 | 6,008 | 77.06% |
| BEETLEJUICE | $875,738.60 | 7,336 | 12,816 | 57.24% |
| BIRTHDAY CANDLES | $286,387.00 | 3,924 | 5,816 | 67.47% |
| CHICAGO | $585,101.25 | 6,226 | 8,640 | 72.06% |
| COME FROM AWAY | $446,094.40 | 5,102 | 8,368 | 60.97% |
| COMPANY | $660,222.71 | 5,551 | 8,368 | 66.34% |
| DEAR EVAN HANSEN | $474,607.70 | 5,067 | 7,872 | 64.37% |
| FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF | $250,174.50 | 3,149 | 6,184 | 50.92% |
| FUNNY GIRL | $1,116,472.95 | 9,456 | 9,752 | 96.96% |
| GIRL FROM THE NORTH COUNTRY | $131,956.50 | 1,683 | 2,994 | 56.21% |
| HADESTOWN | $851,687.00 | 7,004 | 7,344 | 95.37% |
| HAMILTON | $2,091,733.00 | 9,653 | 10,592 | 91.13% |
| HANGMEN | $294,033.00 | 3,567 | 6,416 | 55.60% |
| HARRY POTTER AND THE CURSED CHILD | $1,095,952.00 | 9,183 | 12,976 | 70.77% |
| HOW I LEARNED TO DRIVE | $311,030.00 | 4,305 | 4,459 | 96.55% |
| MACBETH | $970,737.00 | 7,313 | 7,357 | 99.40% |
| MJ THE MUSICAL | $1,226,825.10 | 9,369 | 11,096 | 84.44% |
| MOULIN ROUGE! THE MUSICAL | $1,419,844.60 | 9,904 | 10,400 | 95.23% |
| MR. SATURDAY NIGHT | $711,269.20 | 6,006 | 7,146 | 84.05% |
| MRS. DOUBTFIRE | $421,454.00 | 5,288 | 8,272 | 63.93% |
| PARADISE SQUARE | $206,561.80 | 4,260 | 7,848 | 54.28% |
| PLAZA SUITE | $1,656,073.60 | 7,693 | 7,800 | 98.63% |
| POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM ALIVE | $330,416.92 | 8,888 | 11,608 | 76.57% |
| SIX | $1,083,870.00 | 7,359 | 8,248 | 89.22% |
| TAKE ME OUT | $414,249.25 | 4,083 | 4,680 | 87.24% |
| THE BOOK OF MORMON | $857,180.97 | 7,311 | 8,528 | 85.73% |
| THE LION KING | $1,635,397.00 | 12,697 | 13,568 | 93.58% |
| THE LITTLE PRINCE | $232,808.00 | 3,050 | 11,776 | 25.90% |
| THE MINUTES | $374,812.00 | 4,056 | 5,336 | 76.01% |
| THE MUSIC MAN | $3,314,670.56 | 11,955 | 12,200 | 97.99% |
| THE PHANTOM OF THE OPERA | $625,180.42 | 6,668 | 12,840 | 51.93% |
| THE SKIN OF OUR TEETH | $141,111.00 | 4,004 | 8,464 | 47.31% |
| TINA – THE TINA TURNER MUSICAL | $872,345.50 | 7,024 | 11,824 | 59.40% |
| WICKED | $1,196,763.00 | 10,609 | 14,456 | 73.39% |
And that’s Show Biz. …