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CAZIMERO, HANAIALI’I DUE AT CHAI’S

Two of Hawaii’s finest entertainers bring their special Christmas repertoire to Chef Chai’s in December.

Robert Cazimero’s (pictured below) Full Moon concert, usually a one-nighter, will be staged for five evenings, from Dec. 13 to 17, and yes, he’ll mix Hawaiian and holiday tunes from his keyboard to suit the yuletide spirit. Dinner at 5:30 p.m., show at 6:30 p.m. Tickets: $99, including dinner. Reservations at https://chefchai.com/monthly-full-moon-concert/

Amy Hanaiali‘i (pictured below) also will stage a Christmas show Dec. 20 and 21 — not certain the logistics of her event, since there’s no formal stage at Chai’s. But she’s bringing along bottles of her signature Hanaiali‘i wine. Tickets: $195, including dinner.  Dinner at 5:30 p.m., show at 6:30 p.m. Reservations: https://chefchai.com/chai-reservations/

Meanwhile, at the Hawaii Theatre…

The Hawaii Theatre has assembled several shows of interest over the next few weeks. A select list:

  • The Platters’ “Very Merry Christmas Show” plays a tad early, at 7 p.m. Nov. 25 at the Hawaii. Tickets: $65 to $85, at www.hawaiitheatre.com
  • Comedian Margaret Cho’s (pictured left) got a date at 7:30 p.m. Nov. 30 at the Hawaii. Tickets: $74 to to $94, at www.hawaiitheatre.com
  • The Makaha Sons unveil their Christmas show at 7 p.m. Dec. 16 at the Hawaii. Guest stars include John Cruz and Melveen Leed. Tickets: $40 to $75, at www.hawaiitheatre.com
  • Na Leo Pilimehana joins the Hawaii Symphony Orchestra in “Hapa Harmony,” offering a yuletide agenda at 7:30 p.m. Dec. 2.  Tickets: $27 to $99, at www.hawaiitheatre.com
  • Kalani Pe‘a will be in a Hawaiian Christmas mood, at 7 p.m. Dec. 23 at the Hawaii. Tickets: $45 to $100, at www.hawaiitheatre.com
  • The Clairvoyants’ Holiday Special takes the spotlight at 8 p.m. Dec. 30 at the Hawaii. Tickets: $55 to $75, at www.hawaiitheatre.com …

Why Audy missed the Lifetime Achievement event

Audy Kimura (pictured right), a previous Na Hoku Hanohano Award winner was a no-show at the recent Na Hoku Lifetime Achievement at the Royal Hawaiian’s Monarch because he had a previous engagement out of town.

As he said in an email, “I’ve been in LA for a little work and a reunion of people who worked at the legendary Ocean Way recording studio before it closes. It’s where Frank Sinatra, The Beach Boys, Michael Jackson, Lionel Richie, and countless others recorded. I recorded my last two albums there and was mentored by the owner since 1977. One of the most iconic studios in the world.”

He provided an acceptance speech because he couldn’t change his travel dates due to the imminent closure of the recording studio. …

Broadway grosses, week ending Nov. 5

There has been for $2 million club winner among the Broadway shows in production, thus “The Lion King” – which has been a $2 million winner – remains the king of the jungle.’

The Top 10:

1—“The Lion King,” $1,983 million.

2 – “Wicked,” $1,834 million.

3 – “Merrily We Roll Along,” $1,811 million.

4—“Hamilton,” $1.768 million.

5 – “MJ the Musical,” $1,539 million.

6 – “Sweeney Todd, the Demon Barber of Fleet Street,” $1,459 million.

7 – “Moulin Rouge the Musical,” $1,230 million.

8 – “Aladdin,: $1,212 million.

9 – “Harry Potter and the Cursed Child,” $1,190 million.

10 – “Back to the Future the Musical,”$1,063 million.

The complete list, courtesy The Broadway League:

SHOWTHIS WEEK GROSSPOTENTIAL GROSSDIFF $AVG TICKETTOP TICKETSEATS SOLDSEATS IN THEATREPERFSPREVIEWS% CAPDIFF % CAP
& JULIETSTEPHEN SONDHEIM THEATRE$997,560.50$39,602.10$131.99$323.007,5581,0268092.08%2.05%
ALADDINNEW AMSTERDAM THEATRE$1,212,435.10-$52,074.80$96.35$199.5012,5841,7278091.08%-1.71%
BACK TO THE FUTUREWINTER GARDEN THEATRE$1,063,851.55$8,565.60$101.41$297.0010,4911,4788088.73%-0.14%
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICALBROADHURST THEATRE$793,339.72-$81,076.84$137.88$347.505,7541,1538062.38%-4.09%
THE BOOK OF MORMONEUGENE O’NEILL THEATRE$894,645.73-$14,836.84$115.62$0.007,7381,0668090.74%-1.47%
CHICAGOAMBASSADOR THEATRE$620,085.55-$12,327.60$94.09$237.006,5901,0808076.27%0.41%
GUTENBERG! THE MUSICAL!JAMES EARL JONES THEATRE$874,372.94-$29,898.14$117.24$297.007,4581,0668087.45%-0.73%
HADESTOWNWALTER KERR THEATRE$589,057.10-$9,158.60$90.18$0.006,5328938091.43%0.74%
HAMILTONRICHARD RODGERS THEATRE$1,768,049.00$167.00$168.05$449.0010,5211,3248099.33%-0.21%
HARMONYETHEL BARRYMORE THEATRE$481,160.50-$38,004.50$82.39$297.005,8401,0280781.16%3.89%
HARRY POTTER AND THE CURSED CHILDLYRIC THEATRE$1,190,436.90$76,445.70$97.00$299.0012,2721,6228094.57%6.09%
HERE LIES LOVEBROADWAY THEATRE$768,243.68$103,540.96$110.13$327.006,9761,1018079.20%-4.39%
I NEED THATAMERICAN AIRLINES THEATRE$590,398.40-$18,511.90$101.92$323.005,7937405397.85%3.91%
JAJA’S AFRICAN HAIR BRAIDINGSAMUEL J. FRIEDMAN THEATRE$350,362.00-$873.00$76.65$276.004,5716438088.86%-10.17%
KIMBERLY AKIMBOBOOTH THEATRE$564,744.90-$34,649.15$111.06$273.005,0857738082.23%-2.13%
THE LION KINGMINSKOFF THEATRE$1,986,734.00-$77,746.00$148.16$199.0013,4091,6968098.83%-0.88%
MELISSA ETHERIDGE: MY WINDOWCIRCLE IN THE SQUARE THEATRE$239,216.00$21,942.46$92.15$349.502,5967265071.52%15.13%
MERRILY WE ROLL ALONGHUDSON THEATRE$1,811,423.00-$29,412.00$234.40$599.007,72896680100.00%0.00%
MJ THE MUSICALNEIL SIMON THEATRE$1,539,105.00-$40,367.00$145.49$250.0010,5791,3878095.34%0.69%
MOULIN ROUGE! THE MUSICALAL HIRSCHFELD THEATRE$1,230,912.62$112,105.28$121.91$0.0010,0971,3008097.09%2.87%
PURLIE VICTORIOUSMUSIC BOX THEATRE$529,317.70-$36,765.98$108.73$297.004,8681,0098060.31%-4.22%
THE SHARK IS BROKENJOHN GOLDEN THEATRE$262,075.78$36,023.68$71.51$227.003,6658028057.12%-2.09%
SHUCKEDNEDERLANDER THEATRE$643,043.00-$563.60$87.10$179.007,3831,1718078.81%0.60%
SIX: THE MUSICALLENA HORNE THEATRE$841,211.80$51,270.80$110.25$249.007,6301,0318092.51%4.84%
SOME LIKE IT HOTSAM S. SHUBERT THEATRE$723,410.69-$14,858.82$94.86$297.007,6261,4488065.83%-0.55%
SPAMALOTST. JAMES THEATRE$657,550.05$0.00$73.78$0.008,9121,6530689.86%0.00%
SWEENEY TODDLUNT-FONTANNE THEATRE$1,489,486.00-$93,825.50$161.50$399.009,2231,4987087.96%-6.34%
WICKEDGERSHWIN THEATRE$1,834,506.00-$87,977.00$134.18$275.0013,6721,8078094.58%-2.42%

And that’s Show Biz. …

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REICHEL RETURNING TO BLUE NOTE

Here’s one to add to your upcoming holiday agenda:

Keali’i Reichel (pictured below), one of Hawaii’s foremost singers and kumu hula, will return to Waikiki for fall performances at Blue Note Waikiki at the Outrigger Waikiki resort.

Reichel’s mele, enhanced with hula by his dancing entourage, provide a spectrum of tuneful melodies, many with Hawaiian roots, some with contemporary seasoning. He is best known for his first hit tune, “Kawaipunahele,” but his compositions and recordings over the decades have become part of the soundtrack of island life.

Reichel will star in a five-show, four-night gig, as follows:

  • Nov. 16, 6:30 p.m.
  • Nov. 17, 6:30 p.m.
  • Nov. 18, 6:30 and 9 p.m.
  • Nov. 19, 6:30 p.m

Doors open at 5 p.m. all nights and 8:30 p.m. for Saturday’s second show..

Tickets: $125 for premium seating, $85 for loge seating and the bar zone; available at www.bluenotehawaii.com or (808) 777-4890.

Others heading for the Blue Note

Holiday season attractions on the Blue Note calendar include:

  • Anuhea headlines a Thanksgiving two-nighter, at 6:30 and 9 p.m. Nov. 24 and 25. Tickets: $45 and $35.-
  • Frank DeLima stages a holiday brunch show at 1 p.m. Dec. 3 Tickets: $45 and $35.
  • Don McLean serves his “Amerian Pie” at 6:30 p.m. Dec. 2 and 3. Tickets: $125 and $65.
  • Henry Kapono & Friends’ holiday show, themed “Merry Christmas to You,” unwraps at 6:30 and 9:30 p.m. Dec. 5. Tickets: $45 and $35.
  • Wayne Newton (pictured right) makes his Blue Note debut with a four-night schedule, at 6:30 and 9 p.m. Dec. 7 through 10. Tickets: $125 and $85.
  • Kimie Miner & Friends take the stage at 6:30 and 9:30 p.m. Dec. 15 and 16. Tickets: $45 and $35.
  • “Ho‘okena for the Holidays” is the group’s yuletide show, at 4 and 7:30 p.m. Dec. 17. Tickets: $45 and $35.
  • Raiatea Helm has a one-nighter at 6:30 p.m. Dec. 18.Tickets: $45 and $35.
  • Paula Fuga will presents her “Home for the Holidays”  pre-Christmas star at 6:30 and 9 p.m. Dec. 22 and 23. Tickets: $45 and $35. …
  • And that’s Show Biz. …
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STREETLIGHT: BRIGHTER THAN EVER

Streetlight Cadence, the alt-rock band Hawaii adores, is brighter than ever with unparalleled artistic fervor. The expanded group of 10 — assembled in what was described as a reunion gig —  returned to Blue Note Hawaii Friday night (Nov. 3) delivering an astounding one-nighter, attracting a nearly full house which saw a stunning performance that ran for 2 hours and 10 minutes and even included a couple of hana hou treats. Whew!

Streetlight has been known for its busking on the sidewalks and its “Will Work for Food” motto to gain free meals and perhaps a couch for a night’s sleep.

Jonathan Franklin, on violin, and Jesse Shiroma, on accordion.

Well, the group –  currently a small trio – is led by Jonathan Franklin whose calls to former mates  to reunite succeeded. Franklin developed a production worthy of showrooms not sidewalks.

Ten take-aways from the one-nighter:

1 — Franklin is an indefatigable emcee. He is a genial host and a wonderful storyteller, and he plays an electric violin, often shelving the bow and plucking and strumming his instrument like an ukulele. How cool is that?

2 – The assembled instruments included the violin, along with two cellos, an accordion, two guitars, a bass, a drum, a banjo and a piano. Impressive!

3 – Two women – Clara Stegall on guitar and vocals and Maia Wolfe on cello – bring a rich warmth to the show. Hooray!

Usually a trio now, Streelight Cadence had 10 musicians for its first reunion show at Blue Note Hawaii. Pictured from left, Mariconda, Wolfe, Shiroma, Webb, Franklin, Stegall, Chai, Arashiro and Umamoto.

4 – The gents are all over the place: The players include Jesse Shiroma on accordion, Ben Chai on banjo, Brian Webb on cello, Chaz Umamoto on bass, Matt Mariconda on piano, and Evan Arashiro on drums. They jump, twirl, leap, demonstrating energy and mobility, and on one tune, two dudes – think they were Chai and Umamoto – were lying, back-to-back on the stage floor, and singing. Jiminy Cricket!

5 –Every tune delivered was an original, mostly composed by Franklin (with Stegall serving up one of her songs). There are no “covers” on the Streetlight jukebox!

6—However, a few songs are somewhat structurally repetitive, beginning with calm, and building up to a furious storm…but there’s no lack of communication and interplay when the troupers jam and get the juice flowing, with constant interplay, like partnering in cadence.

7—It’s not easy to categorize the Streetlighters’ music. Yes, primarily, alt-rockers, but flavored with a savory mix of folk, country, hard rock, and in one tune, rap. The mood is like a jam, a hootenanny, a contagious crossover of many genres of music.

8— Franklin opened up a window to his soul and heart; clearly, he’s had issues, which are resolved in a song, notably about his longtime conflict with a sister in Japan, reflected in an honest, revealing, and soulful apologetic letter of sorts, on “Learn to Love.” Sounded like a diary admission of making up to heal wounds.

9—The audience was a peculiar but homogenous mix of young, old, mostly locals; they are not always fully familiar to the Streetlight repertoire (me included) but they’re loyal and addictive to the party on stage, perhaps attracted to the  personalities, happily clapping along and offering an impromptu standing ovation at the end, and yes, howling “hana hou,” not fully satisfied with the earlier non-stop 2-hour-plus music fest. Geez!

10– With this kind of performance – pure, revealing, engaging – Blue Note ought to book the band again, which means Franklin will have to start convincing the ex-members to come back to Hawaii for a second annual reunion. Hana hou!

And that’s Show Biz. …

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DUVAL NEW MVT ARTISTIC DIRECTOR

Rob Duval (pictured below) has been named artistic director at Manoa Valley Theatre, following the recent resignation of executive director Kip Wilborn.

The position is somewhat new to MVT, where Duval has been serving as production manager.

Attorney Jeff Portnoy, a veteran MVT board member and many times the group’s board chair, said, “For some time, Mānoa Valley Theatre has been considering the appointment of an artistic director. With the hiring of Rob Duval, that decision was easy. He brings decades of theater experience in this community, as an actor, director, teacher, administrator, and producer, and working hand in hand with our new executive director, Kathleen Young, this team is ready to take MVT to new heights.”

Duval is a veteran director and actor, with credits at MVT and Diamond Head Theatre. He helmed such MVT hits as “The Curious Incident of the Dog in the Night-Time,” “The Rocky Horror Show,” “The Who’s Tommy,” “The 39 Steps” and “Baskerville: A Sherlock Holmes Mystery.” At DHT, he directed “Guys and Dolls,” “Lend Me a Tenor,” “Noises Off,” “Dirty Rotten Scoundrels” and “The Mousetrap.”

As an actor,  he starred in “To Kill a Mockingbird” at DHT, “The House of Blue Leaves” at Hawaii Pacific University, and “The Elephant Man” at MVT.

He’ll be seen as a Snobby Tourist in Disney+’s live action feature, “Lilo & Stitch,” based on the popular animated series.

He also has been a teacher at Iolani School. …

Readers Theatre nestles at TAG

The Windward Readers Theatre has found a comfy city home – TAG, aka The Actors group at Dole Cannery in Iwilei — for its ongoing series of shows.

Next up: “About Time,” a warm dissertation of aging between a couple struggling with life and love as they face mortality,  at 7:30 p.m. Monday through Wednesday (Nov. 27, 28, 29).

The piece, by Tom Cole, will be directed by stage veteran Vanita Rae Smith, who has tapped a pair of theatrical vets —  retirees Dwight Martin and Joyce Maltby (pictured here) –to portray the couple facing challenges of aging.

Performances are in the Brad Powell Theatre.

Tickets: $20, available at https://fareharbor.com/embeds/book/tag/items/486451/calendar/2023/11/ …

On the road again…

Entrepreneur Jack Cione (pictured below) is on the road again. Well, on the high seas again.

He’s leaving today (Thursday, Nov. 2) on a 25-day Norwegian cruise, initially taking another ‘round the neighbor islands trek, with Tahiti and the South Seas as his final destination.

Cione, an Arcadia resident, will utilize the journey to tweak his script entitled, “Sweet Leilani,”

hoping to eventually find a venue for the show.

“I have to get away,” he said of his frequent ocean vacations, because he no longer can fly on long trips without a stopover.

He also has logged a string of staycations, monitoring Waikiki room rates. The last was at the Kahala Resort. …

Broadway grosses for week ending Oct. 22

It was pretty much a replay of last week: the leaders still lead. The lion still is king of the Broadway jungle, but the witchery of “Wicked” – celebrating its 20th anniversary – could join the million dollar club next week.

The Top 10:

1 –“The Lion King,” $2,064 million.

2—“Wicked,” $1,922 million.

3—“Merrily, We Roll Along,” $1,840 million.

4—“Hamilton,” $1,767 million.

5—“Sweeney Todd, the Demon Barber of Fleet Street,” $1,583 million.

6—“MJ the Musical,” $1,579 million.

7—“Aladdin,” $1,264 million.

8—“Moulin Rouge: the Musical,” $1,118 million.

9—“Harry Potter and the Cursed Child,” $1,113 million.

10 –“Back to the Future the Musical,”$1,055 million.

The full list, courtesy the Broadway League:

And that’s Show Biz. …

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TWEAKING MY CHRISTMAS CARD

My Christmas card this year is like any another year — the same concept for decades — but I tweaked the design this year.

Some time ago, I fashioned this three-tier Christmas tree design, utilizing Hawaiian-print paper as the thrust of the card. It was festive, it said “aloha” and it was an easily doable project.

Thus, the creation is somewhat of a classic, and since each card is created separately, every card can be considered an original.

However, the scale is smaller this year (not an inflation issue, just so happened I had vellum white cards which were tinier than years past), but perfect for the project.

Simply, the three levels of the tree design had to be squished a skosh, to retain a star atop the tree, with the bottom base “holding” the tree, also minimalized.

It still works for me. I simply cut and assemble the three sectors and still give the creation a little twinkle with a yarn thread between the sections, which creates a luminous glow when light shines on the card.

And because I hand-cut a variety of Hawaiian-print wrapping paper, the card continues to say “aloha” or “Mele Kalikimaka,” without actually saying it.

So, here I’m sharing six specimens from the 36 cards I assembled over a couple of hours a few mornings ago. Hope it’ll be enough for holiday mailings this year.

To finish it off, I sign my signature since a fellow artist told me four decades ago that it was prudent to “sign” each card or anything you create, for identity purposes. It’s akin to a painter putting his/her John Hancock on a canvas on a grander scale.

For me and a dwindling audience, mailing cards still matter when you want to say, “Merry Christmas.” Emails are swift but don’t do the job.

Yes, Hallmark peddles their lovely gems and I occasionally peruse the racks and make a purchase, since I often find inspiration to hatch an idea to concoct my version.

Life’s a card.