‘WHITE LOTUS’ REVIEW: OVERTOURISM??

The real star of HBO/HBO Max’s “The White Lotus” is the Four Seasons Resort Maui at Wailea. Location! Location! Location!

Though the brand’s name is never utilized in the show, the property’s luxurious ambience — from suites to pools, from dining facilities to an abundance of beachfront cabanas –is the perfect site that suits the unending and unapologetic vibes of the rich-and-conflicted clientele depicted in Mike White’s dramady of manners, or lack thereof, set in a Pacific resort.

The six-parter which debuted this past Sunday (July 11) — with airing of new episodes for the next few Sundays — provides an intimate and outrageous portrait of disgruntled travelers of privilege. Its satiric strokes and pokes at the disrespectful wealthy arrives at a time – real time – when Maui and much of the rest of Hawaii resorts are coping with too many visitors and not enough workhands, and this tongue-in-cheek treatment presents one-sided evidence that travelers are a pain in the derriere.

Hotel workers welcome a band of travelers, in the first episode of HBO/HBO Max’s “The White Lotus.”

So the nuisance of overtourism rears an ugly head.

Exaggerated, yes, like the newlywed groom, complaining endlessly about not being in the honeymoon suite, while the bride tries to comfort him and explaining to the hotel’s front desk manner that the accommodations are fine, disputing her hubby.

Tanya (Jennifer Coolidge), a woman traveling with the remains of her late mom, seeks Belinda (Nathasha Rothwell), a masseuse and spa manager, to ease her backaches, and she is the essence of someone who also is a pain in the butt, clinging to the massage whiz like opihi on rock, but a good tipper.

It’s fantasy, of course, and clearly represents the myriad of mishaps and the multitude of complainants within the community of a hotel. The tale could easily be set on a luxury liner or at summer camp, with similar implications. In reality, the “Lotus” cast and crew set up house and workplace, at the pricey Four Seasons last October through December, when most everyplace else had shut down due to the pandemic.

As guests arrive via boat (presumably from a nearby island, after a formal flight), hotel manager Armond (Murray Bartlett) and newbie trainee Lani (Jolene Purdy) welcome the visitors each with different complaints.

The hotelier realizes that the privileged have a thirst for attention, so the squeaky wheels abound and catering to the requests is the key option.  

There’s suspense, too; so “Lotus” will evolve into a peeling murder mystery in the weeks to come.

The good news, however sparse: There are three islanders in the cast, though one wonders if this is a credit worth boasting about. Loretta Ables Sayre shows up in one scene; if you blink, you’ll miss her. Kekoa Scott Kekumano will recur as hotel employee Kai.  Brad Kalilimoku appears as a paddler, though in an uncredited role.

The bad news: In the opener, there were two somewhat startling scenes; Lani, the trainee, is hapai and her water breaks right next to the front desk.Traveler Mark Mossbacher (Steve Zahn), not only reveals he has a medical issue, testicular cancer, but he shows his junk – presumably not really his, but stand-in privates. It’s mockingly queasy stuff.

Perhaps the future episodes will render more startling scenes with less offensive results. The Four Seasons  likely will remain the star, and perhaps welcome guests who may want to stay in the rooms of the “Lotus” cast. Without the baggage of whines.

DO YOU COLLECT SOMETHING?

Just asking…

Do you have a hobby? How did it start, and has it been an ongoing passion?

Many folks are addicted to collecting something or continue to have activities that are part of your life.

I collect apples, because I made annual trips to The Big Apple, the nickname for New York City. When I traveled there, or for that matter, any city, I would purchase apples of any kind: ceramic, wood, plastic, metallic, you name it. Apples in red, green, yellow, brown (if wooden) and gold (if metallic); a number of red apples boast a yellow “glow.”

Apples commonly are life-size, meaning they look like what you see in markets.

But renderings range from carved, to resemble bites in the apple, some are “sliced” to depict the white fruit complete with seeds. Some ornamental red apples glow with red beads, giving them a sparkly veneer, others are striped or polka-dotted. There are no limitations; I even have a tic-tac-toe board…with mini green and red apples.

My Christmas tree used to be home for dozens of apple-red glossy ornaments.

Seriously, you need display space for these collectibles; and that is a reason I’ve toned down my apple purchases. Some are scattered to add a dash of color on bookshelves; others are assembled in glass bowls, so the variety can be seen. Still others are nestled in woven baskets.

If you have a hobby – anything from sports trading cards, vintage milk covers, Disney figurines, coins or stamps – please share your thoughts.

KUMU KAHUA STREAMING ‘STEW RICE’

“Stew Rice,” a popular play by the late Edward Sakamoto, will be revived in a special play reading, streaming at 7 p.m. Saturday (July 17) on YouTube and Kumu Kahua’s Facebook page. There is no admission/viewing fee.

The local comedy, with its original 1995 season cast, will reunite Karen Kaulana, Amy Nishihara, Sharon Aoki, Michael “Sun” Lee, Jason Scott Lee and Marcus Oshiro.

View it at https://www.youtube.com/c/KumuKahuaTheatre

The event will be co-hosted by KHON’s Brook Lee (the 1997 Miss Hawai’i, Miss USA and Miss Universe) and Wil Kahele, a Hawaii actor, writer and director. There also will be tributes to Sakamoto and director Jim Nakamoto.

Details: http://bit.ly/SupportStewRice and http://bit.ly/StewRiceSponsorship.

Obamas delivering ‘Blackout’ on Netflix

President Barack Obama and Michelle Obama: Providing Netflix programming.

The Obamas are coming to Netflix, in their inimitable way — supporting a project dubbed “Blackout,” which is being monitored as both a TV series and a likely film adaptation.

President Barack Obama and wife Michelle Obama’s Higher Ground company will partner with Temple Hill, the group that produced the Kevin Hart “Fatherhood” film, to develop six different love stories, each created by a different writer, dealing with blackout in New York during a hot summer night. The format will be to stage and shape reactions of 12 teens with six shots of love, the theory being that blackouts provoke a myriad of tales, with both personal and potentially universal implications.

The blackout notion coincidentally rings a bell, with Lin-Manuel Miranda’s summer musical, “In the Heights,” now on the big screen and also streaming via HBO Max, which includes a blackout issue. It’s an unintended but familiar model of how an inconvenient lack of power might trigger curious responses. New York, obviously, is a bedrock of unexpected experiences.

The six writers tapped to author the stories are Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk and Nicola Yoon, all with previous cinematic credits.

The Obamas inked a producing deal with Netflix in 2018 and have other projects in development. Perhaps they may consider to someday focus on a Hawaii-based product, like what happens when a huge tidal wave threatens a beachfront complex in a community with no easy way to avoid rising waters? Hmmmm…

Two Honolulans in off-Broadway comedy

Jason Tam

Former Honolulans Jason Tam (“A Chorus Line,” “Be More Chill,” “Jesus Christ Superstar”) and Ann Harada (“Avenue Q,” “Les Miserables,” “Cinderella”) are among the performers in “Fairycakes,” an off-Broadway show opening at the Greenwich House Theater beginning Oct. 14.

The comedy is by Douglas Carter Beane, who also will direct, through its Jan. 2 2022 run. The cast also features Mo Rocco, Jackie Hoffman, Julie Halston, Brooks Ashmanskas, Kuhoo Verma and Jamen Nanthajkumar.

And that’s “Show Biz.” …

FOR STONE, CARRIE IS A TRIPLE-THREAT

Second of two articles (Part two)

Greg Zane, director-choreographer of “A Chorus Line,” center, is flanked by Dwayne Sakamoto (Paul) and Kira Stone (Cassie), right, in the Diamond Head Theatre musical opening July 16 at Diamond Head Theatre.

Kira  Stone, who considers herself a dancer first and foremost, makes no bones about portraying
Cassie, in the Diamond Head Theatre revival beginning Friday (July 16).

“John (Rampage,  DHT’s artistic director) contacted me, while I was in school at New York University,”
said Stone, 20, who called Cassie “the dream role for a triple threat.”

She has island roots and had been studying acting at Tisch School
of The Arts in the Big Apple, but the opportunity to embrace this bountiful
role  
as dancer, singer and actor – hit a nerve.

She was at NYU when rehearsals started here, back in early
June, so it wasn’t till June 12 when she returned to Hawaii to join her cohorts
in the flesh.
“I’ve been dancing since I was 2 and doing the role (rehearsing) in a 5-foot
space in my apartment was challenging, since dancing drives this show,” said
Stone. “But I also was still finishing a prior project at school, so viewing
the footage was exciting.”

Early provisions were made locally to tape rehearsal
footage, which she would watch late at night, and try to do some of the
routines.

With two more years of academic training remaining at NYU,
enacting the Cassie part provides her practical life lessons to tap her
triple-threat skills.

“Honestly, a lot of the feeling of the music is in the body,
and it’s what I love about dance,” she continued. “We move to the music, and I
love the freedom inside. The movement is in touch with the body, expressed by
what you feel.”

Because she was invited to play Cassie, rather then going
through the anticipatory wishes of “I need this job, I hope I get it,” as
expressed by the ensemble of the performers in “A Chorus Life.”

She realizes she’s building up to the point of her solo
whirls and twirls in front of the show’s iconic mylar backdrop, that multiplies
her movements as she prances from one end of the stage and back, reflections of
which she experiences and relayed to the watchful audiences.
At 9, she played Marta in DHT’s “The Sound of Music.” Among her unique credits
here:  she was a back-up singer for
Broadway musical star Matthew Morrison, who staged a concert in 2020 at the
Hawaii Theatre, before the lockdown due to the pandemic.

Besides dancing, she is a pop songwriter and has staged
performances at the New York Muiscal Festival, 54 Below and other venues. She
enjoys the process of creating and composing music and lyrics which lead to  tunes/stories for vocalists. Her first Spotify
single, “Peter Pan,” drew more than a half-million plays when first released on
iTunes.

At Tisch, she is seeking a well-rounded academic portfolio. “It’s
about acting, voice, movie work,” she said. “Even clown improv, and voice
lessons, and academic theater. Last Semester, I studied playwriting. I want the
full experience.”

Though she has family in the islands, the ohana is making a move
to Washington state, since her brother has graduated from high school. “At
home, I do cardio, running, some time at the beach,” said Stone. But with a move
imminent, and her singular plans to head back to NYU,
“I’ll be bi-coastal,” she said.

“A Chorus Line” begins Friday (July 16) at Diamond Head Theatre.
It’s a defining musical about chorus line hopefuls, who yearn to land a role in
an upcoming show. Performances at 7:30 p.m. Thursdays through Saturdays, at 3
p.m. Saturdays and 4 p.m. Sundays, extended through Aug. 8. Social distancing
protocols in place. Greg Zane directs and choreographs. Detai
ls: www.diamondheadtheatre.com

Earlier: an interview with Greg Zane, director-choreographer of “A
Chorus Line.”

The famous line-up, in “A Chorus Line,” which runs Jul;y 16 through Aug.8, in what looms like a sellout.