ANGELA LANSBURY: AN APPRECIATION

Murder, she wrote.

Musicals, she played.

Magic, she created.

Angela Lansbury, a Londoner who became an icon of theater, TV and films, died  in her sleep Oct. 11 in Los Angeles. She was 96; she would have turned 97 in five more days.

She was a global sensation, bringing dignity, charm, and radiance to any role she tackled. Her incredible career spanned eight decades and embraced television, movies, and the Broadway stage. Clearly, she was one of the rare ones, who kept reinventing herself in all phases of show biz.

Adults remember her for playing Jessica Fletcher, on CBS’ long-time crime caper, in which she was the irrepressible sleuth and busybody who always tried to solve a case before the usual investigators.

Angela Lansbury

On stage, there was nothing she couldn’t portray. I first saw her in “Mame” on Broadway, in 1996, which earned her the first of five Tony Awards (six, counting a Lifetime Achievement Award), which proved she could sing and dance and act. But she also won hurrahs for “Gypsy,”  which I saw in London, which added Rose in her repertoire. In perhaps her most challenging Broadway musical, Stephen Sondheim’s  “Sweeney Todd: The Demon Barber of Fleet Street,” she was perfection as Nellie Lovett, the baker creating meat pies, in a stunning adult musical directed by Hal Prince and co-starring Len Cariou as the murderer. She brought her own version of Madame Armfeldt, in Sondheim’s “A Little Night Music,” which earned her a Tony nomination.

One of her last roles on Broadway was “Deuce,” in 2007, a drama by Terence McNally, which  paired Lansbury with Marian Seldes in a not-so-popular vehicle that also starred an invisible but audible bouncing tennis ball, with both actresses conversing and looking left and right and left and right in  a monotonous exercise in tedium. This was a rare  Lansbury; she forgot her text and you could hear the prompter throwing out her lines. Ouch!

In films, she provided the voice of charm as Mrs. Potts, the teapot in Disney’s animated movie, “Beauty and the Beast,” singing the title tune that youngsters adopted. ‘Twas a tale as old as time, still resonating with nostalgia.

She was a character actress, too, in a slew of films, like “Gas Light,” “The Picture of Dorian Gray” and “The Manchurian Candidate,” earning Oscar nominations. Her lone Academy Award was an honorary one, for her dramatic roles.

And one of her little known roles – she played the mother of the Elvis Presley in “Blue Hawaii” – gave her island ties and perhaps provoked a trivia question in her filmography.

Lansbury might have been the right actress at the right time, on the Great White Way.  She was a Broadway musical headliner, in the wake of Ethel Merman, and  logically the inspiration for the next and current-generation of Broadway divas like Bernadette Peters, Kelli O’Hara and Sutton Foster.

She was legendary in a craft requiring triple-threat skills and I’m blessed to have experienced her grace and magic in  live in shows that are now  classics in the Broadway library. May she be taking her bows in the great theater in the skies. …

Commercial break

Frank DeLima

I’ve been missing the chuckles, watching Frank DeLima do his multi-tutu-in-muumuu TV commercials for The Cab, so I asked him recently why the spot – which even used to be shown in movie theaters – was yanked.

“Because the cab business is down,” he said. During the pandemic, visitors to Hawaii were down, perhaps locals just stayed home, and it’s likely Lyft and  Uber services were up due to their cheaper fares?

DeLima’s comedic presence made the commercial particularly effective, since his utterance of the cab company’s phone number, (808) 422-2222, helped make it a household number hard to forget. …

Shelton will exit ‘The Voice’

Blake Shelton

Blake Shelton will wind up his career as judge on NBC’s “The Voice,” exiting his turn-around chair in Season 23, which begins in January 2023.

Joining remaining coach Kelly Clarkson will be Chance the Rapper and Niall Horan, formerly of One Direction.

Shelton, a singer with roots in country music, has been the winningest coach on the talent competition over the past 12 years, with eight of his picks resulting as the last one standing.

His wife, Gwen Stefani, has been an intermittent judge; they married in 2021.

Show host Carson Daly also will continue.

With two shows a week, during a typical run of the competition, judging is a mammoth task.

The question, however, is the show has yet to have a bona fide breakout star. Like, can you name at least three “Voice” winners of the past?  Didn’t think so. ..

And that’s Show Biz. …

PANDORA, SPOTIFY STILL SURPRISE KEVIN I

Kevin I., aka Kevin Iwamoto in his business-career realm, continues to receive heartening news about his 1980s recordings that have connected with a 2022 audience.

“Woke up this morning to two great emails from Pandora, a leading US music streaming platform saying that they have selected two songs from my latest release Love Songs Collection 1980-1985 (2022 Remaster) that will be added to their higher rotation playlist!,” he gleefully said via a recent Facebook post.

“That means much more streams and exposure to Pandora subscribers.”

The surge in interest in his oldies that have connected with a newbie listenership has been constantly giving him a lift in spirits, considering he’s now touring to promote his catalog of romantic ditties, recorded when he was an active balladeer in Honolulu.

Kevin I

“ This second release has generated more interest in my global music catalog and has boosted streaming numbers by 12,000 streams/ downloads just on Pandora with similar numbers on Spotify,” he commented. “Thank you Lord!”

Certainly, he spent time and bucks to remix, re-energize and release his original recordings, from yesteryear, not knowing what the outcome would be three decades later. You recall, too, that when he was home recently for the 50th anniversary of his Roosevelt High School class reunion, he gifted his former classmates with a limited edition CD that contained titles that global followers have been discovering and buying online.  …

The lesson here: Keep on top of your game; you never know when your career gets an unexpected reboot; taking a left turn might be the right move. Main thing, explore your options and chart your course. …

Lisa Konove reprises Ann Landers role

Honolulu actress Lisa Konove is winding up a brief run, portraying advice columnist Ann Landers, in a Beverly Arts Center  run of “The Lady With All the Answers,” ending today (Oct. 9) in Chicago. It’s her acting debut in The Windy City.

Lisa Konove

Konove did the  one-woman role in an earlier run at Diamond Head Theatre.

The casting was a reunion with BAC artistic director Kevin Pease, formerly of Hawaii, who directed Konove who played Jo in “Waitress” in the regional premiere of the musical. …

Ooops, a wardrobe malfunction

Nicole Scherzinger

Nicole Scherzinger,  local girl and former lead singer of the Pussycat Dolls,  was out and about in New York recently when s polka dot dress with ruffled sleeves slipped for a moment, creating a tad of a nipple display.

She didn’t panic, apparently, and quickly raised her off-the-shoulder sleeves to recover from the mishap. Could be some folks didn’t recognize her because she was shielded with large sunglasses and gold hoop earrings, which might have distracted would be spectators. All in a day’s outing. …

And that’s Show Biz. …

NEW YORK CREDS FOR LEE CATALUNA

Kudos to playwright Lee Cataluna, who has taken a huge leap in her prolific career, and applause, too,  to the New York Times to recognize and spotlight her journey as a storyteller in a community far, far away from her island roots.

Cataluna, a former journalist for the Honolulu Advertiser and now a columnist for Civil Beat,  was interviewed by NYT reporter Laura Graeber, in an article published Oct. 4, that explores her storytelling skills.  Cataluna’s latest play, “Heart Strings,” is in production through Oct. 23 at the Linda Gross Theater in Chelsea. It is being produced by  Atlantic Theater Company as the initial Atlantic for Kids production since the COVID-19 pandemic shutdown.

It’s quite an achievement for Cataluna to take her play beyond the reef and across the continent. It’s also a moment for the state to support her mission — and others in her footsteps — to bring island themes and tales for audiences elsewhere to enjoy and discover.

Lee Cataluna

At a time when even the Honolulu media shamefully does not acknowledge or write about local playwrights launching a play with clear Hawaiian roots, it’s  an astonishing accomplishment for Cataluna to attract a New York group to stage the world premiere  of “Heart Strings.”

The thread throughout her play focuses on hei, the centuries-old small-kid-time game, where a simple string or cord is the centerpiece, and game-players use their fingers to create varying triangles or rectangles and players delicately transfer the network of loops to each other. You might remember it as “Cat’s Cradle,” which has also been the name for this string game.

 And, natch, batteries are not required. Simple idea, with historical roots, about everyday events or relationships, is at the core of Cataluna’s plays. Think “Folks You Meet at Long’s,” “Musubi Man,” “Home of the Brave,” “You Somebody,” “Flowers of Hawaii,” and “Extraordinary Stories for Ordinary Ohana.” Locally, her works have been staged by Kumu Kahua, Honolulu Theatre of Youth and Diamond Head Theatre. …

“Heart Strings” was intended to be staged by Iolani School actors (Cataluna previously taught there; her son remains a student there), but plans changed because of the pandemic. Who knew New York would kick off a Hawaii play? Like Kumu Kahua on steroids!

I recall when Cataluna was researching this play, seeking  how-to’s of hei via Facebook. Not surprising, she got the job done — with no strings attached. She’s opened the doors for other island playwrights to attempt to get their works noticed and produced beyond the seas. …

Bruno Mars

A heavenly milestone for Bruno

So maybe now is a good time to talk about Bruno. You know, Bruno Mars, not the “Encanto” Disney Bruno.

Our local superstar now has six Diamond Single Awards, the first pop star to achieve this status. His “Locked Out of  Heaven” tune has been certified Diamond, by RIAA’s Gold and Platinum Program. His earlier five Diamond hits are “Just the Way You Are,” “Grenade,” “When I Was Your Man,” “That’s What I Like,” and the collaborative “Uptown Funk” with Mark Ronson.

Way to go, Bruno! …

Sunday Manoa

Manoa Marketplace (rear area, beyond Safeway but not blocking Long’s) is undergoing renovations, so there are some concerns behind the boarded eateries and shops. I dined at Paisano one night, before taking in “Cabaret,” and navigating to the Italian restaurant was a challenge.

So folks thinking of going to Medici’s on the second floor, where the Tommy James Trio (with Dave Bixler and Dean Taba) perform on Sunday (Oct. 9), should anticipate a bit of a maze to get to the club; doors open at 5 p.m., show at 6:30 p.m.

Tommy James

And an update: Medici’s earlier raised its dinner-and-show prices to $75 (I had bought tickets at that price, for a postponed Shari Lynn Trio show), with meals served by waitstaff. But the return of the buffet brings down the price to $59 (partly because of patron outcries and perhaps a drop in attendees), with reimbursements to be made at the door, according to the Medici’s website. …

And that’s Show Biz. …

SCHUMAN READY TO ‘BRING HIM HOME’

Does Craig Schulman, known for his role as Jean Valjean in “Les Miserables,” ever shed tears when he delivers his signature tune, “Bring Him Home”?

“Never,” he said in a phone interview from his New York home. “I have a routine that goes through my head. You have to control it (the tears).”

Schulman is heading to Honolulu for a much-delayed performance when he appears with two Broadway colleagues in “The Three Phantoms,” at 7 p.m. Oct. 29 and 2 p.m. Oct. 30 at the Hawaii Theatre. It’ll be a night of Broadway tunes from a myriad of shows, including “The Phantom of the Opera.”

Schulman, who is the producer of the event, will naturally render “Bring Him On.” So he’ll have to keep up his guard, since fans and followers often drop tears due to the emotion in the song, even out of context of “Les Miz.”

Craig Schulman, as the Phantom, himself, and Jean Valjea.

Some years ago, when he did the first national tour of “Les Miz,” he thought “Bring Him Home” might bring out the waterworks.

“At that time, my dad was having cancer surgery, and I kept that memory, which keeps me in control. But when I lost a daughter, I was having emotional pain.”

His determination to maintain discipline, so he doesn’t “lose it,” has been helpful. But there have been a few instances “when my body couldn’t keep up with my mind.”

He misses “Les Miz,” specifically, and the stage, generally.

So “Phantoms” will enable him to embrace Broadway biggies that feature a panorama of familiar tunes performed by male tenor soloists, like Andrew Lloyd Webber’s “The Phantom of the Opera.”

Keith Butergaugh
Gary Mauer

Schulman organized the concept back in 2000. The Hawaii Theatre edition — with support from Honolulu arts patron Carolyn Berry Wilson — will be the first resurrection of the show since the pandemic shut down theater everywhere. He has assembled the substantial talents of two buddies – Keith Buterbaugh and Gary Mauer, who, like Schulman, have donned the mask of the “Phantom” over the decades, as well as performed in other key leads in the Broadway repertoire.

Dan Riddle, musical director, will helm a six-piece group of island musicians for the evening.

Schulman, who has performed Valjean in previous Honolulu visits of “Les Miz,” earlier partnered with Cris Groenendaal, who played the phantom here, and Kevin Gray, who starred as Scar in “The Lion King” at Blaisdell Concert Hall, in the phantom trio portfolio. Groenendaal has retired from active singing and Gray died of a heart attack while shoveling snow at his New York home.

Craig Schulman

Collectively, the original Phantom buddies accrued an average of 20 years of Broadway experiences and  performances in regional shows, opera and TV roles.

“When we do a set show, with a symphony or a six-piece orchestra, you have to stay with the script,” said Schulman about “Phantom.” “You can do some shtick, but you have to be consistent.”

The planned repertoire includes male-delivered hits from shows like “Miss Saigon,”  “Guys and Dolls,” “ Annie Get Your Gun,” “Kiss Me Kate,” “South Pacific,” “Jesus Christ, Superstar” and “Damn Yankees.”

Tickets are $30 to $50, available at www.hawaiitheatre.com or by calling (808) 528-0506. During the pandemic, the theater box office is closed, so ticket access is via online or phone.

After Honolulu, the threesome  will have two more “Phantom” bookings,  in Muncy, Ind. But Schulman said he always keeps a stable of singers in tow, just in case. “You need to keep eight to ten people, as singers come and go. I had hoped to have Mark Jacoby aboard, but he is one of two Neil Diamond actors (the younger is Will Swenson), in the Broadway-bound ‘A Beautiful Noise’” which is launching in Boston next June before heading to New York later.

 Of course, he’s open to do a legit Broadway biggie, should an opporutunity arise.

Otherwise, he said, “I still do voice-teaching. And I’m enjoying my grandchildren.”

But It’s been a frustrating past decade, for the whole theater industry. “The industry retired me, making a decision that I stop (doing traditional theater). And that makes me angry.” …

And that’s Show Biz. …

CARROLL MEMORIAL ON NOV. 27

A memorial service will be held for the late Dennis Carroll, the playwright and professor emeritus at the University of Hawaii’s Department of Theatre and Dance, from 2:30 to 4:30 p.m. Nov. 27 at Kennedy Theatre.

Though associated with UH, Carroll was founder of Kumu Kahua Theatre, which is organizing the memorial with the cooperation of UH. Nov. 25 is the first anniversary of his death; he was 81.

He nurtured and led Kumu Kahua, living his dream. Carroll was an accomplished playwright whose vision for his craft evolved into the formation of Kumu Kahua, the theater group specializing in works with island themes written by folks who share the same focus and staged with actors enacting tales of the Hawaii experience.

Dennis Carroll

Submissions for inclusion in the event – photos, tributes, video –  are sought, from now through Nov. 1. To upload submissions, visit Photos & Tributes for Dr. Dennis Carroll .

Following the memorial, a reception will be held in the Upper Lanai of Kennedy Theatre..
“Dr. Dennis Carroll was a tremendous friend, colleague, mentor, and educator. The impact of his legacy will long be felt throughout the halls and hearts of this campus and the extended community,” said Tammy Haili‘ōpua Baker.

“Kumu Kahua is at its core a playwright’s theater—reflecting Dennis’ passion for our
tremendous local playwrights that share the voices of our community and the cultures reflected here,” said the theater’s artistic director Harry Wong III. …

Postscript on the Wolfe firing/reinstatement

Rick  Chong, chair of the board of directors at Diamond Head Theatre, has shed light on the way costume designer Karen G. Wolfe was terminated, then reinstated. Turns out there were vague decisions about retirement, resignation and reinstatement, on both sides of the coin. And mind-changing on her part didn’t help.

Rick Chong

An in-house letter, shared with me, clarifies some of the issues surrounding Wolfe’s standing. Chong shed light on the hitherto not mentioned fact that Wolfe initiated her exit by submitting a letter of intention to resign last February, prior to the opening of “Jesus Christ Superstar.”

“She was never asked to resign; she verbally submitted her resignation,” said Chong in the memo.

Subsequently, Wolfe had discussions with her supervisor and “she agreed to delay her resignation until the closing of ‘Anything Goes,’ which would also coincide with the closing of the old theater. By that time, however, steps had been taken to recruit and hire for her replacement to plan for the changes that her departure would necessitate,” said Chong.

In August, she sought to extend her retirement until the opening of “Cinderella” (next January).

Separately, Wolfe has said via Facebook that she was back is in the saddle, on the timetable she requested.  Curiously, Chong’s memo said “DHT has agreed to extend Karen’s employment to the opening of ‘Cinderella’ (next January) as Karen requested; however she has declined that offer.”

So: don’t know if all that rallying for her to maintain her role is over.

There’s encouragement, however, in Chong’s declaration that “Karen has expressed interest in still returning as a guest Costume Designer for future shows so it’s our hope that she will continue to be able to offer her creative talents and artistic touch for many shows in the future.”

Sounds like an encouraging  e-handshake. After all, no one – surely, not DHT –disputes Wolfe’s long years of dedicated service and creative costuming. …

Broadway grosses, week ending Oct. 2

Maybe Broadway is returning to the pre-pandemic times, with folks flocking back to the theater again.

The top three grossers remain the same: No. 1, “The Music Man,” with $2.794 million; No. 2, “Hamilton,” with $1.913 million; and No. 3, with “MJ the Musical,” with $1.728 million.

The next leaders are: No. 4, “Funny Girl,” with $1.638 million; No. 5, “The Lion King,” with $1.573 million; No. 6, “The Phantom of the Opera,” with $1.331 million (picking up support since it announced its closing in February, 2023, after a 30-year run); and No, 7, “Wicked,” with $1.328 million.

The compilation, courtesy The Broadway League:

And that’s Show Biz. …