YES, VIRGINIA, THERE IS A SANTA

Every year around this time, before Thanksgiving and Christmas, I don my crafter’s hat with joyous energy to begin the sometimes arduous but certainly satisfying task of creating a whole bunch of Christmas lapel pins and table decorations to share the joy of the yuletide.

Christmas pins reflect the spirit of the yuletide; some folks wear ’em on face masks.

Yes, Virginia, there is a tradition worth continuing. I get to play Santa.

This practice began decades ago when I was newspapering and column-writing and hopping from one show to another, at a time when Waikiki was jumping. These pandemic days, there are only a few venues with music and fewer special Christmas concerts. Sorta means there is a skosh more time to do holiday crafts.

And what’s Christmas if you can’t share and share the goodwill and merriment of the yuletide?

Enter, the pins.

They are rather silly trinkets that most women adore receiving; in recent years, folks have begun to wear their pins not on lapels or blouses/shirts but on their face marks. Not the same thing, but somewhat akin to placing sticker on your car’s bumper. The pins express a message of sorts.

The past two Christmases, my pins with Santa designs, had St. Nick donning face masks. For 2021, I decided to minimize the masked Santa, with intentions and hopes for a holiday where no one needs to don a mask.

That is not yet his his year. So a few masked Santas have been produced.

Making pins – unrelated to my “other” hobby of creating assorted notecards, largely with island motifs – require purchasing “ingredients,” so to speak. This includes images and stickers with holiday themes, including snowmen, reindeer, elves, penguins and yes, mini Christmas trees.

I have beaucoup storage bins containing these collectibles, along with cords, ribbons, glittery trims ranging from stick-on tapes to sequined patches.  Lauhala swaths enable me to create a few island-feeling trees that project a Hawaii flavor; with greenery and red holly berries, it says “Kalikimaka.”

Table decorations feature a multitude of themes: trees, snowmen, gingerbread houses.

Miniature gingerbread figures — men and women — add more variety to the plate. Often, a gingerbread house sticker or charm adds a whisper of nostalgia. And plastic figures of Santa and snowmen, with installed batteries, enable the figure to glow with a simple switch.

Imagination is the key element in putting these pieces together.

Crafters know the value of a glue gun and glue sticks, to create the right look with the right fixings. And yes, there are glue burns along the way. Pin backs glued  on the back of the decoration can result in glue gun burns, too.

Because everything is hand-made, no two pins are alike except in spirit. Might add a teen Santa’s cap to one gingerbread boy and a mini red bead on a gingerbread girl. Adding a little different something gives each pin different personalities.

And then comes another tier of completing the journey. Buying boxes of assorted sizes to pack and ready the items for the post office. These postal workers are especially busy this time of year, so I appreciate the valuable service they provide. Even if postal rates continue rise.

I deliver some of these creations to my doctors and dentist, to say mahalo for their service. Ditto, the postal souls who weigh and process the postage.And my longtime bankers.

You can’t begin to explain how these silly “gifts” mean to the everyday work horses. The value is practically none, but you see the joy in the sparkle of the eyes and the wide and gleaming smiles. I recall distributing a few pins last fall, and another during Easter, when I underwent same-day surgery at Queen’s. The appreciation was unforgettable; I mean, how often do you receive a sweet note from a few someones who helped in the wellness of your body?

There’s a measure of regret, too; I’m sorry I can’t create more inventory to offer to more folks. A few strangers want to purchase, but I normally don’t sell, since my stock quickly disappears. I donated a few pins and a few notecards to the Saturday (Nov. 20) craft fair at the Japanese Cultural Center of Hawaii, and the items were sold by a volunteer group. That’s the lone “fair” exposure for me this year.t

I’m in the midst of packing and preparing scores of pins and decorations to share with my ohana and colleagues, past and present. It feels ‘swonderful to have creative what looks mighty festive, when multiples are assembled.

By the time the last stems of fake holly and other trinkets and the last glitter dust and errant beads are vacuumed off the carpet of my livingroom work space, it will be December.

Then the routine begins again, with a focus on a different holiday. Like, Valentine’s in February. …

‘TIS THE SEASON…A BIT EARLY

Let the season begin…

OK, it’s not yet Thanksgiving, but Santa’s workshop has been working overtime the past few weeks.

Translation: I’ve created more than 400 Christmas pins and perhaps 150 table decorations and have begun distribution to family and friends, via mail and personal delivery.

Here are samples of the pins … and a portion of the decorations.

A sampling of this year’s Christmas pins.
Here are some of the completed decorations,

A RUSTY BUT TRUSTY KEALI‘I REICHEL

Keali‘i Reichel, one of Hawaii’s true luminaries of mele  and hula, opened a four-night, six-show engagement last night (Nov. 18)  at Blue Note Hawaii.  Performances continue today (Nov. 19) through Sunday (Nov. 21), at the Outrigger Waikiki venue.

They say absence makes the heart grow fonder, and you get better with age – and both apply to Reichel, one of Hawaii’s beloved entertainers. His followers have missed him during the pandemic that shuttered the performing venues and that break seems to have mellowed Reichel.

I once called him a reluctant singer, because while he boasts a heavenly voice, he’s been rather shy of strutting his stuff, from the vantage point of taking centerstage to croon like, well, Adele. Hello? He’s not Adele but he could take a few cues from her.  

It’s been 27 years since Reichel issued his first and best-selling “Kawaipunahele,” a landmark album/hit that put him on the map as a vocalist and compose. Since then, he’s been a prolific contributor of Hawaiian and some haole titles that have made him a certified star.

Keali’i Reichel: Front and center once.

 Wish he would be more of an up-front-and-center headliner, like Adele.

It’s been about 40 years since he established his Halau Kealaokamaile and developed a trademark of tapping alakai – lead dancers/teachers — and hula stylists over the decades. I recall hearing him before seeing him, singing in a malo at a Kauai fund-raiser for his halau, back in the day.

It’s been two years since he appeared on the Blue Note stage, when he guest-starred with Ho‘okena during the early stages of the coronavirus crisis, in what loomed as a bona fide powerhouse of a double-bill.

It’s been nine years since he’s staged in his own show in Honolulu, though he infrequently has brought his star power to Maui venues. So he’s been ripe for this homecoming.

A barefooted Reichel

As he delivered his opening tune, he seemed to struggle his way into finishing “I Will Be Here,” a ballad in English which was one of his hits from earlier years. He gave a huge sigh of relief , “Whew,” when he completed the tune in the lone moment where he was front and center, singing into the mike, without a trusty guitar or ukulele which he would alternately strum throughout the rest of the show.

That static position — sitting with his three trusty accompanists and kinda tucking himself behind a fresh maile lei that hung on the mike stand – is not what stars generally do.

Assuredly, Reichel is a not just a singer/musician; he is a composer, a chanter, a dancer, a choreographer and a kumu hula of Halau Kealaokamaile. A true show biz hyphenate.

In a volley of charming but unnecessary self-deprecating comments, he admitted he was gay, er grey, and – alluding to the shutdown of the pandemic –  fat but alive. He said he’s finally reached the uncle status, when younger folks use that nickname in the spirit of respect.

He said he was rusty, because he’s been idled by the pandemic,  but I found him trusty, despite the staging concept. His compositions are in English and Hawaiian and suited for choreography, hence the waves of hula by his six dancers (and one alakai, a leader within the halau) who performed in gorgeous eye-filling hula, in mulitples of six, four, three or even one dancer.

Hula dancers from Halau Keolaokamaile, in the Reichel show.

Oh, and his backup trio  and three backup singers, made it quite a crowd on stage. The instrumentalists provided stellar support, but the three voices often were not miked properly and had moments of not being properly heard.

Reichel never acted like a star and his style and manner haven’t changed much over the decades. He shared his stage time generously, with perhaps more hula than necessary.

He appeared wearing a black shirt over a pair of gray trousers, his graying hair coiled in a small ponytail, suggesting his 60ish age. A cluster of bracelets adorned his right wrist, and his only other jewelry was a white shell necklace.

And he was barefeet, sans shoes, the hallmark of a true hula stylist, and likely is/was the only other headliner taking the Blue Note stage minus footwear.. The other is/was the late Willie K, a fellow Mauian.

Reichel’s serenades favored Maui mele, reflections of home and life and love. (He’s gleeful about double-entendre tunes that relate emotions on two levels, one nice, one naughty).

 The numbers ranged from the sit-down hula,”Ke Aloha,” by the ladies, and a graceful and sentimental “E O Mai,” one of his signature Hawaiian ballads.

While “Nematoda,” a novelty song, was one of his off-center favorites, Reichel did not share with his first-show audience his biggest hit, “Kawaipunahele,” a true misstep (he performed it as a hana hou entry for his second-show fans).

Adele would never leave her stage without sharing the likes of “Someone Like You,” “Rolling in the Deep,” or “Hello” … and Reichel should not abandon titles that made him a star, even if he doesn’t believe he’s a star. You get rusty when you lose the trust of your following…

And that’s Show Biz …

DELACRUZ OPENING AS ‘HAMILTON’

With the coronavirus pandemic easing somewhat, shows that were earlier shuttered and new ones holding off till the entertainment climate improves, are beginning to sprout again.

Biggest news: Marc delaCruz, who was understudying the titular role in  Lin-Manuel Miranda’s megahit, will appear as Alexander Hamilton when “Hamilton” reopens tonight (Nov. 18) after a long “intermission” at the Richard Rodgers Theatre.

It’s a major credit and achievement for the actor from the Big Island and for the AAPI community. While Joseph Morales, another islander, has inherited the lead role (see below), he’s never performed it on Broadway.

Marc delaCruz: the first Japanese-Filipino island actor to embrace the “Hamilton” lead.

DelaCruz becomes the first Filipino-Japanese actor to fully embrace the role of America’s Founding Father. He’s worked hard and long to achieve this prestigious part, and did a performance or two as Hamilton in 2019. Before landing the lead, DelaCruz was understudy for the roles of  Philip Hamilton, John Laurens and King George, and had been covering the roles of Philip Schuyler / Doctor / James Reynolds, too.

Clearly, this is reason enough to finally see “Hamilton” in the flesh, even if you’ve watched the Disney+ film, or revisit the show again to support and applaud our local boy.

Jin Ha, a Korean American, will appear as Aaron Burr, joining DelaCruz in demonstrating the AAPI triumphs on the Great White Way. …

Joseph Morales

And yes, the aforementioned Morales was in the midst of an ongoing tour of “Hamilton,” is resuming his performances as Alexander Hamilton as the musical criss-crosses the mainland. He was the first local boy to don the costume of AH. …

Two Broadway regulars with Hawaii roots – Ann Harada and Jason Tam – are winding up their performances in “Fairycakes,” packing up Sunday (Nov. 21) at the Greenwich House Theatre in New York instead of the earlier announced Jan. 2 closing. Harada was portraying Musterseed, Tam was Prince/Cupid in the play with Shakespearean influences. …

Stan Egi, an islander who transplanted to the mainland years ago, is rehearsing for the role of Yeye in Max Yu’s “Nightwatch” play, in rehearsals for a run at Chicago’s Goodman Theatre. …

Villanueva now a restaurateur

Rodney Villanueva

Rodney Villanueva, the popular emcee/comedian, now is a restaurateur. He’s the man behind Celebrahtee’s – local version of Celebrity’s – at the former Pearl City site of Buzz’s atop the hilly terrain.

A manager also is aboard:  Lisa Campollo.

Apparently, Villaneueva hopes to get a Hawaiian vibe going, with lunch and dinner service. The kau kau will be local and there are plans to feature entertainment because the site includes a stage that could easily host singers-musicians, hula dancers or stand-up comics. …

Villanueva used to host wedding receptions and other parties in his previous life. …

And that’s Show Biz. …

SECRET SANTAS: YES OR NO?

Surely you’ve participated in a school classroom or work office ritual called “Secret Santa” during the holidays.

I don’t have fond memories or success with this illogical tradition. I mean, there’s usually a price ceiling, like $5 for school kids and perhaps $10 for working adults.

You usually pick a name, from a proverbial hat, of a classmate or an office co-worker, and they’re not supposed to know who the Secret Santa is.

Argh! What if your recipient is someone you have little to do with?

Argh again! What can you buy and wrap on a trinket budget?

You can’t not participate, so either you purchase a boring item, say a couple of ball point pens, or seek out a sale item even you wouldn’t want to receive.

This whole process is supposed to enhance holiday goodwill and cheer. But does it?

Methinks it brings out the Grinch instead.

Presents should come with sincerity and admiration, from the givers. So if you have classmates or workmates, you usually enchange gifts with anyway, why can’t the angst of the Secret Santa process be nullified?

What memories, or nightmares, do you have of this Secret Santa thing?