MISOYAKI BUTTERFISH, IN WEDGES

Have you tried Roy Yamaguchi’s misoyaki butterfish entrée recently, at one of his Roy’s Restaurants?

I’ve always favored his butterfish rendering, with the misoyaki seasoning atop the butterfish filet, customarily served on a bed of black rice. A smooth sweet-ginger wasabi butter dressing is part of the plating.

I frequently opt for white rice, and a few weeks ago, the gohan came as a musubi.

Roy’s misoyaki butterfish is served in wedges; musubi at left.

But the new touch was the cut of the butterfish; instead of a generous filet, the fish arrived in several chunks, six pieces assembled side-by-side.

The chunks of the fish made portioning easier and appealing, and the flakes were orderly and convenient, to consume as many as you want. I had three pieces for dinner and there were three more wedges to take home for lunch the next day. Since I only ate half of the musubi, had a bit of rice for lunch, too…

Scatch, Liko’s in Hawaii Kai closed

Scratch Kitchen, the gourmet restaurant in the former Outback Steakhouse site at the Hawaii Kai Towne Center, shut down for good on March 24, unable to muster up diners.

The dining room closed first, several months ago, with the kitchen supposedly trying to rev up catering business. That, too, could not draw patrons.  Could’ve been the hours, a tad too late to build up a breakfast following, and perhaps an unpopular menu, which did not quite appeal to patrons, despite the prime location across the way from Roy’s. Thus, a lovely space is available again…  

Liko’s Tap and Table, the waterfront restaurant at the Hawaii Kai Shopping Center, apparently shut down operations, without notice, on March 24.

The eatery was known for its fish tacos and prime rib, appealing to sports bar fans who go for beer and televised games, as well as luncheon salads and nighttime dinners.

The closure is somewhat surprising, since Liko’s was one of the more popular and successful fronting the Hawaii Kai Marina at the Hawaii Kai Shopping Center. Owners are working out  financial issues, and hope to reopen, timetable unknown….

Closing soon…

Anticipate more upcoming shutdowns elsewhere…

— Haili’s Hawaiian Food, the Kapahulu go-to restaurant for Hawaiian kaukau, is shutting down June 30. The restaurant, in biz for 70 years, is timing the closing when its lease expires.

— Buca di Beppo, the Italian restaurant at Ward Village,  is known for its generous portions (more food than those hungry mouths can handle). A party in the Pope’s Room is as good as it gets, so if you’ve never been in this circular room, gather the troops and try it before the shutdown. A closing date has not been announced.

Gone, but not forgotten…

Following the closure a year ago of the Outback Steakhouse in Hawaii Kai, three other island branches of Outbacks were shut in February: Kapolei, Kona and Waipio. Miss the onion rings…

Pah-ke’s, the Chinese restaurant in Kaneohe, closed last October, but it appears that another Chinese eatery is due later this year, ownership unknown. Renovations are underway.

The little hole-in-the-wall Japanese restaurant on Kalakaua Avenue, named Do-ne (two syllables, like in “dough-nay,”  not “done”), quietly closed without fanfare earlier this year. This was a place where you had to know/read Japanese, to properly place orders…

Sad, too, was the closure of Wailuku’s Home Maid Bakery. We all had the ritual of heading to the bakery  before  the return flight to Honolulu, toting purchases of  crispy mochi, chichidango, or cookies for omiyage. I recall getting a bit of a scolding from the owner years ago, who asked when my departure flight time was, as I stopped by two hours earlier because of another errand before boarding the plane. Closer to departure time meant fresher snacks, he insisted…

UNEVEN ‘KISS ME KATE’ AT DHT

“Kiss Me Kate,” now at Diamond Head Theatre, is a tough one to like or loathe. In a word, it’s uneven. With highs and lows.

It boasts tunes by Cole Porter, a welcome and happy prospect, though Porter seemed to pitch tunes with an anything-goes stance. Tucked into the musical fabric are gems not commonly sung these days – “Wunderbar,” “From This Moment On,” “So in Love” – so hearing ‘em makes you feel like connecting with old friends.

But its show-within-a-show motif is not the exactly engaging or endearing. “The Taming of the Shrew,” the Shakespearean classic, is the production the cast is prepping for, and its two leads (who bicker and argue in see-sawing feuds) are distancing and disorienting.  Fred Graham (David Young, likeable and loopy) also is Petruchio; Lilli Vanessi (Lea Woods Amanza, exquisite, with operatic opulence)  also is Katherine.

Lea Woods Almanza is Lilli Vanessi/Katherine in “Kiss Me Kate.” Photo by Brandon Miyagi, courtesy DHT.

They’re off-stage exes, in an on-stage battle of the sexes. Her big belter is the  vitriolic “I Hate Men,”  and his retort is the emblematic “Were Thine That Special Face.” A young teen lad whispered after the performance, “It’s very confusing,” and he was right.

The book by Sam and Bella Spewack is quite dated (the plot is set in Baltimore in the ‘40s), and the backstage/front-of-the-curtain motifs clearly make this one theatrically inclined, right from the get-go. “Another Op’nin,’ Another Show,” led by Hattie (Alison Maldonado, delightful), is the opening curtain number. Among the songs midway in Act 1 is “Tom, Dick or Harry,” which has been a lasting phrase in modern life, so perhaps “Kiss” has never truly been out of vogue. It’s deemed to be one of jewels of the Golden Age of the Broadway musicals, but is a tad tarnished for a new generation of audiences.

Director Malindi Fickle clearly had the arduous task of unifying nearly 30 singers-dancers and about 20 ensemble members, and she managed to pack lively bursts of action; together with lifelong dancer Christine Yasunaga’s nimble choreography, there’s awesome cadence on stage.

Act 2 is worth waiting for, with secondary figures shining and connecting with the spectators. “Too Darn Hot,”  staged in an alley, features Paul (Justin Garde), Ralph (Alexandria Holloway), and Makeup Artist (Aiko Schick) joined by the ensemble in a top-gun sing-and-dance finger-snapping, toe-tapping spectacle that is, well, darn hot. Thanks, Yasunaga! And First Man (Lisa Fosbender) and Second Man (Mathias Maas) are Damon Runyan-esque comedic gangstas  on “Brush Up Your Shakespeare” loaded with shtick, with repetition that works. (Note the gender-bending casting, which is part of the fun).

Further, Bill Calhoun/Lucentio (Andrew Simmons) offers an appealing “Bianca,” pitching romance to Lois Lane/Bianca (Erin McFadden), without the tangle and tussle of the Katharine/Petruchio relationship.

Throw a kiss, too, to Kimmerie H.O. Jones, whose costume designs are bright and bountiful, with Shakespearean influences and colorful period garb for m’ladies and gents. Dawn Oshima’s sets succeed in the two-level play space, but somewhat drab, not divine, in the side-by-side dressing rooms. No complaints, however, about the lighting by Stephen Clear and sound by Kerri Yoneda, and Aiko Schick continues to do chic work on hair and makeup. And Lindsay Rabe’s nine-piece orchestra hits all the right notes befitting of a musical.

But the unevenness may have caused a cluster of viewers to leave at intermission; the filled seats near me were vacant, so regrettably these folks missed the gems in Act 2. Too darn shameful…

“Kiss Me Kate”

What: A musical by Cole Porter (music and lyrics) and Sam and Bella Spewack (book)

Where: Diamond Head Theatre

When: 7:30 p.m. Thursdays through Saturdays, 3 p.m. Saturdays, 4 p.m. Sundays; extended shows at  7:30 p.m. April 26, and 3 p.m. and 7:30 p.m. April 27.

Tickets: $32 to $62, at (808) 733-0274 or www.diamondheadtheatre.com

MOMS THE WORD IN LUNG ASSN. EVENT

Four community mothers, including Cha Thompson, the co-founder and retired vice-president of Tihati Productions, will be singularly and collectively honored as the 2024 Outstanding Mothers Awards winners in an event at 11:30 a.m. to 2 p,m. May 26 at the Alohilani Resort in Waikiki.

Three other honorees in the American Lung Association and Lung Force Women’s Cabinet are notable professionals and leaders in the community: Bettina Mehnert, president and CEO of Architects Hawai‘i, Dr. Diane Paloma, president and CEO of Hawai‘i Dental Service, and Angela Pratt, M.D., OB/GYN department chair at Kapiʻolani Medical Center for Women and Children.

Photo IDs: Cha Thompson, right; Dr. Diane Palona,below, left; Bettina Mehner, further below right; and Angela Platt, further below left.

Thompson’s company is the largest producers of Polynesian entertainment industry shows in Hawaii and the world.

 The honorees acknowledge the crucial, ongoing challenges in lung health, from the impact of COVID-19 to the rise in vaping rates

among youth and the air quality concerns resulting from the Lahaina wildfires on Mau

 The ALA providies essential lung health programs and connects individuals to vital resources.

The proceeds raised from the Outstanding Mother Awards, directly contributes to sustaining the Lung Association’s life-saving efforts in the islands.

Sponsorship options include four premium tables of eight, $25,000 two diamond tables, $12,000; one emerald table, $6,000; one pearl table, $3,000.

Deadline for table reservations is May 3; Ad options in a journal, for personal messages, are also available; deadline is April 19.

For details, visit Action.Lung.org, or contact Angela Petersons at angela.petersons.@lung.org or call (808) 437…

Hawaii No Ka Oi

The Hawaii Symphony Orchestra has a slate of shows in the weeks ahead at the Hawaii Theatre:

  • Robert Cazimero stages a Hapa Symphony concert, at 7:30 p.m. April 23 and 24. Tickets: $10.50 to $99.00. .
  • Beethoven Fest features the HSO conducted by Dane Lam, with pianist Mahani Veave, at 4 p.m. April 27, Tickets: $19:99 to $89.00.
  • “LOST” in concert scopes the soundtrack of the filmed-in-Hawaii favorite, at 7 p.m. April 27. Tickets: $19.00 to $89.00
  • Ukulele whiz Jake Shimabukuro will strum his stuff in another Hapa Symphony, at 7:30 p.m. May 18. Tickets: $10.50 to $99.00.
  • Shoshkovich Five, at 4 p..m. May 19, features Dane Lam, conducting, and Michelle Cann, pianist. Tickets: $10.50 to $99.00.
  • Hawaii Theatre box office: : (808) 528-0506

And that’s Show Biz…

DODGING A VISIT TO THE ER

Just when I thought my path to recovery was on track, I hit a bump in the road yesterday.

While negotiating a turn on my walker, from hallway to bedroom, the walker hit the side of the doorway and I fell onto the carpeted floor.

No injuries, but I simply couldn’t get up from floor to bed. Even with my wife Vi’s help,

I felt headachy, but my temperature had been 97.8 or 98.2 the past two days.

But when I fell, I knew the temp was higher because my whole body was warm. Vi  had earlier taken a reading yesterday, but  I was asleep in the morn, just like the two days before., when I had no appetite, was groggy, taking over-the-counter meds.

Recalling my feverish spell last August (when I discovered I had a gall bladder abscess problem that spread to my liver), Vi made an ER call despite my “no need” pleas, and minutes later, an ambulance arrived.

The team of two women first responders did the usual: checked my temperature, which was 100.2, took my blood pressure (didn’t ask, but didn’t see the numbers), and asked about the meds I have been taken.

The big question: should I be whisked to the hospital?

I figured, why not? But clearly, I was not an ER-needy patient. The first responders, who are both nurses and doctors, said that all ER rooms at hospitals are jammed to the max. If I wanted to be treated at Queen’s, which has all my medical history, ER patients typically have a 7-hour wait.

If I were to be shuttled to Kuakini or Adventist Health Castle, the wait might be shorter and the trek longer, but the load is equally full.

Their suggestions: hydrate, take Tylenol to bring down the fever, Ibuprofen if needed and – at least for a few hours because I was toasty warm – sleep in the bedroom with the AC on, to reduce the body heat.

And guess what, the advice worked!

Sharing these thoughts, in case you’re in the same boat.