‘FIRST LADY OF STAGE’ JO PRUDEN DIES

Jo Pruden, often regarded as “The First Lady of Hawaii Theater” for her astonishing and admirable stage performances here, died Jan. 10 at her Mililani home following a long illness. She was 84.

She suffered a stroke in 2021 but was well enough to perform – alongside her husband Jip Pruden —  in “Love Letters” in December 2023, at the Brad Powell Theatre at The Actors Group in Iwilei.

It was to be her final appearance in a string of more than 100 shows in a brilliant career spanning 55 years of stagecraft magic.

Jo and husband Jip arrived in Hawaii in October, 1967 and by February, 1968, she was playing the lead in “Send Me No Flowers” at the Little Theatre at Schofield Barracks, a humble beginning of greatness to come.

“I have only praise for Jo’s consummate talent as an actor as many would agree,” said Vanita Rae Smith, a prominent director-producer here and a theatrical colleague of Jo for more than five decades. “She was always in tune with the heart and soul of each character.

“Together, we’ve done over a hundred events, stage productions. Readers Theatre and 30 Schofield Barracks 4th of July Spectacular.

“We performed in Germany, Belgium, Sacramento, CA and Charlotte, NC. We worked together each day for 13 years at Richardson Theatre (at Fort Shafter) where she managed my Army Community Theatre box office. I celebrate my best friends and ohana, Jo and Jip Pruden for 55 wonderful years.”

Indeed, Jo had a wonderful life, sharing her skills in her beloved theatrical life. Her credits and accomplishments were bountiful, beautiful and broad:

  • She amassed 18  Po’okela Awards, for perfomance excellence, from the Hawaii State Theatre Council.
  • She was honored in 2007 with HSTC’s Pierre Bowman Lifetime Achievement Award, which spawned a memorable acceptance quote she borrowed a line from “Love Letters,” “If acting is your passion don’t you dare stop doing it for the rest of your life.”
  • She was a notable isle talent on filmed-in-Hawaii CBS network television, logging 10 performances on “Hawaii Five-O” and five on “Magnum P.I.,” original versions shot here.
  • She inhabited 48 Readers Theatre shows at  Army Community Theatre, and after the ACT terminated stage events,  joined numerous  readings at the Pohai Nani retirement residence in Kaneohe, then four more plays at TAG when the series relocated town side of the Koolaus.
  • She did a tour of U.S. Army installations, doing shows in Germany and Belgium.
  • She worked for TV Guide here, but retired to manage the ACT box office, where Smith was manager and producer who oversaw a range of entertainment events .With her alliance with the Army theater and a compadre of Smith, Jo also had another gig — narrating 25 ceremonies of the Army’s annual 4th of July hoopla for 25 years at Schofield.

Jip and Jo Pruden, at her 2023 birthday dinner.

Shari Lynn Acebedo, longtime friend, recalled Jo’s first trip to New York City with her in 2010, with subsequent treks in 2013, 2015 and 2017. “Brad Powell and Brother Gary were there at the same time,” Shari recalled about the first trip, “and we were able to share some great times. “She hadn’t been to NYC until I suggested that we go. Here eyes were as big as saucers as we strolled down Broadway. Unbridled happiness! We loved to shop, see shows and eat. “

Jo was born and raised in Enterprise, Alabama, and her hometown name possibly inspired her enterprising acting career. She majored in Theater Arts at the University of Montevllo.

Jo’s tenure as a queen of drama embraced a swirl of community endeavors, at theaters large and small, on stages such as Army Community Theatre, Manoa Valley Theatre and its predecessor, Hawaii Performing Arts Company;  Diamond Head Theatre, and its predecessor, Honolulu Community Theatre; Kennedy Theatre, at the University of Hawaii, Windward Theatre Guild, Hawaii Theatre, Hawaii Pacific University Theatre, The Actors Group, Starving Artists Theater Company, Oumansky Magic Ring Theatre, at the Hilton Hawaiian Village; and several more.

A short list of her formidable credits include “Who’s Afraid of Virginia Wolf,” “Agnes of God,” “Picnic,” “Driving Miss Daisy,” “Cat on a Hot Tin Wolf,” “King Lear,” “The Trip to Bountiful,” “Doubt,” “August: Osage Country,” “To Kill a Mockingbird,” “The American Dream,” “Nine,” “The Cripple of Inishmaan,” “Music Man,” and “Mame.”Besides her husband of 56 years, Jo is survived by  a sister, Jayne Pleasants, of Clayton, Georgia.

There will be no funeral service, but a celebration of life event is being planned for the afternoon of Feb. 18, specifics not yet known,  at Manoa Valley Theatre….

Personalities

Iam Tongi, Hawaii’s first “American Idol” winner, is on the ballot for a People’s Choice Award.

He is vying, along with TV competition candidates, several from “RuPaul’s Drag Show,” plus candidates from “Dancing With the Stars,” “The Bachelorettes,” “The Golden Bachelor” and “That’s My Jam.”

Winners will be revealed on an NBC special, at 8 p.m. ET Feb. 18…

Vocalist Shari Lynn and keyboarder Jim Howard return to the Paradise Lounge of the Hilton Hawaiian Village, from 7 to 10 p.m. Jan. 13 and Jan. 27, part of her twice-a-month arrangement with the jazz club…

Broadway grosses, week ending jan. 7

All hail the king. Disney’s “The Lion King” roared to the top of the Broadway list, one of only two other shows on the elite $2 Million club.

The week’s Top 10 shows:

1 – “The Lion King,” $2,444 million.

2—“ Wicked,” “2,124 million.

3 – “Sweeney Todd: The Demon Barber of Fleet Street,” $2,037 million.

4 – “ Hamilton,” $1,968 million.

5 – “Merrily We Roll Along,” $1,785 million.

6 – “ Harry Potter and the Cursed Child,” 1,708 million.

7 – “ Aladdin,” $1,617 million.

8 – “MJ The Musical,”$1,569 million.”

9 – “Back To The Future: The Musical,”$1,374 million.

10 – “Moulin Rouge! The Musical,” $1,335 million.

The complete list, courtesy The Broadway League:

And that’s Show Biz. …

MATTERS OF THE HEART…

You’ve gotta have hearts for Valentine’s, and boy, did I have a bundle of hearts. Consequently, the 2024 Valentine’s pin production is nearly over
Some were mailed today; more will be shipped. Friends, family and select followers, check your mail boxes over the next few days.
Valentine’s is not till Feb. 14, but since I’ve been in recuperation made following recent surgery, I started before the medical appointment, and finished post-operation.
Enjoy!

A PUSSYCAT READY FOR BWAY CLOSEUP

Hawaii native Nicole Scherzinger will make her Broadway debut when she stars in a Broadway revival of “Sunset Boulevard,” portraying Norma Desmond, in the Andrew Lloyd-Webber hit. The show has been a hot ticket in London, where it just closed on Jan. 6.

The stripped-back production, directed by Jamie Lloyd, had huge buzz during its West End run at the Savoy Theatre.

Scherzinger making Broadway debut in “Sunset Boulevard.”

The modern take shucks much of the glamor of the original and targets a modern vision, embracing hand-held live photography, showing actors in often massive closeups, and also tracks backstage exits and entrances seemingly like an earlier, innovative element attemped by a failed “West Side Story” revival on Broadway.

Scherzinger’s co-stars from London – Tom Francis as Joe Gillis, the struggling screenwriter; Grace Hodgett-Young as Betty Schaefer as Gillis’ girlfriend; and David Thaxton as Max Von Mayerling, Norma’s butler– will also be making their Broadway debut.

Scherzinger previously starred as Grizabella in a London run of “Cats.”

She is widely known for her work and popularity as leader of the Pussycat Dolls, so she brings a vigorous, powerful voice to the stage.

The production removes much of the glamor of the original, in the tale of a fading silent movie star incapable of transitioning to talkies.

As Norma, Scherzinger is costumed only in a black slip throughout the show, and she roams. bare feet like an alley cat, shadowed by her mute younger shadow (Hannah Yun Chamberlain).

The mood is dark and shadowy, befitting Norma’s looming madness.

“Sunset Boulevard” revival is dark, moody and modern.

Gone is the trademark grand staircase of the past, where the likes of Patti LuPone, Glenn Close, Betty Buckley and Elaine Paige have descended —  to deliver the character’s memorable line, “I’m ready for my closeup, Mr. DeMille,” alluding to iconic director Cecil B. DeMille.

Her pipes surely will make “With One Look” and “:”As If We Never Said Goodbye” show-stoppers…

Tam in off-Broadeway ‘White Chip

Jason Tam, a Honolulan who’s become a regular Broadway trouper, will be in the cast of “The White Chip,” an autobiographical recovery comedy by Sean Daniels, set for a run from Feb.1 through March 9  at the Susan & Ronald Frankel Theater aI The Robert W. Wilson MCC Theatre Space. Previews of the off-Broadway show begin Jan. 22.

Sheryl Kaller, a Tony nominee, will direct.

Tam, pictured left, is best known for his role as Paul San Marco, in the last revival of :”A Chorus Line,” and launched his Broadway career playing Gavroche in “Les Miserables.”

The cast for “Chip” also\features Crystal Dickinson and Joe Tapper

And that’s Show Biz…

BYE, GALL BLADDER! IT’S SURGERY DAY

This originally was posted yesterday (Jan. 5) on my Facebook page; repeating here… but doing a follow-up here today (Jan. 6).

Dear friends, family, and followers:

I will be incommunicado for much of tomorrow (Friday, Jan.5) because of surgery at Queen’s Medical Center at 7:30 a.m.

Reason: I will be removing my gall bladder, which was a problematic organ in early August, when I was hospitalized.  My doctors then found abscess in the bladder, which also infected my liver. I had fever, not able to eat, and only wanted to sleep.

At that time, my doctors t wanted to do a laparoscopic procedure to remove the gall bladder, but when they checked my Queen’s history, they discovered I had to stents inserted in an artery near my heart. The concern was that the bladder removal might affect my heart, so upon release, I had to check with my cardiologist if it was sensible to proceed, albeit belatedly, with the bladder surgery.

My cardiologist cleared the surgery, acknowledging that if I were to do this, now was a good time. My high blood pressure was under control, an EKG test was AOK, and after the summer hospitalization, I had lost 16 lbs. (Confession: A few pounds returned).

In my situation, timing is crucial. If I wait a year or two, the bladder issue could return and likely  be challenging to my health again.

Lower back pain aside, I’ve been feeling great.  I just completed a six-week, two sessions per week, rehabilitation session at Ortho-Sport in Niu Valley, working with my trainer to strengthen my legs, particularly my sciatic right leg.

As mentioned earlier, the two-week hospitalization resulted in occasionally wobbly legs, so I’ve been utilizing a walker since, enabling me to walk without falling. I have a cane for back-up, too, but I hope someday soon, I will be able to comfortably walk without the walker.

Handicaps don’t heal quickly. Every day, there are challenges, with ups and downs, like mountains and valleys.

Exercise is key, so I’ve been doing what l’ve learned at home.

I’m still a work in process, but the past few months have been a satisfying learning experience.

My wife has been an angel of a caregiver, and a true partner in the recovery process.

My surgeon is upbeat about the bladder removal; he wanted to get the bladder out two weeks ago, but I wanted to enjoy the holidays before tending to recovery process.

Today was hectic and filled with must-do. Got a haircut. Did my last Ortho session. And met with an Abbott fella who put my back pain-related battery device on “surgery” mode to proceed with the surgery.

I am ready for lift-off.

And I hope to be back to my usual tasks at the computer, for columns, chats and more.

So, wish me luck, and perhaps, like Dionne Warwick sings, share a prayer for me.

GLADDER THAT THE BLADDER’!’S GONE

Dear friends, family, and followers:


I am back. Home, after a 12-hour trek to Queen’s Medical Center, for surgery to remove my problematic, infected gall bladder.
Grateful to all of you, who’ve expressed concern and best wishes, along with prayers. Such support is helpful when your life and well-being are in jeopardy.
Left home at 4:45 a.m. yesterday (Jan. 5) to be at Queen’s by 5:30 a.m. check-in and pre-surgery rituals. Arrived home around 4:20 p.m., weary and happy all went well.

Well, not everything, but no complaints this morning (Jan 6.)
My appointment was at 7:30 a.m., and I was in the OR about 3 minutes later.
My hopes were in the hands of Dr. Steven Nishida, who did the robotic procedure and anesthesiologist Dr. Edward Leone, who put me out pretty quickly. I was in the recovery room at 11:30 a.m. (I was up and a tad groggy but glanced at the clock).

My wife Vi drove me to the hospital, and was in the waiting area, grabbed a quick lunch, and a nurse called her to enable to join me in the post-surgery cubicle. She has been a real angel in my journey toward wellness. Thanks, honey.
I was a bit hungry, not having food since 7:30 p.m. the night before, so a nurse brought graham crackers, saltines, and two tiny cups of juice – my brunch, so to speak – and I nibbled and sipped for the first 15 minutes or so.
I am a believer that life has its best and its worst. I experienced both, in minor degrees, and Queen’s is like a hotel for broken souls, as I mentioned when hospitalized in August for 10 days. I am on the mend, happily, and will continue by recuperation in the weeks and months ahead.

With tongue in cheek, I made note of the good and bad, of my experience, perhaps to inform future surgery patients what to expect.

Worst things first: Those open-back hospital gowns are still in place, and no one looks good in one, so it is what it is. The nurses make you pee before you are whisked to the OR on the gurney, but at least in my corner, you’re asked to make shi-shi in those plastic urinals and hang ‘em on the bed’s rail. Because you enter the hospital with your bladder, but leave without it, the most frustrating ritual is to urinate into the aforementioned jug. In the first hour, I could only trickle, halfway up to the first plateau of 100 mg. I asked if it was enough, and the answer was no, I needed to deposit 200 mg. The nurse on duty, Keli, said my body was resistant since the bladder was removed, and it’s tightening up – like a turtle putting its head into its shell, or one of those plants that shrivel and close up when you touch it. The wisdom was spot-on; there was tough resistance, and she retrieved more juice and cups of water, until the final hour, so the flow finally happened. A gentleman waiting across me earlier, who was in for knee surgery, had Dr. Nishida do his gall bladder removal five months ago. He said he couldn’t shi-shi till 7 p.m., so I was relieved – pun intended – that I was able to leave hours earlier than him.

Good things last: While Queen’s is a maze – hallways and corridors are like Grand Central Station, doctors and nurses and aides, scurrying to tend to patients – and this is amazement, for sure. Oh, and you never know who you’ll meet: My friend, Ligaya Stice (she is a doctor, who was on duty at Queen’s), but she also is executive director of the I’m a Bright Kid foundation, where I am a board, and she’s also a former Miss Hawaii. Thanks, Gaya, for stopping by and sharing your aloha.

Tip: Ask for socks because your feet are cold, my pre-op nurse quicky delivered a pair of socks in neon yellow, a new color. She opined, the yellow matched my wrist band which flagged
me as a fall risk since I now need to use a walker. Not certain what else she said – that socks of red, green, and blue are also stocked. Because I left home so early, my morning paper had not yet been delivered, but at the hospital, a volunteer (believe her name was Millie), said she had an extra copy and offered me to read it, later passing the paper to another patient.

If you’re surgery-bound or had a procedure done recently, you should share impressions to perhaps enable others to check in with confidence and – no matter the hospital – return repaired and on a journey of wellness. Doctors and nurses are first-responders who help heal the wounded or the ill.

KAPONO BRANCHING TO MANOA STAGE

Henry Kapono is widening his presence on the local show front.

His Henry Kapono Foundation is launching “On the Rise,” a new concert series, at 7:30 p.m. Jan. 17, at the Manoa Valley Theatre.

He will be among the performers in this new (to him) venue, reaching out to a theatrical clientele. The on-the-rise acts to be featured are a pair of singers-musicians, Ryan Perez, and Drew Henmi.

Alx Kawakami, a member of the board of the Henry Kapono Foundation and a musician in the Kapono band, will be show host. He is a Manoa resident also known as a member of his family group, ManoaDNA.

Kapono, pictured,, who also stages concerts featuring his band and local artists at Blue Note Hawaii at the Outrigger Waikiki resort, is widely known as a recording act of Cecilio and Kapono fame and a soloist performing his numerous compositions. He also is the popular attraction at the Sunday beach jams front Duke’s restaurant on the beach at Waikiki.

Tickets: ci.ovationtix.com  …

Comedy trio

Hawaii’s favorite stand-up comedies are sharing the stage and limelight at the new pop-up No Vacancies comedy club. Augie Tulba, Andy Bumatai and Frank DeLima alternate their gigs, and the playdates In the immediate future include:

  • Jan. 5 – 6 p.m., DeLima; 8 p.m., Bumatai.
  • Jan. 6 – Noon, DeLima; 6 p.m., Bumatai; 8 p.m., Tulba.
  • Jan. 12 – 6 p.m., DeLima; 8 p.m., Tulba;
  • Jan. 13 – Noon, DeLima; 6 p.m., DeLima; 8 p.m., Bumatai.
  • Jan. 19 – 6 p.m., DeLima; 8 p.m., Tulba;
  • Jan. 20 – Noon, DeLima; 6 p.m., Bumatai; 8 p.m., Tulba.

Tickets: $20-$30, at Eventbrite.com …

Two musicals gross more than $4 million

The New Year’s weekend proved to be box office gold on Broadway, with two long-time-running shows, logging record-breaking gross figures topping more than $4 million.

‘Twas the first time that two shows topped the elite $4 million tally.

Further, six other shows grossed more than $2 million, also a first.

The Top 10:

1 – “The Lion King,” $4,316 million.

2 – “Wicked,”$4,003 million.

3 – “Aladdin,” $2,979 million.

4 – “Harry Potter and the Cursed Child,” $2,718 million.

5 – “MJ The Musical,” $2,613 million.

6 – “Hamilton,” $2,404 million.

7 –  “Sweeney Todd: The Demon Barber of Fleet Street,” $2,261 million.,

8 – “Back To The Future: The Musical,” $2,109 million.

9 – “Merrily We Roll Along,” $1,995 million.

And 10 – “Moulin Rouge! The Musical,” $1,780 million.

The total list, courtesy The Broadway League:

And that’s Show Biz. …