SHADOWS PREVAIL IN NEW ‘WEST SIDE’

Same story, new version.

Same issues, new vision.

Same gun, new vibes.

Steven Spielberg’s first musical, “West Side Story,” is a bold, brave and beguiling film, for a new generation of viewers, most of whom have not seen the glorious and gutsy landmark version directed by Robert Wise and Jerome Robbins. The original earned 10 Academy Awards, including Best Picture, in 1961.

A tough act to follow for director Spielberg, who has wanted to do a musical to complete his filmography.

This is it.  And it becomes a dandy companion – then and now – to the legacy that is “West Side Story.”

Spielberg’s version has the vitality like the  Wise-Robbins one. And clearly, if you favored the first one, the latest might be second fiddle.

Not so.

Confrontations are plentiful in Spielberg’s “West Side Story.”

Spielberg embraces shadows galore in mounting this monument. From the dark tones of the opening sequence through the end credits, shadows become part of the mobility of the storytelling. One of the best incidence of shadow supremacy is the scene where the Jets and the Sharks prepare to rumble and challenge each other, and you see slowly moving elongated shadows of the duelers marching forward to each other. It’s a haunting form of choreography.

With a script by Tony Kushner (“Angels in America”), Spielberg manages to make everything and everyone sing and dance, and the words and movements reinforce and reflect on the original source of this creation.Shakespeare’s classic Romeo and Juliet tragedy ratchets up to contemporary sensitivities for a powerful exclamation point in filmmaking. Riveting!

Ansel Elgort as Tony, Rachel Zegler as Maria.

Tony (Ansel Elgort, a tall dude with a decent voice, with a younger Tom Cruise demeanor), is a former Jet gang leader now anti-feuding after a stay in prison for nearly killing a rival gang member. He falls for Maria (Rachel Zegler, a charming lark of a find, in her film debut) in the shadows of gym seating and tenement stairs.

It’s all part of the recipe, to coo and sing the romantic “Tonight” together and with overlapping gang foretelling violence, right down to the “Somewhere” death scene inspiring unity.

Rita Moreno as Valentina: an Oscar contender?

Filmdom’s original Oscar-winning Anita (Rita Moreno, still a scene-stealer) could be a contender again, for her custom-made new supporting role of Valentina, Doc’s widow. She’s seasoned and glowing; even sings “Somewhere” before the climactic version later. Her presence likely will overshadow the new Anita (Ariana DeBose, who can’t be discounted at awards time), despite a vibrant “America” performance.

Bernardo (David Alvarez) and Riff (Mike Faist) are the rival gang leaders, and only time will tell if they match up to the popularity of the George Chakiris or Russ Tamblyn.

The good news is that everyone sings (remember when Natalie Wood was merely mouthing the lyrics while Marni Nixon did the dubbing?) and everyone dances; the massive street leaping and twirling resembles the scope and sensation of Lin-Manuel Miranda’s “In the Heights,” which might be interpreted as “Upper West Side Story” with its Washington Heights origins. The newbie is set in the current Lincoln Center ‘hood, where the gangs not only battle each other but question the reality of urban development, hence the fight turfs of abandoned buildings and hills of dirt.

For the record, Robbins’ original choreography is credited here, along with inventive and vivid new choreography by Janusz Kaminski.

Leonard Bernstein’s music and the late Stephen Sondheim’s lyrics are intact and rightfully acknowledged. The finger-snapping and toe-tapping might be new, but the melodies are like the Mona Lisa. Classics cannot be improved.

With the sorrowful windup, where Tony’s body is solemnly removed from the street, hope looms. The Jets and Sharks unite in grief, though issues still resonate,

Verdict: Racism. Violence. Gun control. Still a question mark. …

And that’s Show Biz. …

SHARI LYNN, THE CONSUMMATE SINGER

In her final live performance of 2021, singer Shari Lynn continues to be a consummate songbird others can learn from.

She illuminates any tune she sings, investing an actress’ stance in interpretation, storytelling with lyrics that give melodies substance and breadth.

Her passion is luminous, as she brightens and heightens a song with her elocution and expressive delivery.

In her Medici’s at Manoa Marketplace gig last night (Dec. 10), she opted to stage a mixed bag of a show without sacrificing relevance. It’s the holiday season, so yes, there were a few Christmas pauses, with mentions of that Claus named Santa.  But the artist in her didn’t pause or miss the opportunity to put her imprint on exceptional songs with stellar lyrics, from two creators passionate of the tradition of tough, revelatory words to accompany infectious melodies for the brave souls willing to sing ‘em.

Thus, her pair of tributes to the late Stephen Sondheim, the prolific creator of some of Broadway’s brightest and innovative shows who died on Nov. 26, and Dave Frishberg, the underappreciated jazz pianist and composer who passed on Nov. 17.

Shari Lynn: She brightens a song with storytelling skills.

The homages were powerfully honest and pure, reflecting differing styles that challenge the performer and in her hands, their diverse songs reflected an invisible bond.

The Sondheim section included the inevitable, the reflective “Send in the Clown” from “A Little Night Music,” about ill-fated love that perhaps is his most popular title, plus the rousing Mama Rose’s show-stopper, “Some People,” from “Gypsy,” with all the histrionics and body language befitting an artist who has done the show and the tune and continues to celebrate their allure.

The Frishberg  collection included “I Can’t Take You Nowhere,” which might be bad grammar, but with tongue-twisting words, plus “My Attorney Bernie,” a fun piece about an attorney.

The opening song, an instrumental version of “O Christmas Tree” rendered by pianist Jim Howard and bassist Bruce Hamada, was solemn and mood-setting, soon diverting to a jazz version of “Santa Baby,” serious and seductive, unlike the wildly uproarous Jewish/Christmas parody that has become one of Shari’s trademark this time of year. Yep, she’s officially Jewish but practices the vows of Christmas complete with multiple decorated trees at home.

Her interpretation of a Barbra Streisand holiday album track,”The Best Gift,” again demonstrated her savvy in extending lyrics into smart tale-sharing, and yep, there was a skosh of Barb in her delivery.

Her onetime, longtime accompanist, keyboarder Don Conover, took the stage by playing piano on a medley of “Remember/Toyland,” a sweet cameo from the past.

Her parody of “My Favorite Things,” with hilarious and insane lyrics, was clearly and grandly goofy and fun.

An advocate of the Great American Songbook, Shari dusted off a couple of “standards,” like  “The Best Is Yet to Come,” the Peggy Lee-composed “I Love Being Here With You” and “On the Sunny Side of the Street,” tossing  in a hana hou in “Here’s To Love.”

With pandemic protocols lowering for restaurants and clubs, perhaps Medici’s should eliminate the plastic curtain fronting the stage. The see-through shield is a major distraction now; it’s like watching a show through shower curtains. Face masks, of course, still are necessary to attend. …

And that’s Show Biz. …

CRETTON LANDS MARVEL, HULU GIG

Maui’s Destin Daniel Cretton, the director behind the box office behemoth “Shang-Chi and the Legend of the Ten Rings,” has signed a marvelous deal with Marvel Studios and Hulu’s Onyx Collective that will elevate his profile in the Hollywood spectrum.

The new deal, reported by www.comicbook.com , will involve developing a theatrical sequel to “Shang Chi,” and calls for Cretton to create a new Disney+ series, likely to embrace some spin-out of the events of that boffo film.

Destin Daniel Cretton

Then there’s still another Disney+ project, an adaptation of another comic book caper, a series based on an Young Adult graphic novel,  “American Born Chinese,” an acclaimed and popular resource by Action Comics writer Gene Luen Yang.

Deadline reported that Cretton will be instrumental in widening global audiences with the planned projects. “Destin is a powerhouse storyteller with impeccable taste in material. As we continue to expand our roster, Destin’s unique voice will help usher in an exciting slate of content for our global audience,” according to Tara Duncan, president of Freedom & Onyx Collective.

More praise comes from Kevin Feige, president of Marvel Studios and Chief Creative Officer. “Destin is an amazing collaborator who brought a unique perspective and skill to ‘Shang-Chi,’” he said. “We had a fantastic time working together on the film and he has so many intriguing ideas for stories to bring to life on Disney+, so we’re thrilled to expand our relationship with him and can’t wait to get started.”

Cretton said,”I can’t wait to explore new stories and build new worlds with this community.” …

Show breezes

Shari Lynn

Tonight’s show tip: Shari Lynn graces the stage this evening (Dec. 10) at Medici’s at Manoa Marketplace. The club’s website has been plugging the gig as a holiday concert, but Shari says the program will embrace and honor the music of two late composers “whom I revere,” she says. Thus, Stephen Sonheim, the incomparable and prolific luminary of Broadway music and shows and
Dave  Frishberg, the legendary jazz pianist, composer and singer will be remembered via songs.

Shari’s usual accompanists will join her: keyboarder Jim Howard and bassist Bruce Hamada.  It’s likely a sell-out, so call club on availability. …

In a symphohic mood? The Hawaii Symphony Orchestra presents “Handel’s Messiah,” at 7:30 p.m. tomorrow (Dec. 11) and  at 4:30 p.m. Sunday (Dec. 12) at the Hawaii Theatre. Jory Vinikour conducts; call the Hawaii Theatre for tickets. …

And that’s Show Biz. …

AN UNINTENDED, JOYOUS STAYCATION

How often do you schedule a staycation, where you shuttle over to a Waikiki hotel? If memory serves well, my last impromptu Waikiki stayover was for two nights at the Princess Kaiulani Hotel maybe a decade or so ago, when our home was tented for pest control. No, we didn’t have issues with creepy crawlers; we simply take precautions periodically.

But when life gives you lemons, you make lemonade, right?

So the missus and I wound up with an unplanned vacation – well, a staycation, a “trip” minus  an airline flight.

We originally planed to stay three nights at the Ala Moana Hotel by Mantra because on Tuesday morning, Dec. 7, the day of infamy was make-lemonade day. No water!

Relevant concerns:

  • Can we live without water, hot and cold?
  • For how long?
  • Besides a shower, what about an unflushable toilet?
  • What’s the alternative to the unexpected dilemma, with no clue on how long this disruption would last?
Awaiting check-in, at the front desk of the Ala Moana Hotel.

Answer: Plan a staycation. The wife wasn’t going to tolerate the lack of a hot bath, and worse, the issues with the toilet. A Board of Water wagon arrived, and while we hauled out City Mill painting/gardening buckets (had two new ones in the house) to fetch water, we still weren’t willing to play out the waterless issue for lord knows how many days and nights.

Went online to find a hotel. Didn’t want to mess with the Waikiki traffic, and didn’t know there was gonna be Dec. 7 parade on Kalakaua Ave. that evening.

We had no more Christmas shopping to do, but the opportunity to be at Ala Moana Center was a plus; we hadn’t been mall-ers for a spell, what with the pandemic.

The Ala Moana had rooms going for as low as $179 a night, so that seemed fair and acceptable, so I logged on, intending to book perhaps two, maybe three nights, to avoid returning home too early if the meddlesome water main break continued.

In my online booking, something strange happened; the system — outsourced and located in Australia, I learned — was a bit crazy, so a wrong arrival date and departure date appeared without my input. It didn’t even apply a LOCALSONLY discount that appeared when I signed on. The only way to undo this was to call the hotel directly, and a sweet reservationist assisted, correcting the check-in date and suggested we do the three nights, just in case, because the hotel was approaching a fully-booked status.

A simple dinner at Liliha Bakery inside Macy’s.

She noticed I hadn’t asked for the kamaaina discount and I said I did, so she inserted that data in the reservation. The discount would cover a $35 daily charge for self-parking at the hotel (vs. parking illegally and walking to the hotel adjoining the shopping center).

The lemonade started to get a bit sweeter.

The staycation was a blessing, and wound up being a post-anniversary observance, since our home had two guests for much of November. And Nov. 23 was our 53rd wedding anniversary that included a sweet dinner at Roy’s with our niece visiting us to see her Army son, who had concluded one assignment before moving to another.

A calming dinner at Ruscello’s inside Nordstrom; note yule trees.

Staycations mean you can drive home to pick up a few things that you may have forgotten to pack, so yes we drove home on Wednesday Dec. 8, to pick up a charging cord with a magnetic head for my Apple watch. We brought a few more clothing items and a couple of snacks, too, and learned that the water was restored early Wednesday, though the roadway was not restored for traffic, so we wondered if we should cut short the vacation.
We had made dinner reservations for Wednesday night, so proceeded back to the hotel and later drove to the Nordstrom end of the mall, for our meal at Ruscello, a favorite destination. (FYI, I no longer walk the whole length of the mall because of back ache issues, so a short drive is part of my new normal).

Chillin’ inside the Ala Moana Hotel room.

The staycation, however, intruded with three Thursday Dec. 9 calendar items – my wife had a bone density test to take, and a Zoom session in the afternoon, and I had my usual Thursday PT session in the morning. We intended to return home early Thursday, so she could get to her appointment in her car, and I’d do same with mine. We would then return to the hotel afterwards.

However, overnight Wednesday, I developed a feverish feeling – both my legs and feet were icy cold, due to the hotel’s air-conditioning — so I told my wife it’s probably best that we conclude the staycation after two nights.

Staycations allow this kind of casual and informal play-out. We were enjoying the novelty of hotel life because we hadn’t traveled since the pandemic cancelled everything two years ago. And two evenings were just the right dose.

We don’t normally go all-out to mark our anniversary; the last one was the 50th, to which we invited the entire family. This one was perfectly personal, just us two; it didn’t require high-end dining with champagne and the works.

Liliha Bakery’s loco moco: in a word, ono.

We had dinner at Liliha Bakery at Macy’s the first night; she had the hamburger steak, I had the loco moco with two easy-over eggs over the burger on a bed of fried rice. Boring? Perhaps. But ono.

We learned that Cafe 410, the Ala Moana restaurant, had been closed throughout the pandemic, but was reopening Wednesday morning with a breakfast-buffet format; it was not grand nor bountiful, comprised mostly of bacon, pork sausage, pancakes hidden in those domed bowls, a small selection of breakfast fruit (pineapple chunks, watermelon, honeydew melons), and a station with croissants, bagels and bread for toasting. I don’t recall the cost, but the waitress insured we’d get the kamaaina discount. And when asked about the numbers in the Cafe name, she said it’s the hotel’s address on Atkinson. Now you know, too.

The hotel stay was leisurely and comforting; we took a selfie in front of a decorated Christmas tree in the hobby but it was a lousy shot. No matter.

We both had hauled our computers with us in separate roll-aboards, since we have different needs. And over two days, I had a few hours to shape and nearly complete my traditional Christmas column, to be posted in a few weeks. We were still connected to our daily do’s, including checking emails.

The staycation cost $700-plus for hotel and meal charges  but you only live once, and you can’t take it with you. And FYI, the hotel didn’t charge a penalty for an early departure and the refund for the unused third night was credited to my charge card.

For an imperfect few days of rain and no running water, this was the perfect staycation at a time we needed a break from routine.

GIFT-OPENING: EVE OR MORNING?

Just asking…

Christmas comes with a variety of traditions and practices.

Regarding wrapped gifts under the tree: are you one who opens presents on Christmas Eve?

Gift-opening tradition: on the eve or on the morning?

Or is your family one who unwraps gifts on Christmas Day?

I hear that often a child will get the OK to jump the gun and open one gift on the eve.

A survey by Tylt, in 2019, found that most prefer opening on the morn (62.8 per cent) vs. the eve (37.2 per cent).

What’s your modus operandi?