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AND THE OSCARS GO TO…

This year’s Academy Awards likely have been already decided in recent weeks, amid the cluster of pre-Oscars competitions.

You know, Golden Globes, Critics Choice, SAG, BAFTA, etc.

ABC will televise the ceremonies, set to begin at 1 p.m. Sunday (March 10) Hawaii time, with Jimmy Kimmel hosting  from the Dolby Theatre in Los Angeles. A pre-show ceremony starts at 1:30 p.m.

Our predictions in seven key categories:

  • Best Picture – “Oppenheimer.”
  • Best Director – Christopher Nolan, “Oppenheimer.”
  • Best Actor – Cillian Murphy, “Oppenheimer.”
  • Best Actress – Lily Gladstone, “Killers of the Flower Moon.”
  • Best Supporting Actor –Robert Downey Jr., “Oppenheimer.”
  • Best Supporting Actress – Da’Vine Joy Randolph, “The Holdovers.”
  • Best Song – “What Was I Made For,” from “Barbie,” Billie Eilish and Finneas O’Connell.
  • Some observations:

Disclosures: I didn’t see “The Holdovers” – it was on island screens briefly – so I’ll go along with Da’vine Joy Randolph’s previously amassed trophies. In the same film, Paul Giamatti (one of my respected faves over time) has won a Globe, seemingly won’t be able to surpass the rollercoaster that “Oppenheimer” has been this season.

Upsets could happen: Emma Stone (“Poor Things”) was a fave in the Golden Globes, so could bump Gladstone, the first Native Ameriican nominee this year. While Randolph was an earlier winner in the SAG, America Ferrera’s long monologue in “Barbie’ was quite the essence of a supporting actress performance.

Longest running films this year: “Flower Moon,” 3 hours 26 minutes.  “Oppenheimer”? 3 hours. “Taylor Swift: The Eras Tour,” 2 hours 48 minutes. Length could be a winning element.

Documentary snub: Why was Swift’s (pictured) concert film was ruled ineligible for Best Documentary consideration?: The Academy’s take: “Works that are essentially promotional or instructional are not eligible, nor are works that are essentially unfiltered records of performances.” Oh-kay. Still, the doc was tailor-made for Swift’s abundant talent.

More snub-bery: “Barbie” earned eight nominations but was absent in key actress and direction categories. Why?  “Barbie” was nominated for Best Picture, Best Costume Design, Best Production Design, Best Adapted Screenplay, Best Supporting Actress (Ferrera) and Best Supporting Actor (Ryan Goslyn), and two  Best Song contenders, for a total eight slots. Everything considered, “Barbie” was a fun, stylish and popular box office hit. Pink and pretty, too, but it won’t win Best Picture, Best Actress, Best Supporting Actress, or Best Supporting Actor, so let’s hope it cops a couple of techie awards. Its fame will have to settle for Best Song.

A galaxy of stars will be assembling: As is the tradition, last year’s Oscar winners will be on hand to present trophies to this year’s winners. So, anticipate seeing Brendan Fraser, Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis. Other celebrities expected: Michelle Pfeiffer, Al Pacino are set to appear, along with  Zendaya, Matthew McConaughey, Jessica Lange, Nicolas Cage, Mahershala Ali, Sam Rockwell and Luptia Nyong’o. More names should be added by show time. …

And that’s Show Biz. …

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ABLES SAYRE JOINING ‘LIARS’ CAST

Perhaps her white hair mattered!

Loretta Ables Sayre, the Tony-nominated island singer-actress who starred as Bloody Mary in Lincoln Center’s “South Pacific” several years ago, has been cast as a grandma in HBO Max’s “Pretty Little Liars” second season, dubbed “Summer School.”

“I play the mother of Lea Salonga (Elodie in season one’s “Original Sin”), and the grandmother of her daughter Mouse, played by Malia Pyles,” Ables Sayre said in an e-mail.

Her character’s name is Lola, who arrives in Millwood, to live with her granddaughter for the summer.

Ables Sayre, pictured, does look like a tutu now, with a stunning ’do. Remember when her Facebook postings last year showcased her flowing, graying, whitening hair, au naturel…minus coloring?

“Pretty Little Liars” will be chockfull of teens, many who are deceiving liars. Some will be returnees, others will be newbies. The show is a daunting and complicated blend of passion, tension, creepiness, heroes, and villains. Some will survive, some won’t.

The show is expected to stream on HBO Max this spring…

Broadway grosses, for week ending March 3

Not surprisingly, “The Lion King” still tops the ratings game on Broadway; but two new shows have joined the million dollar club, at No.9 and No. 10.

The Top 10:

1—“The Lion King,” $1,633 million.

2—”Wicked,” $1,603 million.

3—“Hamilton,” $1,548 million.

4—“Merrily We Roll Along,” $1,478 million.

5–  Moulin Rouge! The Musical,” $1,214 million.

6—”Sweeney Todd: The Demon Barber of Fleet Street,” $1,199 million.

7—”MJ The Musical,” $1,181 million.

8—”Aladdin,” $1.035 million.

9—”Hadestown,” $1,022 million.

10—“An Enemy of the People,” $1,005 million.

The complete list, courtesy the Broadway League:

And that’s Show Biz…

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‘NCIS’ GROWING, WITH PREQUEL, SPIN-OFF

The “NCIS” universe is about to broaden this year and next, with two new shows – a prequel and a spin-off.

The recent issue about the mothership of CBS’ “NCIS” franchise, whether the original show will be gaining a 22nd season, following the current 21st season, or head for the sunset via syndicated reruns.

But then news broke about a prequel on CBS, introducing Austin Stowell, pictured, as a young Leroy Jethro Gibbs, who star in “NCIS: Origins,’ tracking Gibbs as he launches his career as a special agent in 1991, years before the current series.

If that wasn’t enough, rumors of a reunion of two standouts in “NCIS” history, Michael Weatherly as Tony DiNozzo, and Cote de Pablo as Ziva David, also surfaced, but as a streaming show on Paramount+, not CBS. The title of new show, expected later this year, has not been announced, but its return to the small screen had been fueled with buzz and anticipation (mostly generated by Weatherly) 10 years after both special agents departed the show.

Two Harmons will be aboard

Mark Harmon, pictured, whose Gibbs viewers know well, will narrate the new prequel, and serve as the series’ executive producer, joined by his son, Sean Harmon, who has also previously portrayed a young Gibbs. Both Harmons  will join David J. North and Gina Lucita Monreal, who are set to serve as co-showrunners. and will co-write the premiere episode.

Stowell is not yet widely known, though he has amassed previous credits with roles in “Whiplash” and “Bridge of Spies.” He co-starred with Emma Stone in “Battle of the Sexes,” and appeared in other TV series as “A Friend of the Family,” “The Hating Game,” “Breathe,” and “Catch 22,” plus  Steven Spielberg’s series “Amazing Stories” and “Public Morals.”

It’s too early to know where CBS will program its newest “NCIS.” Could it be on Monday nights, where the prequel could precede the still-running original show, which in turn now precedes “NCIS: Hawaii”?  CBS already has a triple dose of “FBI” series on Tuesday nights, just the way NBC devotes Wednesday nights to the trio of “Chicago” shows and Thursday’s roster of “Law and Order” staples.

International implications

The spin-off will have international implications and thus will be shot abroad.

Cote de Pablo (Ziva David) and Michael Weatherly (Tony Di Nozzo) will reunite in a new “NCIS” spin-off based in Europe.

The new series picks up after Ziva’s dramatic return from her supposed death, reuniting her with Tony and their daughter, Tali, in Paris. However, their peaceful life is shattered when Tony’s security company comes under attack, forcing the family to go on the run across Europe. As theycsort out who is after them and why, they must confront the past and rebuild trust.

John McNamara, who wrote the pilot episode, expressed enthusiasm in joining the team to explore the NCIS universe from a different perspective and new locations.

“Given that the franchise is such a global sensation, I think it’s phenomenal that CBS Studios and Paramount+ have given us the greenlight to shoot in Europe,” he said in a statement..

Romantic tension, workplace friction

After years of romantic tension and workplace friction with Weatherly/Tony, de Pablo/Ziva resigned during season 10 but appeared in the first two episodes of season 11.

Shortly thereafter, de Pablo left the series, with her character being presumably killed in a bombing in Israel, as revealed in season 13 — but not before she gave birth to a daughter, Tali, who was fathered by Tony.

Weatherly’s character departed the series after season 13 to presumably care for Tali. Further, Ziva was revealed to have survived the explosion that everyone thought killed her in a bombing in Israel, as revealed in season 13 — but not before she gave birth to a daughter, Tali, who was fathered by DiNozzo.

Ziva was revealed to have survived the explosion in season 16, and briefly reappeared in that season’s finale and four episodes of season 17.

Exec producer credit, too

In their new show, Weatherly and de Pablo will serve as executive producers alongside John McNamara, The spin-off will mark the screen debut of the couple’s daughter Tali.

The spin-off will likely log a NCIS “first:” Mark Harmon will not be an executive producer and — for now, anyway — is not expected to appear on the show…

And that’s Show Biz…

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TIME MARCHES ON…CAZIMERO, TOO

March 20 is Robert Cazimero’s “39th” birthday, and he’s traditionally celebrating the whole month.

One “party” was his Full Moon concert last night (March 3), at Chef Chai’s, his monthly sold-out gig. But more on this later.

Cazimero, pictured below, is kumu hula of Halau Na Kamalei O Likolehua, the all-gents group of dancers, and the halau and its leader are staging a benefit  for the halau at 7:30 p.m. March 17 at Leeward Community Theatre.

Themed “Pae ‘Aina,” the show – still in planning and rehearsing mode – will feature an all-kahiko for Act 1, according to kumu. A unique Act 2 will assemble the halau troupers in three groups (senior dancers, mid-range dancers, and newbie-younger dancers), to reflect the spectrum of the halau members, according to Cazimero.

The show is sort of a prelude to next year’s milestone for kumu Cazimero –- “my 50th anniversary as a hula teacher,” he said —  and the halau will return to the Merrie Monarch Festival in 2025. So, it will be a memorable niche in the halau’s history…

But back to Cazimero’s show at Chai’s. It was a marvelous overview including usual serenades of Hawaiian music, in Hawaiian and in English, plus a nostalgic roster of pop tunes. The result; a lei laced with layers of memories and remembrances, of joy and humor, and nostalgic anecdotes from the past.

Robert Cazimero, on keyboards, with dancer Fern (Kapalai ‘Ula Silva).

Examples:

  • The first song he learned with brother Roland, before they became part of Sunday Manoa and then The Brothers Cazimero was “The Nearness of You,” emblematic of their bond that would establish the bros as a bona fide Waikiki entity, for several decades, including their 1982 to 1994 residency at the Monarch Room, at the fabled “Pink Palace,” aka the Royal Hawaiian Hotel. Naturally, Cazimero sang “Royal Hawaiian Hotel,” a classic melody combining Hawaiian and English lyrics.
  • The mentors who taught him chords and the tricks of the piano were the legendary Mahi Beamer and Loyal Garner.
  • Tunes still lodged in his memory book, from visits to Disneyland in the past: “When You Wish Upon a Star,” “Zip-A-Dee-Doo-Dah,” “Bibbidi Bobbidi Boo,”  and he sang ‘em all. Even “Meeska, Mooska, Mickey Mouse,” the Mickey Mouse Clubhouse song that today’s kids don’t know.

Bully (Keola Makaiau), dancing to “Leahi,” but victim of a mistake.

  • His playful moments with featured hula dancers Fern (Kapalai ‘Ula Silva) and Bully (Keola Makaiau) reflected comradery; she was the focus of “Lovely Hula Hands,” with her hula hands graceful as the birds mentioned in the tune; he was the victim of making an error in enacting “Leahi,” the melody about Diamond Head, and the playful miscue meant the dancer had to buy the singer-pianist a drink.
  • The drink led to the obvious toast and tune, “Drinking Champagne,” with intermittent pauses for Cazimero to take a sip of bubbly.

Don’t expect to hear these songs or chit-chats in future Full Moon Concerts at Chai’s, since Cazimero never repeats and regurgitates his patter and patterns. You get an original each time he’s at bat…

And that’s Show Biz…

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CRAVALHO WILL VOICE ‘MOANA 2’

“Moana 2,” the animated sequel from Disney, will open in theaters on Nov. 27 this year.

The film originally was set to stream on Disney+, but the casting was vague  then,  mostly focusing on Dwayne Johnson repeating his role as Maui, the demi-god.

Auli‘i Cravalho,  the Kamehameha Schools student who voiced the original film when she was 14, earlier declined to continue as the titular character in the sequel, but ultimately returned to repeat the role that launched her film career.

Auli’i Cravalho, left, will recreate Moana’s voice, and will co-produce an upcoming live-action “Moana” film but won’t be in it.

“Moana 2” was directed by David G. Derek Jr., with music by Grammy winners Abigail Barlow and Emily Bear, Grammy nominee Opetaia Foa’i and three-time Grammy winner Mark Mancina. 

Meanwhile, the  live action “Moana” also will emerge as a theatrical film, with the aforementioned Dwayne Johnson recreating his Maui role.

 A young actress has yet to be named to play Moana, since Cravalho would be too old now, to recreate her cartoon character. However, she will be an  exec producer of the live-action project, which will be directed by Thomas Kail, pictured left, of “Hamilton” fame, with casting still under way, and filming set from June to September in Atlanta . Johnson also will also earn co- producer credit.

 The live-action film is pegged to premiere June 27, 2025. …

Emme’s celebratory moment set for April 27

A Celebration of Life for Emme Tomimbang Burns is slated from 3 to 7 p.m. April 27 at the FilCom Center in Waipahu. Full details are still being finalized.

Tomimbang Burns died Feb. 19 at Queen’s Medical Center, while undergoing open heart surgery. She was 73 and a pioneering figure in the Filipino community, best known as a journalist and the producer, anchor and host of her TV magazine franchise, “Emme’s Island Moment”…

Broadway grosses, for week ending Feb. 25

“Wicked,” which has been bridesmaid to “The Lion King” for quite a spell, last week switched positions with the Disney show, claiming the No. 1 slot of top Broadway shows with grosses topping $2 million.

Here are the Top 10 grossing shows, courtesy The Broadway Guild:

1—”Wicked,” $2,017 million.

2—“The Lion King,” $2,004 million.

3—”Hamilton,” $1,876 million.

4—”Merrily We Roll Along,” $1,566 million.

5—”MJ The Musical,” $1,478 million.

6—”Sweeney Todd: The Demon Barber of Fleet Street,” $1,424 million.

7—”Moulin Rouge! The Musical,” $1,350 million.

8—”Aladdin,” $1,340 million.

9-“Harry Potter and the Cursed Child,” $1,298 million.

10—”& Juliet,” $1,137 million.

Here’s the full roster of the Broadway attractions:

And that’s Show Biz…